Sentences with phrase «scale drawings and prints»

The wide range of references is intriguing, The technical command of the space, and the confidence with which he applies blocks of colour, against a mostly black canvas, and bold and resplendant use of gold leaf, owes something to the great number of large - scale drawings and prints he has made.

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The designer draws each print herself and then employs small scale printers and wavers to produce the dress.

These concepts have been explored through drawings, large - scale sculptures, photo - based work, and prints.

Götz is known for his prints, drawings and large - scale wall paintings which are dialogues with given environments, including foyers, reading rooms, offices or staircases.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material, which includes prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

When he died in 2010, the German artist left behind five decades of wildly diverse and formally innovative paintings, prints, sculptures, films, photographs and drawings, many of them large scale.

Jusepe de Ribera, master of the Spanish and Neapolitan baroque, is underrepresented in public collections in the UK, so the opportunity to see eight large - scale canvases and numerous drawings and prints in London is not to be missed.

This large - scale survey features work from across an array of mediums and includes sculptures, drawings, prints and a series of immersive full - room installations.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoodDrawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooddrawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

In 2013 Somerset House presented a major retrospective featuring over 100 works including large scale prints, polaroids and drawings.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Comprising wide - ranging imagery and materials, including small - scale drawings, screen prints, and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing, and installation.

Recognizing that the drawings done on the iPad could be produced as large prints, Hockney calibrated each gesture and color accordingly, carefully transposing the scale from screen to print.

He bought on an astonishing scale, collecting art objects in virtually every medium, including the rare books, manuscripts, drawings, prints, and ancient artifacts that are the core of The Morgan Library & Museum's holdings.

Since the 1960s, she has engaged the landscape through large - scale earth works and earth drawings, multi-media installation, encaustic paintings, sculptural objects, drawings and prints.

His large - scale paintings, drawings, prints, and sculpture blended Native Northwest culture with images influenced by art around the world, in the process challenging traditional notions of what Native art could look like, probing how art intersected with colonization, trauma, and identity.

The exhibition features nearly 80 works — large - scale paintings, smaller paintings made on cigar box lids, mixed - media drawings on paper, monotypes, and prints — brought together for the first time to offer a full exploration of the series through the varied media in which Diebenkorn worked.

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

The show includes a live performance at 2 p.m. Feb. 8 as well as large - scale installations, prints, drawings, and video works.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

A founder of both the Minimalist and Conceptual Art movements, LeWitt made sculptures, paintings, drawings, prints, and large - scale installations.

Her understanding of collage aesthetics infuses her abstract objects in varying scales, intimate drawings, ambitious prints, and hand - wrought films.

The booth will feature eight new large - scale prints alongside a selection of never - exhibited drawings and prints chosen personally by the artist.

For her first solo show in the States, the far - flung American presents a selection of large - scale analog prints and small painted photographs of saturated scenes and dynamic patterns that are drawn from the highly diverse African continent.

A series of evocative and often sexual large - scale paintings on canvas, drawings and prints by Dorothy Iannone (b. 1933, United States) will be on view at Peres Projects.

Highlights will include rare Max Beckmann prints from the 1910s and 1920s, large - scale Eye Paintings created between 1963 and 1964 by Ernst Wilhelm Nay, wall sculptures by Canadian artist Liz Magor, apart from rare collages and drawings by the artist and filmmaker Stan VanDerBeek.

The exhibition features the 19 lithographs Wood created during the Great Depression that were printed and distributed by Associated American Artists (AAA) as well as two scale drawings of soldiers portrayed in the 24 x 20 ft. stained glass Memorial Window he designed for the Veterans Memorial Building in Cedar Rapids, Iowa (1928 - 29).

This showcase of nearly two - hundred small - scale drawings, prints, collages, and paintings on paper by the Chicago - based artist, reveal his provocatively unhinged state - of - mind.

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.

Including drawings, prints, ceramic sculpture, and a large - scale paper installation, «Reverse Reflection Prints and Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all drawings, prints, ceramic sculpture, and a large - scale paper installation, «Reverse Reflection Prints and Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all atprints, ceramic sculpture, and a large - scale paper installation, «Reverse Reflection Prints and Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all atPrints and Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all at once.

Comprising wide - ranging imagery and materials, such as small - scale drawings, screen prints and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing and installation.

They support exhibitions by emerging and established, local, national and international artists working with large scale sculpture, painting, print, drawing, photography, installation, sound and video art.

LIGHT SENSITIVE NOW OPEN / View a slideshow of the preview and opening for the exhibition, which includes over 100 works from domestic and international artists, from tiny early daguerreotypes to large - scale contemporary color prints and videos, and is drawn from 12 public and private North Carolina collections.

This large - scale survey covers Maiolino's extraordinary oeuvre from the early 1960s to the present, bringing together expressive woodblock prints, visceral cement sculptures, politically - charged films and performances, fluid drawings, and monumental installations of unfired clay.

Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.

In another set of interactions, works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.

Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Dürer prints.

In contrast to the upper gallery, this one features a denser collection of modestly scaled drawings, paintings, sculptures, prints and hybrid works.

This welcome exhibition, though not the full - scale retrospective Bochner so richly deserves, will include more than seventy works — paintings, drawings, and prints from 1966 to the present — in which Bochner

Although Setch's small scale paintings, prints and drawings are more literal, they are rooted in the same Romantic tradition.

While Maisel's work is rooted in photography's tradition of recording, the monumental scale and presentation of his prints also draw upon the language of abstract painting.

She makes large - scale site - specific work and small drawings and prints in a language of sensual minimalism.

Between these two points Gego made large - scale nets, columns and spheres that filled gallery spaces, as well as watercolours, ink drawings, prints and lithographs exploring the line in space, hand - sized sculptures made from material found in her studio and sculptures that stretched between the buildings in her home city of Caracas.

He is the first artist to be invited more than once to this internationally renowned resource for artists working with print and paper, and a long - term collaboration with the workshop has been instrumental in the development of his groundbreaking, large - scale thread drawings.