The museum also houses temporary exhibitions featuring mostly large -
scale contemporary works.
«Making Connections», located in the introductory gallery, features large -
scale contemporary works by Jennifer Bartlett, Ross Bleckner, John Chamberlain, Roy Lichtenstein, and Donald Sultan, among others.
Not exact matches
Ward is
working to determine how plants have evolved in response to changing carbon dioxide levels over geologic and
contemporary time
scales.
As previously announced, the inaugural LFF Connects will feature British filmmaker Christopher Nolan, internationally acclaimed for some of the most original, compelling and successful films in
contemporary cinema (Interstellar, Inception, The Dark Knight, Memento), and Tacita Dean, lauded for her art
work in film (and whose grand -
scale Tate Modern exhibition FILM transfixed audiences).
While WordPress, no matter the
scale, will
work with virtually any
contemporary operating system and processor with RAM needs as low as 512 megabytes (all you need is a server that run PHP and MySQL), system requirements for various stand alone set ups have been listed as high as 4 gigabytes of ram (for enterprise level set ups) along with 2 or more gigahertz of processing speeds.
Dr. Lopez's team then
worked to find the best, most
contemporary sources of information, created a 0 - 4
scale for ratings and then evaluated each state on the 29 factors.
Open studio showing new
works of three artists featuring large
scale abstract paintings by local educator Mike Irwin,
contemporary abstract still life paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous
works on paper by local educator and arts activist Dug Uyesaka.
Throughout Rosewood Sand Hill, a captivating collection of Northern Californian art graces the walls, including
contemporary paintings,
works on paper, fine art prints and photography with several large -
scale, specially - commissioned pieces showcasing the region.
Bounded on the west and north sides by towering glass walls overlooking Boston's skyline, the east side displays Sandra and Gerald Fineberg Art Wall, featuring large -
scale works by leading
contemporary artists.
In addition to numerous solo exhibitions, a large -
scale retrospective of Murakami's
work, © Murakami, toured major museums around the world, including the Museum of
Contemporary Art, Los Angeles, and the Guggenheim Museum Bilbao.
Regularly exhibiting at the Asia
Contemporary Art Show in Hong Kong.She has now moved her canvas to large
scale street arts
work.
BIG presents over thirty large -
scale, modern and
contemporary artworks from MMoCA's permanent collection, including
works by Sam Gilliam, Ellsworth Kelly, Robert Rauschenberg, and Jennifer Steinkamp.
Apsara DiQuinzio, our Curator of Modern and
Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small -
scale MATRIX shows in the
works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].
Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video
works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta
Contemporary Art Center where she mounted a large -
scale interactive installation environment, «A Thousand Plateaus» in 2001.
From large
scale works to small
scale, the relationship between these is continuously considered whilst trying to address larger
contemporary issues.
The range is fantastic, and I think indicative of
contemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable style
contemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers
Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable style
Contemporary, London); representational
works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately
scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail
Contemporary, Ottawa); plus every conceivable style
Contemporary, Ottawa); plus every conceivable style in between.
PAUSE is an innovative public art program that transforms different digital surfaces into large -
scale canvases by showcasing
work from leaders in the
contemporary art world.
You Are Here features immersive art installations by 15
contemporary artists, including large -
scale light
works, sound installations, video
works, mixed - media room - size environments, and site - specific projects.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious
works, will reflect on her new
works, including her recent show at Massachusetts Museum of
Contemporary Art, «As Above So Below,» a large -
scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.
«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of
works contributes immeasurably to the Museum's representation of
works by
contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum pr
contemporary American artists and augments on a historic
scale its holdings of
contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum pr
contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and
Contemporary Art at the Metropolitan Museum, in a museum pr
Contemporary Art at the Metropolitan Museum, in a museum press release.
Curated by Charlotta Kotik, the former chairman of the Department of
Contemporary Art at the Brooklyn Museum, the exhibition will feature approximately forty
works, the majority of them large in
scale, by ten New York artists who use eccentric and frequently obsessive techniques to create singular
works on paper.
Also featured will be several large -
scale signature ballpoint pen
works by Il Lee, including Untitled 978W (1998), a powerful and energetic drawing featured at Lee's mid-career retrospective at the San Jose Museum of Art in 2007, and Untitled BK - 1201 (2012), which was featured this year in Extreme Drawings - Ballpoint Pen Drawing Since 1950 at The Aldrich
Contemporary Art Museum.
Alicia David
Contemporary Art represents our artists on a global
scale, exhibiting
work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.
Pipilotti Rist appears on permanent display at P.S. 1
Contemporary Art Center and had one of thirteen «independent, large -
scale works» in «Open Ends,» at The Museum of Modern Art through January 2, 2001.
Jane Benson The Tang's Faux Faux (Lobby Life) is quite modest in
scale compared to many iterations of the Faux Faux
work and is part of a larger installation that traveled from the
Contemporary Arts Center in Cincinnati.
His recent solo exhibitions at the Museum of
Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman
Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent
work — a striking series of small
works on paper and panels and an impressive collection of large
scale paintings on canvas —
work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».
Villar Rojas, who is described by the Serpentine curators as being «on the brink of gaining international renown for his dramatic, large -
scale sculptural
works», 1 operates in the tradition of Merz and her fellow Arte Povera artists in focusing his
work on clay and brick, but with a
contemporary twist of conceptualism and site - specificity.
In her artistic practice, recent
works include the large -
scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich
Contemporary Art Museum, Connecticut (2013).
Amongst their most well known
works are «Prada Marfa» — a full
scale replica of a Prada boutique in the middle of the Texan desert, and «Short Cut» — a car and a caravan breaking through the ground which was first shown in Milan and now resides in the collection of the Museum of
Contemporary Art, Chicago.
The exhibition also includes an installation by Matthew Barney; animations by Jim Campbell, John Gerrard, and Takeshi Murata; and video
works by Rivane Neuenschwander and Cao Guimarães, and Nicole Miller; as well as
contemporary photography, including a large -
scale work by Jeff Wall and a series by Cindy Sherman.
Works on view (until November 27 2016) include several of Walker's large -
scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on
contemporary American identity.
Serving as the museum's central gathering space, ICA Miami's new 15,000 - square - foot sculpture garden showcases an annual schedule of major sculptural
works by post-war and
contemporary artists, including large -
scale commissions created for the museum.
Works from the Thyssen - Bornemisza Art
Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME,
Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture:
Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another
scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico
In 2017, Liu's large -
scale video installation
work The Best is Yet to Come was featured in Cold Night at Ullens Center for
Contemporary Art, Beijing, and her installation
work This Way or That Way was shown in .COM.
Amongst their most well known
works are Prada Marfa (2005)-- a full
scale replica of a Prada boutique in the middle of the Texan desert, and Short Cut (2003)-- a car and a caravan breaking through the ground which was first shown in Milan and now resides in the collection of the Museum of
Contemporary Art, Chicago.
Njideka Akunyili Crosby, whose large -
scale, multi-layered
works reflect
contemporary trans - cultural identity, will receive the 2016 Distinguished Alumni Award.
These are impressively adept paintings with a confident sense of
scale, but they do not have a distinctive character compared to
contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.
Contemporary sculpture is a broad and diverse field that includes object making, large -
scale architectural installation, performance - based
work, time - based
work, and time - based media.
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage
works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large -
scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and
Contemporary Istanbul.
So when the Fine Arts Museums of San Francisco made a deal early this year to acquire 62
works by 22
contemporary African American artists, the museums decided to produce a full -
scale exhibition with catalog in four months — a fraction of the normal lead time — to celebrate.
Committed to comprehensive, large -
scale projects by major international artists for presentation to the public, Ayn Foundation's current projects include Andy Warhol's The Last Supper and Maria Zerres's September Eleven located in the west Texas town of Marfa; an installation of
work by Dan Flavin at Fisherbau in Polling, Germany; and an exhibition of paintings by Arnulf Rainer at Mana
Contemporary.
In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely
scaled galleries he created for his 1984 exhibition at MoCA's Temporary
Contemporary, he made a rotating exhibition of such
works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
He founded The Chinati Foundation / La Fundación Chinati in 1986 specifically for the permanent installation of large -
scale works by himself and his
contemporaries.
His
work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the São Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Bienal, and is in the permanent collections of the Museum of Modern Art, Institute of
Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art, and other institutions worldwide, including a permanent large -
scale installation at the Massachusetts Institute of Technology.
2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small -
Scale Paintings, HVCCA, Hudson Valley Center for
Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room,
Works from The Dakis Joannou Collection, Deste Foundation, Centre for
Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA
Works from the collection of Viktor Bondarenko have been shown repeatedly in group and solo exhibitions of
contemporary art, but the collection has never been exhibited in the full
scale.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific
works with national and international
contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large -
scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new
work by lesser known or emerging artists
The Institute of
Contemporary Art, Miami (ICA Miami) today announced the forthcoming debut of six large -
scale artist commissions created for the museum's 2017 inaugural program, including new
work by Allora & Calzadilla, Abigail DeVille, Charles Gaines, and Chris Ofili, and Miami artists Mark Handforth and Tomm El - Saieh.
Jhaveri describes them as «classically beautiful
works, using the techniques of miniature painting, but on a larger,
contemporary scale».
The Institute for
Contemporary Art, Boston will present Nalini Malani: In Search of Vanished Blood, featuring Malani's large -
scale video / shadow play that premiered in dOCUMENTA 13 and at Galerie Lelong New York in 2013, as well as a selection of
works on paper.