Not exact matches
A large -
scale performance event on the grounds of The Barnes Foundation, co-curated by acclaimed French choreographer Boris Charmatz,
examines the presentation of public performance in relationship to the
exhibition of visual art objects.
The
exhibition features over thirty large -
scale photos
examining the current state of the Motor City, with a selection of photos from previous bodies of work hanging the museum's mezzanine.
Original artworks and commentary by Mark Tansey (b. 1949), whose large
scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that
examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the
exhibition and its accompanying catalogue.
This large -
scale survey
exhibition examines the creative energy of an unparalleled period in American art.
De Kooning / Dubuffet: The Women (1991) was the first full -
scale exhibition to pair both artists» series of women, painted almost simultaneously on each side of the Atlantic; De Kooning / Dubuffet: The Late Works (1993) explored affinities in the final works of the artists, and Willem de Kooning and John Chamberlain: Influence and Transformation (2001)
examined two Abstract Expressionists working across generations and mediums.
Select past
exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide
exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which
examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large -
scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.
An extraordinary new
exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large -
scale, black - and - white works as a group for the first time and
examines Lichtenstein's less known exploration of the medium of drawing.
Besides works by the most well - known representatives of paparazzi photography, such as Ron Galella, Pascal Rostain, Bruno Mouron, or Tazio Secchiaroli, the large -
scale exhibition presents positions by artists such as Cindy Sherman, Gerhard Richter, Andy Warhol, Barbara Kruger, Paul McCarthy, and Richard Avedon, who have critically
examined and sounded out the specific characteristics of the paparazzi aesthetic.
The
exhibition includes his large -
scale installations, such as Tropicalia and Eden, and also
examines the artist's involvement with music, literature and politics.
Extensive in
scale, Esther Shalev - Gerz's
exhibition «Factory is Outside» at the Serlachius Museums in Finland, comprises four interweaving series of works that investigate how cultural identities are constructed and
examine the role and status of traditional professions in a world that is global and undergoing a rapid digital transformation.
The Last Great Adventure is You», is an
exhibition of new work featuring bronze sculptures, gouaches, paintings, large -
scale embroideries and neon works, the
exhibition chronicles the contemplative nature of work by an artist who has consistently
examined her life with excoriating candour.
Stan Douglas: Then and Now inaugurates the MIA's fourth season of its «New Pictures» series, the two - part
exhibition presents six of Douglas's large -
scale photographs
examining both past and present.
Paintings on paper, drawings and one grand -
scale painting make up this
exhibition which
examines the authority of traditional painting motifs through the artist's playful interpretation of landscape and portraiture.
The
exhibition includes some of his large -
scale installations, including Tropicalia and Eden, and
examines the artist's involvement with music and literature, as well as his response to politics and the social environment.
SCAD presents «Watershed: The Tennessee River,» an
exhibition which
examines the complicated effects and consequences of rapid large -
scale modernization.
A series of three small -
scale exhibitions using works from the Ackland's permanent collection, Politics As Usual
examines ways in which artists engage with the power structures of their times.
The first
exhibition to
examine the diversity of works produced by Alyson Shotz, from large -
scale installations to digital photography, A Slight Magnification of Altered Things explored preconceptions about organic versus artificial creation.
The
exhibition features large -
scale installation and works on paper which
examine the preservation of cultural memory within the undefined terrains of the Antarctic Circle, a lifelong quest and interest of the artist.
Inspired by traditional
exhibition guides and designed as a portable accompaniment to Wade Guyton's (born 1972)
exhibition at the Serpentine Gallery, this book
examines the artist's exploration of translation between mediums in his large -
scale paintings.
Edward Sozanski of the Philadelphia Inquirer
examines the collective impact of the
exhibition's four large -
scale installations, which, when «combined -LSB-...] express an astonishing ambition to project the history of human development through the artist's own experience, impulses, and obsessions.»