Cézanne's glistening colours play starring roles in the first large -
scale exhibition from the collection of Henry and Rose Pearlman
Plans for 2011 also include solo exhibitions by leading Irish and international artists such as Gerard Byrne, Barrie Cooke, Romuald Hazoumè and Philip Taaffe; a large -
scale exhibition from an important American photographic collection, which is being donated to IMMA, and a display of works from the Museum's collection of Old Master Prints.
Not exact matches
The United Kingdom hasn't had an investment in science communication on that
scale since proceeds
from the Great
Exhibition in 1851 were used to set up several major British institutions, including the precursors to London's Science and Natural History Museums, says John Beetlestone, founder of Techniquest, one of the few U.K. science centers started before the lottery bonanza.
This is Randall Slavin «s first solo
exhibition, it features 18 large
scale photographs
from the artist's new series of achromatic nudes — You can catch it until May 17, 2016!
WALLS 360, the on - demand wall graphics company, will showcase large -
scale artwork
from the Mass Effect universe in an
exhibition at the Hotel des Arts, with an opening reception during the 2012 Game D...
The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main
exhibition, the late Harun Farocki (whose entire film catalogue is being screened there); the Aboundaddera collective, which is presenting videos
from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its
scale.»
[10] Jones notes that Riley investigated Seurat's pointillism by painting
from a book illustration of Seurat's Bridge at an expanded
scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the
exhibition poster) which Jones writes could readily be taken for a post-impressionist original.
In his most recent
exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people
from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large -
scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.
Focusing on the central role of colour in Patrick Heron's work, this
exhibition brings an extensive group of the artist's large -
scale abstract works to Cornwall, where Heron lives and worked
from 1956.
AWB: To reiterate and reframe, your work has lived in so many spaces and places —
from large -
scale exhibitions such as the Istanbul Biennial to park benches and billboards in Chicago.
«Power Stations», Newport Street Gallery's inaugural
exhibition, presents a selection of Hoyland's large -
scale works dating
from 1964 to 1982, displayed throughout all six of the gallery's
exhibition spaces.
The
exhibition, entitled «Passages,» includes ten new works varying in size
from miniature premiere coupe studies to ambitious large -
scale diptychs, all of which focus on the trees surrounding Grimes» studios in Connecticut and Maine.
It is a small show, consisting of only 29 works of widely varying
scale, drawn
from a larger
exhibition organized by the Pérez Art Museum Miami.
The Warehouse
exhibitions feature 20 and 21st century sculpture, photography, video, painting and large
scale installations by international artists culled
from the collection of Martin Z. Margulies.
The
exhibition features his recent Album and Postcards
from Nowhere series for which the artist obsessively collected vintage photographs and postcards and then shredded and collaged these highly intimate relics to create bold new imagery magnified to a staggering
scale.
The centerpiece of the
exhibition, Various Self Playing Bowling Games (2011), is a bowling alley consisting of large -
scale projections of bowling games
from the late 1970s to the 2000s, each hacked by the artist to throw only gutter balls.
Still working today on photographic projects of unrivaled global
scale, this intimate
exhibition will showcase a rare portfolio of 20 of the most important images
from Salgado's early Latin American series.
Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in
scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her
exhibition at MASS MoCA.
For the artist's first solo
exhibition in New York, C24 Gallery will present texts
from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large -
scale «Fire Poem.»
PAMM's
exhibition, which ranges
from color - splashed, large -
scale paintings to sculptures and multimedia pieces, highlights her diverse talents.
On view until April 6th, Fernandez's
exhibition, her largest solo to date, comprises immersive installations across widely varying
scales,
from the panoramic to the intimate.
The second half of his solo
exhibition includes a series of collaborative figurative sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding large -
scale paintings by artists
from Milwaukee, Chicago, New York, and Atlanta, including:
This
exhibition is comprised of mostly large
scale photographs aggregated
from numerous exposures over a period of time up to several years.
Covering the five decades of painter Jules Olitski's career, this
exhibition presents 30 large -
scale paintings drawn
from public and private collections and intended to highlight the artist's essential periods and themes of creation.
Highlights of the
exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs
from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large -
scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.
This marks a departure
from the artists use of appropriated imagery, the
exhibition comprises many new large -
scale paintings that incorporate his own designs, which is a first for the artist.
Golub experimented with
scale, and the works assembled for this
exhibition range in size
from the smaller works on paper to monumental, unstretched canvases that extended
from floor to ceiling at the Serpentine Gallery.
The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed
from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion of the room where the ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace Gallery or the Jewish Museum in New York during the»80s and»90s, before the advent of the enormity of
scale that typifies so many of the new
exhibition spaces of today.
Unlimited: Presenting 78 ambitious and large -
scale artworks
from five generations of artists Unlimited, Art Basel's unique
exhibition platform for artworks that transcend the traditional art fair stand, will this year present 78 projects
from galleries participating in the show.
To realize the show, the curators secured dozens of loans
from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large -
scale contemporary museum
exhibitions.
His latest
exhibition at Victoria Miro gallery in north London (
from February 2 to March 24), features, on the ground floor, pictures made
from layers of laser - cut birchwood and MDF and, upstairs, a series of striking, large -
scale chandeliers cut
from plastic - resin sheeting.
She has collaborated on large -
scale exhibitions including Human Interest: Portraits
from the Whitney's Collection (2016) andWhere We Are: Selections
from the Whitney's Collection, 1900 - 1960 (2017 - 18), and is co-curator of An Incomplete History of Protest: Selections
from the Whitney's Collection, 1940 - 2017 (2017 - 18).
Senior curator Jennifer Powell explains the
exhibition will include «early sculptures and works on paper
from the late 1930s onwards as well as large
scale paintings
from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.
Featuring three large -
scale paintings
from 1972, 1990 and 1993, the
exhibition will highlight Alex Katz's cool, representational and reductive style.
The
exhibition brings together large -
scale paintings by the artists drawn
from institutions and private collections, including works
from SAM's holdings.
Ballroom Marfa is pleased to announce Hyperobjects, a group
exhibition co-organized by philosopher and Rice University professor Timothy Morton and Ballroom Marfa Director & Curator Laura Copelin, engaging ideas
from Morton's theory to confront the overwhelming
scale of today's ecological crisis.
Featured in the
exhibition are two large
scale paintings entitled Movie Lights
from 2013 and 2014.
Waiting for God is the South African artist's first large
scale solo
exhibition with a selection of works
from the last 15 years.
An
exhibition of large -
scale photographic works
from the PLAYTIME series is on view at Victoria Miro Mayfair until 1 March 2014.
Wahler has curated over 400
exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including
From Synchrony to Synchronicity (Basel, 2015), a large -
scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.
In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York
exhibition of his work, featuring more than one hundred works spanning
from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large -
scale installations.
The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large -
scale paintings that will completely fill the
exhibition space, each work conveying parts of the scene
from a different perspective and in a different painting mode.
This major solo
exhibition will feature several new ballpoint works including two very large -
scale works on canvas and will be presented at the gallery's monumental project space in the Railyard District across
from SITE Santa Fe.
Special
Exhibitions, Large -
Scale Site - Specific Commissions, and Highlights
from Permanent Collection Launch New Building in Miami Design District
April 24, 2006, Philadelphia, PA — Locks Gallery is pleased to present a large -
scale exhibition of new and recent paintings by Pat Steir
from May 5 through June 17, 2006.
This
exhibition follows the artists
from their early video installations and websites to later large -
scale sculptural work and feature - length films, screened daily in a gallery cinema.
For his
exhibition at Victoria Miro Mayfair, Khan has produced large -
scale composite photographs made
from a series of oil stick paintings.
This is the perfect starting point for an appreciation of the works on view in the current
exhibition, which rely on white in so many ways,
from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large -
scale paintings.
Between 2005 and 2012 Volz served as Artistic Director at the Instituto Inhotim where he has co-curated a series of large -
scale site - specific projects on art and architecture with artists, including Adriana Varejão, Dominique Gonzalez - Foerster, Doris Salcedo, Doug Aitken, Hélio Oiticica, Lygia Pape, Matthew Barney, Rirkrit Tiravanija and Tunga, as well as numerous
exhibitions from the collection.
The
exhibition also prominently features the six - part S.M.S. periodical — an art collection in a box
from 1968 that was filled with small -
scale prints and multiples available by subscription.