Sentences with phrase «scale curated exhibitions»
How do you feel about the fact that we're comparing large - scale curated exhibitions with what are effectively large - scale shopping opportunities?
http://www.blouinartinfo.com/ Not exact matches
The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.
Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
The exhibition, curated by gallery director Indira Cesarine, will feature over fifty watercolors by the artist, who will be presenting a new series of large - scale watercolor paintings along with many of her signature works.
Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.
Curated by Charlotta Kotik, the former chairman of the Department of Contemporary Art at the Brooklyn Museum, the exhibition will feature approximately forty works, the majority of them large in scale, by ten New York artists who use eccentric and frequently obsessive techniques to create singular works on paper.
Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.
Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.
2014 Pier 54, High Line Art, New York, NY, curated by Cecilia Alemani Matter to Scale, Peninsula Art Space, Brooklyn NY Fluid, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY Created in Company: An Exhibition of LMCC Residents, Convene, New York, NY
Nicholas Frank has curated a companion exhibition, Scaling the Wall, that he describes this way:
Curated by Jean - Hubert Martin — the artist's longtime friend — the exhibition features works from the mid 1980s to more recent large - scale installations.
At the Swiss Institute in New York, where he served as Director from 2000 - 06, Wahler curated large - scale exhibitions with artists including Urs Fischer, Takashi Murakami, Jim Shaw, and Jutta Koether, and established initiatives to encourage collaboration amongst artists and leaders in fields as disparate as urban planning, chemistry, and sociology.
Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.
Curated by David E. Little, the exhibition presented a new genre of large - scale color photography depicting history and contemporary experience from unconventional perspectives.
The exhibition, curated by Maria Alice Milliet and Ferreira Gullar, is the first on any scale to consider the parallel practices of «concrete» and «constructive» art in Britain and Brazil from the 1950s to the 1970s.
The exhibition, curated by Menil director Josef Helfenstein, is the first time they have been the exclusive focus of a large - scale museum exhibition.
He has written numerous contributions on contemporary art and has curated solo - exhibitions with Louise Lawler, Johanna Billing, Christian Philipp Müller, Simon Starling, Amelie von Wulffen, Sterling Ruby amongst others but also large - scale thematic exhibitions like Flashback — Revisiting the Art of the 80s and Index — California Conceptualism.
Jackson Pollock: Blind Spots is the first large - scale exhibition to be curated by Gavin Delahunty at the DMA since he joined the Museum in May 2014.
Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.
Craig - Martin said his first response to being asked to curate the enormous show was that he «didn't want to do it at all», adding: «There are few exhibitions of this scale so it is very demanding to look at and it is very demanding to hang and can be very demanding to make sense of without collapsing into a sense of confusion.»
As if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile instead.
She has curated a number of large - scale exhibitions of film and video including Scream and Scream Again: Film in Art and Into the Light: The Projected Image in American Art 1964 - 1977, awarded best thematic exhibition in New York City by the International Association of Art Critics.
Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.
Curated by Sergio Edelsztein, Four Works is the first large - scale institutional exhibition of Gilad Ratman's works in Europe.
In Fishman's hometown of Philadelphia, the Institute of Contemporary Art held a concurrent exhibition of her small - scale work, Paper Louise Tiny Fishman Rock, curated by Ingrid Schaffner.
An exhibition of recent large - scale bronze works by Donald Baechler ranging from 2003 to the present, curated by Gigi Kracht.
From 1999 to 2010 he was the Hammer Projects curator at the Hammer Museum Los Angeles where he curated or oversaw more than 80 project exhibitions and 3 large - scale group shows of local and international emerging artists.
In addition, an exhibition of her small - scale work, curated by Ingrid Schaffner, opens at the Institute of Contemporary Art, Philadelphia on May 4.
In 2016 he curated the first large - scale museum exhibition of Mark Flood, entitled Gratest Hits in 2016.
Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
Zone 2 / BOS # 49 / Real on Rock Street @ Rock Street between Morgan and Bogart Curated by Deborah Brown and her gallerist Lesley Heller, this outdoor sculpture exhibition is one of the best opportunities to experience sculpture on the scale that exceeds the studio.
Drum Roll (1998)(footage shot from a barrel rolling through Manhattan), which receives its premiere, and Deadpan (1997)(a hazardous Buster Keaton gag reworked), are among the large - scale works included in McQueen's first major solo exhibition, curated by the ICA's Emma Dexter and Susan Copping.
I can't wait to see what she does with the scope and scale of an artist - curated exhibition, as well as the eccentricities of the Chatsworth collections.
Organized by the ADAA, a nonprofit membership organization of art dealers from around the country, The Art Show offers collectors, arts professionals, and the public the opportunity to engage with artworks of the highest quality through intimately scaled and thoughtfully curated exhibitions that encourage close looking and active conversation with art experts.
The most recent show at Spoke NYC is titled Of Scales & Feathers, a group exhibition curated by Travis Louie.
Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.
Organized by the ADAA, a nonprofit membership organization of art dealers from around the country, The Art Show offers collectors, arts professionals, and the public the opportunity to engage with artworks of the highest quality through intimately scaled and thoughtfully curated exhibitions that encourage close looking and active conversation with gallerists.
Jenga comprises her large - scale installation, which was first commissioned for the 56th Venice Biennale in 2015 as part of the group exhibition Vita Vitale, curated by Artwise for the Azerbaijan Pavilion.
With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.
Curated by Bettina M. Busse, the exhibition ICON continues the gallery's tradition of large - scale group exhibitions such as Women — Art — New Trends featuring Marina Abramović, Valie Export, Rebecca Horn, Maria Lassnig, Gina Pane, and Carolee Schneemann from 1975, Mannerism Subjective.
Curated by Gianni Jetzer, Curator - at - large at the Hirshhorn Museum and Sculpture Garden, «Unlimited» is Art Basel's exhibition platform for special projects including large - scale sculpture, paintings, and installations, video projections, and live performances.
Since an immense amount of labor would be rendered invisible, the artist decided to document the contents and curated a miniature exhibition in a scale model museum.
The exhibition is curated by Ali Subotnick and it is her first large - scale project since she joined the curatorial team at the Hammer in 2006.
Curated by noted art historians Christopher Bedford and Katy Siegel, this will be the first large - scale public exhibition to bring together a vital lineage of visionary black artists.
This year's collaboration between students from the MFA Curating at Goldsmiths College and the MA Curating Contemporary Art at Royal College of Art seeks to make visible the processes involved in exhibition - making and its accompanying notions of scale and duration.
It will also include Testing Ground Time Scale, a weekend of exhibitions and events curated by students on the Royal College of Art's MA curating and Goldsmiths College's MfA Ccurating and Goldsmiths College's MfA CuratingCurating.
This edition's anticipated Unlimited exhibition is curated by Gianni Jetzer, curator - at - Large at the Hirshhorn Museum, and is made up of a range of large - scale works, installations, performances, and video.
As well, Singer has managed grant application programs for both The Canada Council and the Ministry of Culture and Communications (Ontario), was Director of the 2005 Contemporary Art Forum - Kitchener & Area (CAFKA), Curator and Associate Director of Lehmann Leskiw Fine Art until he co-founded Rouge Concept Gallery where he remained as Curator until 2009, bringing Judy Chicago: A Survey of Important Works (curated by Virginia Eichhorn)- the first large - scale survey exhibition for Chicago ever to come to Canada.
She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).
Cedric Christie has exhibited widely in the UK and internationally and has curated a number of large - scale group exhibitions including Something I don't do and The Things of Life at Flowers Gallery.