Sentences with phrase «scale color works»

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

The MMS kitchen scale color works perfectly and your dishes inside are beautiful.

An exclusive selection of large - scale color work by our renowned Outstanding Contribution to Photography recipient, Candida Höfer.

Not exact matches

Now that there's a simple and inexpensive color display technology, Smalley and colleagues are working on ways to use it to create large holographic video displays — on the scale of room - sized displays.

Commercial dyes work by using harsh chemicals, such as ammonia and bleach, to first pry open the cuticle scales to allow colorant molecules inside and then trigger a reaction inside the hair to produce more color.

The researchers are now working toward a large - scale clinical trial of a color - seeing machine.

I love that you worked in a different color scale, rather than just the classic black / white / grey.

We've already talked quite a lot about colors, how to dress in scale and how to work the pastels.

If you want to work the green color scale as a pro, focusing on texture is a great way of dealing with it.

Matthew demonstrated his reading, writing, and research skills through a series of projects connected to a study of architecture: evidence - based essays pertaining to the architecture of ancient civilizations, based on the written work of David McCauley; a profile of a fictional architect, based on an interview with a practicing architect; and colored blueprints of an originally designed and furnished home, which he drafted to scale and executed to code.

bags of dry dog or cat food Baby wipes Large paper shredder Ammonia detector / sensor 3 Respirator Box of 20 disposable respirator Other Equipment & Supplies Small Scale (that measures in grams) Sweeping brooms Dust pans «Wet Floor» caution signs All - Terrain Vehicle Black - and - white laser printers (not color printers or inkjet printers, please) in good working condition Desktop computers (please, three years old at the most).

This work varies widely in scale and format, making each one feel particular as an object, and color moves at varying speeds.

Consisting of twelve identically scaled anodized aluminum works, the historic exhibition at the Kunsthalle Baden - Baden was significant in that it marked the first time Judd used colored anodized aluminum in such a large, floor - mounted format.

Jim Denevan and Ari Marcopoulos work in tandem to produce large scale color photographs of geometric drawings delineated freehand on a stretch of beach in northern California.

At the Pulitzer Arts Foundation in St. Louis, where the 28 - foot - tall Kelly work composed of two monochrome aluminum panels painted blue and black is permanently installed, Mr. Ligon has free - associated on the political, formal and poetic interplay of these two colors in a large - scale exhibition he has organized.

Berlin - based Grosse (b. 1961, Germany) is mainly known for large - scale three - dimensional work that features bright, unmixed, sprayed - on color that evokes abstract painters like Sam Francis and Helen Frankenthaler.

Among the works included will be four new drawings made by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest single drawing Roni Horn has ever made, executed in yellow - green pigment and collage; a suite of five new plant drawings and a collage of colored geometric forms by Ellsworth Kelly; two new folios by Brice Marden, each consisting of a group of seven drawings on handmade paper; and several large - scale, brightly - colored ink drawings by Charles Ray.

Spanning from deconstruction to color field and ranging in scale, the works on view spark the imagination and leave the visitor wanting more.

Basing his work on the interaction of colors and shapes, his practical geometry developed into an «intricate halftone technique» applicable on both on canvas and in large scale murals.

Frank Stella is known for the large scale of his work, and for the exuberant, kinetic way he uses colors and forms.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

While the pop - colored, large scale work was an early calling card, he was also working on a darker series that is just now getting its due.

Families will explore shape, line, and color to sketch a large - scale, 3D, abstract still - life inspired by the work of Stuart Davis.

In using a broad spectrum of color and freedom within the media, Cain's paintings hold the risk and ambition seen in her site works in a much more intimate scale.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Using these works as a starting point, Herrera's exhibition at the Pace Foundation reads like a small - scale retrospective, cycling around the space in punctuated bursts of color and form.

Without even working on all that large a scale, he filled both rooms of his West 24th Street gallery with large, facile brushstrokes of thinly applied, bright color and no apparent shape.

The 50 works by the artist, mostly large - scale, are full of images, vivid colors, symbols, writings, and most of all, Basquiat's signature style.

The mostly small - scale work, including many early black - and - white, hand - colored, and sepia - toned photographs, is culled primarily from the artist's family members» collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series.

One can not help stepping on the work to get where one is going, and at this scale the color becomes downright nauseating.

His early abstract - ish paintings, small and wan, were nothing if not winning... but does the old formula (near - monochromatic color, sketchy brushwork, mysterious fading imagery) still work when the scale is monumental?

By 1964, Saint Phalle grew bored and weary from the shootings and began to shift her artistic energies toward a new suite of sculptural works that took the form of voluptuous female goddess figures, mothers, brides, monsters, and the large - scale, brightly colored Nanas.

Among these works are early small - scale, monochrome India ink paintings; numerous paintings from the 1990s when the artist introduced color to his work; and a group of rare, large - scale paintings.

Can you speak a bit about these works» scale and their bright, bold colors?

In her recent paintings, Saccoccio emphasizes the process of painting by tipping, dragging, and shaking the large - scale works over one another, where liquid pools of color, directional lines, and translucent orbs coexist.

Organized chronologically, the publication traces Pettibon's prolific output of his surfer series, from early small - scale monochrome India ink drawings to numerous examples from the 1990s when the artist introduced color, culminating with his recent large - scale works.

The treatment of color pulses with an almost thermal intensity at the core of Black Coal Bay, a large - scale mixed media on paper work, and it deftly dances around the powerful black architecture of Stacked Black, an acrylic and gouache on canvas.

Working in a new studio space, she has created pictures at a larger scale than was previously possible for her and which allow her to further explore the expressive potential of color.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

These include the artist's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Bradford considers Still's use of color, scale and mark making and how his works may have been responding to the politics of the time.

His gallery works are often brightly colored large - scale paintings or drawings, influenced by Hergé's ligne claire technique, emphasizing strong, clean lines over crosshatching and shading.

Other highlights from the exhibition include Michelle Ramin's figurative, watercolor and colored - pencil on paper works and Joo Lee Kang's animalia works of ink on paper drawings, wallpaper installation and large - scale sculpture.

Complementing Griffin's work are Jeanie Gooden's large - scale paintings, which explore the interaction of colors and incorporate a variety of mixed media including handmade paper, metal, and hand stitching.

The easel scale and near uniform dimensions of her work brings out the shared interest in color and light.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

In Untitled # 7, a large - scale canvas from 1984, Martin produces a work of supreme grace, combining the very basic elements of art — color and line — into a canvas that emanates a quiet, yet powerful authority.