By doing so it proposed a new model for large -
scale curatorial projects that could effectively address nonspecialist audiences.
TOM ECCLES You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey of your works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large -
scale curatorial project with Philippe Parreno and others in the Roman amphithe - atre) in Arles.
on the subversion of opacity is the third iteration of the large -
scale curatorial project by Italian curator Alessandro Facente entitled About Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to reality.
Heading Southwest [About Practice # 2] is part of the large -
scale curatorial project by Italian curator Alessandro Facente entitled About Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to reality.
TOM ECCLES: You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey of your works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large -
scale curatorial project with Philippe Parreno and others in the Roman amphitheatre) in Arles.
Not exact matches
In partnership with Phong Bui and the Brooklyn Rail's Rail
Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same
Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectively).
Similarly nomadic, artists and
curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence in the Paradise Works
project space with their first exhibition «Tipping the
Scales», which looks at work - life balance, and how for artists the two often overlap and become inseparable.
Working in a variety of different mediums including large -
scale installations, inkjet prints, and music, as well as
curatorial projects and theoretical writings, Gillick's work transcends disciplinary categories.
In 2007, together with Iris Müller - Westermann, McElheny co-curated a groundbreaking display of the very first painter of geometric abstraction, the visionary Hilma af Klint, at the Moderna Museet in Stockholm, and in 2011 McElheny's highly researched interpretations of Blinky Palermo's «lost» wall paintings of 1970 - 1972 were exhibited at the Hessel Museum of Art at CCS Bard College as part of his large
scale collaborative
curatorial project with curator Lynne Cooke and CCS director Tom Eccles.
[19] His most recent
curatorial project was a two - part exhibition with Mana Contemporary in 2017, titled Occupy Mana: Artists Need To Create On the Same
Scale That Society Has the Capacity To Destroy & Friends In Solidarity, Year 1.
The exhibition is curated by Ali Subotnick and it is her first large -
scale project since she joined the
curatorial team at the Hammer in 2006.
Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as
Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up ex
Curatorial Director of ARTRA
Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up ex
Curatorial, an independent
curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up ex
curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large -
scale pop - up exhibitions.
He has made large
scale public art commissions in Canada and Europe and has also been involved in several
curatorial projects including «The Short Century», a 2001 exhibition curated by Okwui Enwezor.
This 600 square - foot gallery is designed to host smaller -
scale exhibitions and
curatorial projects.
In 2017, Rail
Curatorial Projects curated Occupy Mana: Artists Need to Create on the Same
Scale That Society Has the Capacity to Destroy.
He has worked on site - specific public art
projects and large -
scale curatorial and collection enterprises for numerous institutions, including the Getty Center, the University of California San Diego, the Stanford University Medical Center, and the University of California San Francisco.
split / fountain (S / F), merges at least 3 forms of production and dissemination ---- art, design, and print ---- through its operation as a design studio,
project space, bookshop,
curatorial office, niche publishing house and pocket -
scaled laboratory for urban aesthetics and collaborative thinking.
Art and Appropriation, 1961 to Now, Wadsworth Atheneum Museum of Art, Hartford, CT Artists Need to Create on the Same
Scale That Society Has the Capacity to Destroy, Part I, curated by Phong Bui & Brooklyn Rail
Curatorial Projects, Mana Contemporary, Jersey City, NJ The Time.
The
Project Room, located adjacent to the Gallery in BRIC House is an added resource for video work, BRIC's emerging curator program, small -
scale exhibitions and experimental
curatorial projects.