Sentences with phrase «scale drawing work»

In 2016 a large scale drawing work was sold at auction in Paris at PIASA auction house.

Not exact matches

A real balancing scales makes this easier, but drawing may work just as well, and can go ahead without having to buy vast amounts of fruit!

And so Britain finds itself outside the EU on the basis of a competent communications operation - working off large - scale public concern about the prospect of continued membership - but without significant intellectual policy work on which to draw on.

Architectural plans, or plans hand drawn to scale, of the shop showing all facilities, work areas, bathrooms, etc..

It often starts with a simple sketch during a random moment, and it progresses into a scaled drawing done by some very talented artists I work with.

Gray is aided by the astonishing work of cinematographer Darius Khondji, who draws on the deeply - textured, golden - hued aesthetic of The Immigrant on an equally rich but far more expansive scale.

He's still an obsessive drawer (he has a book of drawings for every movie he makes), but creating the creatures and robots of «Pacific Rim» meant working in an entirely different scale.

1 Scaling up grid drawing How to use a view finder which creates sketchbook work.

This is followed by a simple Task 1 of using bearings diagrams to work out the bearings of one point from another point using angle calculations, rather than scale drawing.

this resource is a demo of how to use a mathematical short cut to work out a wide range of caluclations that can involve; Unit conversion e.g. m to cm, km to m, Kg to pounds and vis versa Scale drawing Currency exchange Similarities Percentages Ratio and proportion it is very helpful when teaching students working at lower tier GCSE Maths and those who are not naturally fond of maths and have low confidence when tackling and solving a word problem within the context of maths or even in science contexts e.g. working numbrer of moles or masses of reactants or products.

Creating & Recognizing Quality Rubrics and accompanying CD - ROM draws from over 20 years of the author's direct experiences with developing rubrics and performance tasks, devising interesting ways to use rubrics as teaching tools in the classroom, employing rubrics to score thousands of pieces of student work for classroom and large - scale assessments, and working with teachers to make their rubrics more instructionally powerful.

They also lead the production of guidance reports and work closely with colleagues in the EEF's Dissemination and Impact team and Research Schools Network, to ensure our approach to scale - up and mobilisation draws on the lessons learned from previous work and the latest available evidence.

Advance CTE's comprehensive work - based learning guide provides key considerations and guiding questions to walk states through the steps of building and scaling a high - quality work - based learning system, drawing on high - quality programs and innovative strategies from across the U.S.

The book's large scale renders the images nearly life - size, drawing you in to the many faces: Stephen Hawking gazes piercingly from his wheelchair, Johnny Depp drops a hint of a smile, a sun - drenched African mother fills a bedroom with her loving warmth as she works to prevent babies from being born HIV - positive.

That compression of sound and time, both literal and esoteric, draws a fairly profound line in the sand between the world of large - scale game development, working with teams of dozens or hundreds, and the more intimate universe of sound design for smaller social and mobile titles.

The large - scale photographs are presented alongside wooden sculptural works of a now demolished home; artefacts retrieved from inside the homes; found photographs — some of which Strange has marked with ink and paint — and drawings that he created in the development of the project.

Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

These concepts have been explored through drawings, large - scale sculptures, photo - based work, and prints.

Joyce Pensato at Petzel Gallery, ADAA: The Art Show Bart Simpson, Mickey Mouse, and Batman all appear in Joyce Pensato's large - scale charcoal drawings and paintings, and have all joined together at the Park Avenue Armory for the first four - year retrospective of the Brooklyn artist's work.

In recent years he has adapted the process to canvas and large - scale wall works, such as Blue Field Explosions (2009), a monumental drawing in the stadium that is home to the Dallas Cowboys.

His drawings — in particular his studies for his large - scale oil paintings with their notes scribbled down the margins — are some of his most intimate works to date.

Jim Dine (American, b. 1935) is major post-war artist whose work ranges from vibrant, large - scale paintings to exquisitely - rendered, romantic drawings and bronze sculpture.

It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.

Entitled «Bruce Nauman: Disappearing Acts» the exhibition chronologically presents Bruce Nauman's video works, drawings, photographs, sculptures, neon pieces, and large - scale installations.

In part a celebration of the artist's 75th birthday, the show boasts drawings, sketches, and architectural models in addition to numerous large - scale works, and offers a unique viewing experience as well — Stella staged the exhibition himself, making the most of the museum's customizable, flexible wall system.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

McCall regards these works as occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and drawing, because the genesis of each installation is a two - dimensional line - drawing.

Jim Denevan and Ari Marcopoulos work in tandem to produce large scale color photographs of geometric drawings delineated freehand on a stretch of beach in northern California.

Through his expressive depictions of children and animals ranging from paintings and drawings, to three - dimensional works employing FRP, ceramic, bronze, and large - scale installations, Nara continues to attract audiences internationally and is one of Japan's most iconic artists of our time.

Using a variety of media, his work draws from the scale and experience of its surroundings, provoking a re-reading by cross-wiring reality and fiction.

This exhibition features a selection of large - scale works on paper that combine collage, painting, drawing, printmaking.

This large - scale survey presents Chaimowicz's work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper made between 1978 and 2018, including never before exhibited pieces and three new commissions.

Among the works included will be four new drawings made by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest single drawing Roni Horn has ever made, executed in yellow - green pigment and collage; a suite of five new plant drawings and a collage of colored geometric forms by Ellsworth Kelly; two new folios by Brice Marden, each consisting of a group of seven drawings on handmade paper; and several large - scale, brightly - colored ink drawings by Charles Ray.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

Born in Nigeria, Akunyili Crosby's large - scale works combine collage, painting, drawing and printmaking and «challenge conventions of portraiture, even as they filter a number of art historical and literary influences.»

The exhibition includes more than two - dozen modestly scaled drawings, paintings, pastels and mixed media works, dated between 1966 and 2000, depicting cityscapes, mountains, and farmland.

The exhibition brings together large - scale paintings by the artists drawn from institutions and private collections, including works from SAM's holdings.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material, which includes prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland.

He also worked with large - scale vellum drawings in which he had traced charcoal outlines of previous paintings.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

Also featured will be several large - scale signature ballpoint pen works by Il Lee, including Untitled 978W (1998), a powerful and energetic drawing featured at Lee's mid-career retrospective at the San Jose Museum of Art in 2007, and Untitled BK - 1201 (2012), which was featured this year in Extreme Drawings - Ballpoint Pen Drawing Since 1950 at The Aldrich Contemporary Art drawing featured at Lee's mid-career retrospective at the San Jose Museum of Art in 2007, and Untitled BK - 1201 (2012), which was featured this year in Extreme Drawings - Ballpoint Pen Drawing Since 1950 at The Aldrich Contemporary Art Drawing Since 1950 at The Aldrich Contemporary Art Museum.

She works across sculpture, drawing, and photography to distill correlations between human and geologic scales, capturing points of interaction within natural and manmade phenomena.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

She creates work ranging from sculpture and drawing in an intimate scale to conceiving and realizing large - scale earthworks and installations around the globe.

Throughout his nearly thirty years of production, Ernesto Neto (b. 1964, Rio de Janeiro), has accumulated an extensive portfolio of work, from delicate drawings to large - scale installations to pieces that were created so that they may be penetrated, inhabited, felt, and even smelled, allowing spectators to interact with them and experience their own bodies and feelings, without losing sight of the fact that, like the human body, they are also fragile and delicate.

Cosmo Whyte presents several large, sumptuous charcoal drawings in Starting a Bush Fire at Marcia Wood Gallery through November 25, along with installation works and large - scale photographs.