Sentences with phrase «scale drawings rendered»

Not exact matches

The big draws include no - splatter violence on an industrial scale, rendered through dizzying special effects but with the leavening agent of humor to keep the sullen aspects of the story from dimming the enjoyment; and the characterizations of those superhero Avengers as they test their powers against an implacable foe.

The book's large scale renders the images nearly life - size, drawing you in to the many faces: Stephen Hawking gazes piercingly from his wheelchair, Johnny Depp drops a hint of a smile, a sun - drenched African mother fills a bedroom with her loving warmth as she works to prevent babies from being born HIV - positive.

Think of anti-aliasing, render - scale, fog density, and draw distance.

Seeing a performance problem like this so early in the life of the Switch console isn't promising, though it's not exactly deal - breaking either, when considering the sheer scale and breadth of the world at almost every moment — being inside a building talking to people, then suddenly walking outside, seeing everything still rendered, draw distance and all, with zero slow down, really is something that surprises me each time.

Jim Dine (American, b. 1935) is major post-war artist whose work ranges from vibrant, large - scale paintings to exquisitely - rendered, romantic drawings and bronze sculpture.

I KILLED KENNY features monumental enamel paintings and large - scale charcoal drawings rendered directly onto SMMoA's gallery walls.

The repetition in shape and shift in scale draws focus not only to the individual discrepancies in rendering texture — inherent to any handmade work — but also brings into view the hollow cavity of the box form itself.

Gary Hume (born 1962) first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life - size scale in high - gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists.

Instead of depicting nature as a sublime force in the manner of Caspar David Friedrich or J.M.W. Turner, the Japanese artist Yutaka Sone addresses the natural world through sculptures, paintings, and drawings that depart from art - historical tradition by using tricks of scale and perspective to render the most familiar aspects of the environment uncanny, and strangely intimate.

LeWitt is best known for his large - scale «Wall Drawings,» rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work.

These large - scale compositions draw attention to the abstract properties of each depicted form, the interlocking positive and negative shapes evoking the technique of collage in areas of sharp delineation, bold color, and softly rendered detail.

The objects exhibited maintain a consistency of medium — cast jesmonite or bronze from original clay or wax modeling — and their scale and rendering reflect as much proximity to their original drawing source as possible.

That same loud and voluptuous defiance of time and mortality is broadcast loud and clear by Harriette Joffe in figural works on a bold scale, such as Blue Maya, a secure life drawing rendered in monumental splendor with electric flashes of bright blue and pink to put to rest any sense of the «dying of the light.»

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.

Rendered in colored pencil, Mark Grotjahn's large drawings approximate human scale — meeting the viewer eye - to - eye, as it were — and feature skewed versions of the perspectival triangle.

It is this understated cadence that McGee will offer viewers in Department of Neighborhood Services including a large - scale multiple panel painting featuring Op art abstraction, geometric shapes, and words rendered in a variety of letterforms; a signature wall cluster including photographs of urban desolation, graffiti documentation, and McGee's delicate drawings of faces and figures; and, finally, a sampling of found - object sculpture transformed into polychromed vessels.

Whilst in Mister Paranoia IV 20.11.70 (No. 95)(1970), the irregular rhomboid frame seen in the early Field drawings is rendered on a monumental scale.

After her machine paintings of the late 1940s and early 1950s, her work included a series of impressions of New York rendered with a spray gun, her large - scale «Vertical - Horizontals» that suggest horizons, the drawings called «Baldanders,» portraits, and geometric paintings.

The solo show at Kunsthalle Zürich features six newly rendered large - scale paintings, nine new sculptures, a series of drawings and a newly produced full - length feature film.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.