Sentences with phrase «scale color prints»

Included in the Biennale are eight large - scale color prints from Galembo's Ghana series.

Collier's cool and detached photographic style, manifested in large - scale color prints, eliminates any unnecessary artifice between viewers and the material she finds so fascinating.

Not exact matches

These super stretchy yoga leggings have a tiny mermaid scale print all over in magical colors!

You can 1) go for two prints in the same color scale 2) pick prints with similar patterns 3) choose prints that are complete opposites.

The printed set, whether in mixed prints, scale, or color mixing.

Just make sure to select your best colors, and prints and details that are scaled to your body scale.

The clash of prints won't be as crazy and the meeting point of two prints can be in the color scale.

You can wear two prints that repeat the same colors or mix a large - scale pattern with a smaller one.

If you want to stay on the safe side, try prints that share the same color scale!

For the beginner: go for two different prints in the same color scale and see how the two will blend into a new print!

Small scale prints look lovely with bright colored shoes.

When mixing prints and textures just remember to keep it simple and make sure the two (or three) things you're mixing have similar color stories and are on a different scale (different size patterns).

Mix pattern scale: Pulling from your colors, you'll want to mix up different pattern scales and print variety.

Color and black and white printing options are available with instructions on how to TILE print these charts on a large scale.

Print in color or gray - scale.

The intricate prints of sea creatures are beautifully matched with cool, saturated colors, and the appearance of a scuba diver adds a nice additional reference for scale.

McLaughlin made «constructions» to determine the spacing and interaction of forms and to assign colors in advance of making paintings or prints in a different, and often larger scale.

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

The installation, entitled «Playground Parachutes,» includes four large - scale murals that Greenfield - Sanders gridded into 72 square tiles printed in four basic colors: blue, pink, yellow and black.

This exhibition focuses on a selection the Italian photographer's night photographs, printed in his signature large scale color format.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Reducing his photographic source material to diagonal lines of pastel - colored pixels that mimic driving rainstorms, Zucker makes inkjet prints and transfers them onto large - scale canvases.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Recognizing that the drawings done on the iPad could be produced as large prints, Hockney calibrated each gesture and color accordingly, carefully transposing the scale from screen to print.

Characterized by a seemingly objective, straightforward style and the use of large - scale, vibrantly colored prints, their work reflects the teachings of Bernd and Hilla Becher, professors at the Kunstakademie Düsseldorf, whose exacting style and dispassionate examinations of industrial forms are exemplified in their nine - photograph grid Water Towers (1972 — 2009).

IMAGES (from top): Lorraine O'Grady, The First and Last of the Modernists, Diptych 3 Blue (Charles and Michael), 2010, Fujiflex prints, two prints, each 46 3/4 x 37 3/8 inches (118.8 x 94.5 cm), courtesy of the artist and Alexander Gray Associates, New York, © Lorraine O'Grady / Artists Rights Society (ARS), New York; Raqs Media Collective, An Afternoon Unregistered on the Richter Scale, 2011, single - channel video of colored and animated archival photograph, 3:34 minutes, looped, courtesy of the artists and Frith Street Gallery, London

The images are exhibited as large - scale inkjet prints which continue to explore the artists interest in color phenomena and trichromatic RGB vision.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

Jonas Wood's prints — domestic worlds of overlapping plants and household objects, vases, flowers and basketballs — feature schemes of skewed perspectives that bristle with an abstract charge, according to the gallery, and confound expectations of scale, perspective and color.

The second installation is a presentation of three large - scale silver - halide color prints mounted on aluminum, images from the film Cézanne: Conversation with Joachim Gasquet (1990).

In both his prints and his larger scaled installations combining sheer colored fabrics with mixed industrial sheetgoods, Stephen Maine displays a refined understanding of planar abstraction.

Pace Prints is also proud to release Chuck Close's most recent large scale Self - Portrait, 2017, a 92 - color screenprint.

The selection of works includes large - scale prints exploring the negative effects of stereotypes on the lives of people of color and how these stereotypes give rise to biased laws and ideologies.

Exhibitions and Installations: Chromatic Scale: Prints by Polly Apfelbaum Polly Apfelbaum employs bright colors and abstract motifs in her prints, using methods that are both ordered and spontaPrints by Polly Apfelbaum Polly Apfelbaum employs bright colors and abstract motifs in her prints, using methods that are both ordered and spontaprints, using methods that are both ordered and spontaneous.

By manipulating scale, color and repetition - integrating printed wallpaper, abstract form and furniture - like elements - each part's expected role is switched.

LIGHT SENSITIVE NOW OPEN / View a slideshow of the preview and opening for the exhibition, which includes over 100 works from domestic and international artists, from tiny early daguerreotypes to large - scale contemporary color prints and videos, and is drawn from 12 public and private North Carolina collections.

Completing the installation is a large - scale rendering of a color calibration card — the color grid that is used to maintain accuracy in the printing or post-production of color photography because it remains consistent in various lighting conditions.

Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.

The Spanners serve a dual purpose in this exhibition — they offer a pop of color and a palate cleanser should the eyes need a rest from looking at dots, which tend to vibrate at that scale, as well as referencing the source material gesturing that this installation is something more than prints from a book.

The exhibition entitled Bachelors features a series of seven colored pencil portraits, several large - scale paintings on drop cloths, and a group of unique pressure prints.

Struth uses the mural - scale prints that have become a trope in contemporary art, not least in Germany — he is a peer of Thomas Ruff and Andreas Gursky, having graduated from the same Kunstakademie Düsseldorf program taught by Bernd and Hilla Becher — and the size and deep color of his images are crucial to their effect: In the museum work in particular (Struth also makes streetscapes and portraits),

New York - based artist Jacqueline Humphries» new large - scale works contain rows upon rows of tiny, printed symbols, emoticons and kaomoji which form the background music to large energetic crescendos of sweeping brushstrokes and dynamic colors.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

These early prints rephrased the paintings in variations of color and scale and in the realm of print media, primarily lithography.

His prints have color and scale influenced by his travels around the world.

A large - scale Boho cactus print sets the scene in this modern nursery room from Tellkiddo where vibrant green plants bring an unadulterated dose of life, energy and color to this richly textured, gender - neutral space.

I love your choice of pillows... the colors, textures, combo of prints and scale... perfection.

The colors and scale of prints is up to you and your style.

Choose colors and scale of prints according to your wish and style and feel like in a blooming garden!

This neutral color - blocked work is printed on a large scale onto gallery - wrapped canvas and displayed in a champagne - colored floater frame.