Sentences with phrase «scale color photography»

With «Richard Misrach: On the Beach» and «Alec Soth: Black Line of Woods,» we saw some of the great large - scale color photography being done with film.
Curated by David E. Little, the exhibition presented a new genre of large - scale color photography depicting history and contemporary experience from unconventional perspectives.
The Contemporary guest rooms and suites also include a number of black and white photographs, but focus on a collection of large - scale color photography.

Not exact matches

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
Part of Arcangel's Photoshop Gradient Demonstration series, it encapsulates the long - cherished desire to put photography on par with painting and the accelerating democratization of new media; at 72 - by - 110 inches, its scale and vivid hues evoke Color Field painting.
An exclusive selection of large - scale color work by our renowned Outstanding Contribution to Photography recipient, Candida Höfer.
Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.
To be standing at this particular intersection of art and technology, science and instant photography, bringing new ideas, new nomenclature, new picture signs to our global photographic culture, it had to be me, through this machine, to talk about abstraction and minimalism, size and scale, color and non-color, form with feelings.
Completing the installation is a large - scale rendering of a color calibration card — the color grid that is used to maintain accuracy in the printing or post-production of color photography because it remains consistent in various lighting conditions.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
Covering three decades of the artist's provocative yet intimate large - scale color images capturing the domestic life and private moments of the American and European elite — her family and friends — this book will appeal to contemporary - art lovers, photography book collectors, and anyone with an interest in modern culture.
Richard Misrach (born 1949) is credited with helping pioneer the renaissance of color photography and large - scale presentation in the 1970s.
Along with other Western European photographers such as Thomas Struth and Thomas Ruff, Dijkstra has been a leading innovator in the production of large - scale color images, which came to define contemporary photography in the 1990s and have transformed it ever since.
In the 1970s, Misrach helped pioneer the renaissance of color photography and large - scale presentation.
The first New York survey of Shore's work in 10 years, this exhibition establishes the artist's full oeuvre in the context of his time — from his days at Andy Warhol's Factory through the rise of American color photography and the transition to large - scale digital photography — and argues for his singular vision and uncompromising pursuit of photography's possibilities.
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