Sentences with phrase «scale exhibition project»

The DuSable's Roundhouse is also the venue for a large - scale exhibition project curated by the Palais de Tokyo's Katell Jaffrè called Singing Stones.

He is currently working on a publication with Teknisk Industri AS, a large scale exhibition project in collaboration with the Murmansk Museum of Fine Art and the exhibition «the shadow of war» at Kunstnernes Hus, Oslo.

To mark this anniversary, the gallery is hosting a large - scale exhibition project of Krištof Kintera which presents a summary of the last five years of the author's oeuvre, and features some...

Situated at a striking distance to Hamburg's Hafencity (Hall for Contemportary Art and House of Photography) and in the outskirt of Hamburg - Harburg (Falckenberg Collection), the three venues combine over 10.000 square meters of exhibitions space, which makes them ideal for large scale exhibition projects as well as lavish single and group exhibitions.

Not exact matches

Ben Heine - Art - The Website (Projects, Exhibition, Galleries, Press, Interviews, Bio, Sensartion, Contact) Scaling the gates is a great Mystery Child tradition.

The 375th anniversary events will include music and comedy festivals, outdoor competitions, sports, and recreational activities and history exhibitions such as «Montréal en Histoires», a large - scale multimedia project celebrating the rich history of Montréal.

Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern to enter.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

Contracted for a six week period to work with a team of artists to produce large scale acrylic paintings for exhibition at Deitch Projects in NY, NY.

Five new pieces were created especially for the exhibition, including a large scale outdoor video projection by Tony Oursler; a multimedia project created by Nan Goldin in Ukraine in the lead up to the exhibition; a video by Ai Weiwei; a photo by Sergiy Bratkov; and a performance by Ilya Chichkan.

Still working today on photographic projects of unrivaled global scale, this intimate exhibition will showcase a rare portfolio of 20 of the most important images from Salgado's early Latin American series.

This second site houses an exhibition space for large - scale installations and long - term projects.

Unlimited: Presenting 78 ambitious and large - scale artworks from five generations of artists Unlimited, Art Basel's unique exhibition platform for artworks that transcend the traditional art fair stand, will this year present 78 projects from galleries participating in the show.

Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

Within a loft - like trussed gallery adjacent to the space containing the first American exhibition of Ross's new large - scale Hurricane prints, computer - generated renderings of complex fluid dynamics are projected onto large screens, which combine to form what the artist calls a Wave Cathedral.

Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.

This past spring, the gallery relocated to a 4,000 - square - foot space in Hollywood with the capacity to support large - scale projects and exhibitions, aiming to represent both local and international contemporary artists and engage with the community to encourage cultural conversation.

«L'Europe des Artistes» is a cultural project on an unprecedented scale: this is a multi-faceted research project unfolding into conferences, events, exhibitions, and publications, dedicated to young contemporary European artists.

These projects include the Everything is Museum series (since 2000), in which he converted unexpected spaces in Italy, Japan, Taiwan, and Cuba into small - scale exhibition venues for rural communities and small towns.

In partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectively).

Similarly nomadic, artists and curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence in the Paradise Works project space with their first exhibition «Tipping the Scales», which looks at work - life balance, and how for artists the two often overlap and become inseparable.

This major solo exhibition will feature several new ballpoint works including two very large - scale works on canvas and will be presented at the gallery's monumental project space in the Railyard District across from SITE Santa Fe.

TIMA is also developing a nearby larger scale Free Will North Church Project Space which provides additional studio workspace and exhibition opportunities.

Over the past thirty years, Cai Guo - Qiang has realized large - scale exhibitions and projects across different geographic locations and cultures, including solo exhibition Cai Guo - Qiang: Saraab at Mathaf: Arab Museum of Modern Art in Doha, Qatar (2011), Cai Guo - Qiang; 1040m Underground in Donetsk, Ukraine (2011), One Night Stand (Aventure d'un Soir), explosion event for Nuit Blanche (2013), a citywide art and culture festival organized by the city of Paris.

Between 2005 and 2012 Volz served as Artistic Director at the Instituto Inhotim where he has co-curated a series of large - scale site - specific projects on art and architecture with artists, including Adriana Varejão, Dominique Gonzalez - Foerster, Doris Salcedo, Doug Aitken, Hélio Oiticica, Lygia Pape, Matthew Barney, Rirkrit Tiravanija and Tunga, as well as numerous exhibitions from the collection.

Her large - scale works were recently featured in The P. 1 Projects satellite exhibition at the Prospect.1 Biennial Welcome Center in 2008.

Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

However, the adjacent project space also offers options for exhibitions of smaller scale.

Her latest exhibition at Jack Fischer Gallery's Minnesota Street Project location presented an assortment of the artist's stuffed fabric sculptures in small - to - medium scale, along with three works cast in bronze.

Committed to comprehensive, large - scale projects by major international artists for presentation to the public, Ayn Foundation's current projects include Andy Warhol's The Last Supper and Maria Zerres's September Eleven located in the west Texas town of Marfa; an installation of work by Dan Flavin at Fisherbau in Polling, Germany; and an exhibition of paintings by Arnulf Rainer at Mana Contemporary.

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

The exhibition has previously traveled throughout Europe and South America: CaixaForum, Palma, Spain February 25 to May 31,2015 A Cordoaria Nacional, Lisbon, Portugal April 8 to August 2, 2015 Amerika Haus, Berlin, Germany April 17 to August 18, 2015 Forti di Bard, Aosta, Italy May 9 to September 30, 2015 CaixaForum, Zaragosa, Spain June 18 to October 12, 2015 THE SALT OF THE EARTH Select theatrical release in New York and Los Angeles Co-directed by Wim Wenders and Juliano Ribeiro Salgado, the Oscar - nominated documentary recounts Salgado's career, from images of the Boschian nightmare of Brazil's Serra Pelada gold mines to shots of the mid-1990s Rwandan genocide to Sebastião's most recent project, Genesis, which captures pristine, grandly scaled landscapes throughout the world.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Apart from that, the Museum owns two splendid exhibition venues: a vast five - storey building in Ermolaevsky lane, and a spacious gallery in Tverskoy boulevard, both fully refurbished for hosting large - scale projects.

Its Glory Hole project allows guest curators to materialize exhibitions in unique a scale and space.

She has curated a number of large - scale exhibitions of film and video including Scream and Scream Again: Film in Art and Into the Light: The Projected Image in American Art 1964 - 1977, awarded best thematic exhibition in New York City by the International Association of Art Critics.

From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Stuff (2013).

Major exhibitions include: Claes Oldenburg and Coosje van Bruggen: A History of Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen: Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).

This large - scale exhibition, uniting the two institutions, is an exceptional project that has the support of the French Embassy in Argentina and the Institut français d'Argentine, and brings together works by 23 international artists, from David Lynch to Agnès Varda, Patti Smith, Wolfgang Tillmans or Nobuyoshi Araki, presented in Argentina for the very first time.

Pelican Bomb's creative thematic exhibitions and large - scale public projects feature international artists while exploring the intersection of New Orleans» social histories and contemporary art.

The first major exhibition in Australia of work by acclaimed Italian contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of major international visual arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.

In 2007 Regen Projects opened a second space at 9016 Santa Monica Boulevard and premiered Charles Ray's sculpture Hinoki, followed by large scale exhibitions Lari Pittman's Orangerie, Liz Larner, Gillian Wearing's Family History, Raymond Pettibon's Part I Seminal Early Work: 1978 - 88, Elliott Hundley, Rachel Harrison, Dan Graham, Walead Beshty's PROCESSCOLORFIELD, Andrea Zittel, and James Welling.

For this exhibition, the hallmarks of these large scale building projects and grand architecture reveal themselves in the architect's use of a new spatial paradigm at all scales, and in a myriad of materials resulting in a multitude of forms of domestic reverie.

From 1999 to 2010 he was the Hammer Projects curator at the Hammer Museum Los Angeles where he curated or oversaw more than 80 project exhibitions and 3 large - scale group shows of local and international emerging artists.

Her first, large scale animation will also be projected during the exhibition.

For her exhibition in the project gallery, Bozzi has created a series of fourteen small - scale, gouache on paper paintings that present landscapes at various times of day and season, each an intimate study in capturing the play of light and color.

This solo exhibition introduces the artist's idiosyncratic output through eight printed Explications, some of which have never been shown before, alongside models of large - scale projects and the film work The Velocity of Thought (2006).

This Biennial exhibition will be large in scale — mounted at the Hammer and LAXART as well as additional sites throughout the city — and will leverage LAXART's experience with public art projects.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).