Sentences with phrase «scale exhibition design»

Immediately, I began work on a large scale exhibition design for 4 - H NC, which will be on view in the Special Collections Gallery at D.H. Hill Library at NC State for the first half of 2011.
These will include the presentation of single works, new acquisitions or full - scale exhibitions designed to complement MOCCA's existing programming.

Not exact matches

most of them German expressionists, were gathered in a large - scale traveling exhibition designed to illustrate what he termed the «degenerate Jew - boy» tendencies of those so - called «artists» who wished to inflict their «humbug» on the German people.
I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
This marks a departure from the artists use of appropriated imagery, the exhibition comprises many new large - scale paintings that incorporate his own designs, which is a first for the artist.
For the season 2014/2015 in the Vienna State Opera Joan Jonas designed a large - scale picture (176 sqm) as part of the exhibition series «Safety Curtain», conceived by museum in progress.
Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.
The conceptual design proposes galleries sensitively configured in varying proportions and scales to accommodate the wide variety of works in the permanent collection and many sizes and types of temporary exhibitions.
Special Exhibitions, Large - Scale Site - Specific Commissions, and Highlights from Permanent Collection Launch New Building in Miami Design District
Designed specifically for Faena Art Center Catedral exhibition hall, the work consisted of hand - cut openwork textiles on a monumental scale.
On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.
Key to the renovations, though less visible by design, are alterations that provide increased capacity for large - scale artworks and exhibitions, including enlarged access panels, a high - capacity scissor lift, environmental control upgrades, and improvements to the building envelope.
Though the new designs will allow for larger exhibitions in an expanded, technologically - advanced, environmentally - sustainable space come January 2017, the renovations unavoidably impacted the Hammer's usual course of large scale exhibitions this fall.
NATIVE FASHION NOW This is the first large - scale exhibition devoted to contemporary Native American design from the last 60 years in Canada and the United States, as well as garments inspired by Native traditions.
The building, designed by Thomas Heatherwick, will scale 9 floors and have 65,000 square feet of exhibition space.
Designed by Malibu - based architect Lester Tobias, the new gallery building features an immense space with 22 - foot ceilings, allowing for stunning exhibitions on a monumental scale.
Al - Hadid makes large - scale, mixed - media sculptures, and she currently has a solo exhibition at the Savannah College of Art and Design Museum in Savannah, Georgia.
Ai (b. 1957) works in a range of media, including architecture and design, and this exhibition will feature work of the last 20 years, including photography and the large - scale sculptures for which the artist is best known.
With a background primarily in creating large - scale, temporary light installations with his design firm, Cocksedge's premiere of smaller pieces in his first US exhibition paved the way for a unique set of installations.
My second major exhibition was an installational arrangement of large - scale paintings based on home of my own design.
While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent installation created for MIT, and to be followed this summer by Stare Decisis, a GSA - commissioned installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.
Special Exhibitions, Large - Scale and Site - Specific Commissions, and Highlights from Permanent Collection Launch New Museum Building in Miami Design District
For this new exhibition, Curtis presents six paintings in aluminium paint on raw canvas which refers 1:1 in scale and design to the subject of his photographs of garage doors which have been removed from their «frame».
With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.
This exquisitely designed monograph of new works by Scottish painter Peter Doig (born 1959) is published for an exhibition at the Palazzetto Tito, Venice, at which Doig debuted recent large - scale and small - scale works.
For the season 2010/2011 in the Vienna State Opera Cy Twombly designed the large scale picture (176 sqm) Bacchus as part of the exhibition series Safety Curtain, conceived by museum in progress.
Currently, he is working on a large scale collaborative project entitled the Floating Museum which blends creative place - making, activism and exhibition design to make a platform for conversations and community engagement.
Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.
Borrowing its title from Anni Albers's 1957 essay The Pliable Plane Antunes occupied the monumental exhibition space with a series of large scale works, two sculptures inspired by Anni Albers's fabric designs, others informed with Lina Bo Bardi's architectural work.
The exhibition features the 19 lithographs Wood created during the Great Depression that were printed and distributed by Associated American Artists (AAA) as well as two scale drawings of soldiers portrayed in the 24 x 20 ft. stained glass Memorial Window he designed for the Veterans Memorial Building in Cedar Rapids, Iowa (1928 - 29).
The design of the museum exhibition space has maintained the style of a deserted hangar, and re-structured the space to create showrooms that can house the magnificence of large - scale contemporary art.
Honold gathered her experience in organizing large scale exhibitions for international design label droog worldwide.
This 600 square - foot gallery is designed to host smaller - scale exhibitions and curatorial projects.
Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — Marchexhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — MarchExhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — MarchExhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — MarchExhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.
For their second solo exhibition at WENTRUP, Peles Empire has designed a large - scale site - specific installation that is based on several years of absorbed investigation into the relationship between original and copy.
To complement Ian Davenport's large - scale exhibition at La Biennale, the British contemporary artist also designed his own limited and numbered (1,966 pieces) Swatch Art Special watch, WIDE ACRES OF TIME.
Monet's mural - sized Water Lilies and the grand canvases of the Abstract Expressionists - designed to overwhelm in a conventionally scaled, mid-century exhibition space - looked like postage stamps at the bottom of the multistoried atrium.
For example: the Nasher currently has on display a Heatherwick Studios design exhibition, which is stacked with superficially awesome (or pretentiously ridiculous) design solutions fabricated at a tremendous scale and cost.
Coinciding with this major exhibition in Berlin, as part of Qatar Germany 2017 Year of Culture, two large - scale exhibitions are taking place in Doha: Driven by German Design, tracing the development of German design from the 1950s to the present day, at QM Gallery Al Riwaq (until 14 January 2018), and German Encounters: Contemporary Masterpieces from the Deutsche Bank Collection at Doha Fire Station (until 20 January Design, tracing the development of German design from the 1950s to the present day, at QM Gallery Al Riwaq (until 14 January 2018), and German Encounters: Contemporary Masterpieces from the Deutsche Bank Collection at Doha Fire Station (until 20 January design from the 1950s to the present day, at QM Gallery Al Riwaq (until 14 January 2018), and German Encounters: Contemporary Masterpieces from the Deutsche Bank Collection at Doha Fire Station (until 20 January 2018).
For the season 2000/2001 in the Vienna State Opera Matthew Barney designed a large scale picture (176 sqm) as part of the exhibition series «Safety Curtain», conceived by museum in progress.
For the exhibition, the Museum commissioned 17 artists to create large - scale installations in its Daniel Libeskind - designed Frederic C. Hamilton Building.
Co-organized by Zoë Ryan, chairwoman and curator of architecture and design, the exhibition will allow visitors to experience Mr. Adjaye's work at one - to - one scale by entering Horizon, a wooden pavilion created for the Albion Gallery in 2007, and walking around mock - ups of parts of key buildings.
The exhibition is further distinguished by the important presence of five large - scale installations, which recreate exhibitions that the most influential British artist of the 20th century organized, designed or took part in.
The main event at the Biennial, which opens on Sept 6, will be a large - scale exhibition at the Art Play Design Center showcasing the works of all artists invited and will include both graphic work, installations, sculptures and mural painting.
Discovering the paintings of the late Robert Berlind in «Reality Is Everything» at Lennon, Weinberg had a soothing effect on a reviewer overwhelmed with exhibitions nearby that seem to aspire more to the industrial scale of a typical Chelsea gallery space than to the meditative silence such spaces are ostensibly designed for.
Yangjiang Group are designing and building a new large - scale artwork based on a traditional Chinese tea pavilion as the focal point of the exhibition in Eastside Projects.
Catalogues — Publications 2015 «SUPER SUPERSTUDIO», exhibition catalogue, PAC - Pavilion of Contemporary Art, Milan «Ärger im Paradise», exhibition catalogue of the exhibition, Bundeskunsthalle 2014 «The State of a Ghost While Hosted as a Guest», publication from the Villa Romana Fellows, Villa Romana Editions, published by Argo Books ISBN 978 -3-942700-62-7 «Kushtetuta # 2 About Mums & Dads», edited by Petrit Halilaj and Alvaro Urbano, Self - published zines «TRANSLATION ACTS > PERFORMING POLITICS», Concept by Ifrex, Edited by Ifrex and Fotini Kushtetuta, Published by KOSOVO 2.0, Edited by Petrit Halilaj and Alvaro Urbano «MAPPING EVERYTHING», Institut für Raumexperimente (Berlin) and Institut für Landschaftsarchitektur (ETH Zurich) Project Conception: Olafur Eliasson and Guther Vogt, Nicola Eiffler 2012 «STUDIO MAGAZINE # 2», an Architecture and Urbanism Publication 2010 «Ottos impossible talks / Lets start to implement little errors Imposible topics / rescued futures,» Otto Rössler with the Institut für Raumexperimente, edited by Julius von Bismarck, Jeremias Holliger, Laura McLardy, Mathias Sohr, Alvaro Urbano, Euan Williams, Graphic design and concept book by bureau - aeiou 2009 «UNPLANNED: Research and Experiments at the Urban Scale», concept book by Superfront Graphic design by: Do not bend Kønst magazine issue n. 4 Erasing Darkness Pidgin - Magazine issue n. 6 (text by Jose Esparza)
Beatriz Esguerra Art will open a pop up exhibition in Dallas» Design District, featuring works by international master Fernando Botero, large scale sculpture by established artists Hugo Zapata and Ricardo Cardenas and noted painter Pedro Ruiz along with select work by three other gallery artists.
L'Esprit d'Escalier presents an overview of Demand's recent work and comprises 19 large - scale photographic pieces, plus a new screening device, designed by Caruso St. John Architects, London, specially for this exhibition at IMMA to show the work Rolltreppe (Escalator), 2000.
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