Sentences with phrase «scale exhibitions like»

Museums put an astonishing amount of hard work and research into organizing large - scale exhibitions like «Now Dig This!

Not exact matches

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

For her eighth exhibition at Lisson Gallery, Shirazeh Houshiary presents a series of large - scale works in pale ocean hues — pencilled with words, sprawling like branches or undulating ripples.

The announcement for Stubbing's exhibition shows him with two paintings; these atmospheric, often large scale works were lyrical and rhythmic arrangements of palm prints made with Stubbing's hands «saturated like a living palette».

Within a loft - like trussed gallery adjacent to the space containing the first American exhibition of Ross's new large - scale Hurricane prints, computer - generated renderings of complex fluid dynamics are projected onto large screens, which combine to form what the artist calls a Wave Cathedral.

Twelve or so years on, Doig's concurrent exhibitions at Gavin Brown's Enterprise and Michael Werner reveal him to be in fine form, while the scale and number of pieces indicate that he could have moved to a big - fish outfit like Gagosian a long time ago.

This selection of works on paper is a foundation for the large - scale paintings of the mid-80s - paintings with southwest - tinged titles like Mariposa, Hot Morning, Sun Belt and Red Disc, several of which will be included in the exhibition.

Using these works as a starting point, Herrera's exhibition at the Pace Foundation reads like a small - scale retrospective, cycling around the space in punctuated bursts of color and form.

This is the perfect starting point for an appreciation of the works on view in the current exhibition, which rely on white in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large - scale paintings.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

Gagosian's monumental Richard Serra exhibition, which has been going on since October, looks like a museum show and by its very scale defies any possibility that someone would buy something so gargantuan.

He has written numerous contributions on contemporary art and has curated solo - exhibitions with Louise Lawler, Johanna Billing, Christian Philipp Müller, Simon Starling, Amelie von Wulffen, Sterling Ruby amongst others but also large - scale thematic exhibitions like Flashback — Revisiting the Art of the 80s and Index — California Conceptualism.

The largest work in the exhibition, Untitled, 1986, a large - scale print depicting a hydra - like creature is known to be one of the rarest in Haring's oeuvre.

Bela Shayevich's large - scale drawings here, in the compact exhibition «Serial Killer Land,» suggest off - kilter cityscapes and public spaces like restrooms, airports and parking lots.

Before the exhibition opens to the public, Dodd will create a new large - scale painting utilizing unusual materials like fermented walnuts, kombucha scoby, hematite, yerba mate, and pigments she has collected in her travels.

Notable exhibitions include his large - scale overlapping line drawings of nudes for his series Water Paintings shown at the 1999 Venice Biennale, and his 2006 solo show Cave Paintings at White Cube, which featured marble tableaux of collaged stones set together like tectonic plates.

Large - scale museum exhibitions like this are rare outside London.

Art Agenda: With its ludicrous mismatch of scale (83 artists in the main exhibition, 89 national pavilions, 37 collateral events) and logistics (crowds numbering thousands, endless slow - moving queues, and a labyrinthine city navigable only by foot or boat), the Venice Biennale is something like a theater of the absurd.

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

Pinned to the wall like street posters, the five large - scale works on paper in Tamar Halpern's solo exhibition look like impossible monoprints.

In her New Work exhibition, Glasgow - born and Brussels - based artist McKenzie recreates the Art Nouveau interiors of her home city's late - 19th - century architecture on large - scale canvases, erecting three - dimensional enclosures - like stage sets - within the gallery.

This exhibition will comprise a series of large - scale watercolors and ceramic and glass sculptures about the sea and a large mythical octopus, a hidden sculptural force, and ghost like presence of fierce emotion underneath the moire effect of water.

Craven's exhibitions are something like recurring dreams: On this occasion she presented re-creations of several paintings from her 2004 show at the same gallery, works that were themselves scaled - up doovers of paintings from her previous outing there, in 2002.

Their textured surface bears similarity to the fresco - like quality found in his quintessential large - scale wall drawings and murals, currently on view in an extensive 25 - year exhibition at the Massachusetts Museum of Contemporary Art (Mass MoCA, North Adams.)

Featuring the work of seminal American and British artists like Tony Smith, Gerald Laing, Carl Andre, Donald Judd, Robert Morris, and Sol LeWitt, the exhibition included a bounty of large - scale geometric sculptural abstraction.

This exhibition features five of her recent animations and numerous paintings, both small and large scale, along with a jewel box - like installation of drawings.

At Apollo, we also like to celebrate focused exhibitions that enlighten us with the exceptional intelligence of their curation on a smaller scale: «Piero della Francesca in America» at the Frick Collection brought together most of the panels of the Sant» Agostino altarpiece, while the Ashmolean Museum's «Francis Bacon / Henry Moore: Flesh and Bone» tuned into a conversation between two artists that few had previously heard with such clarity.

There was life — and art — outside the main exhibition hall, namely the highest number of installations (88) in the fair's Unlimited sector, devoted to large - scale works for sale and located in a hangar - like space near the main fair.

Visitors to the exhibition can expect to see photographs on a monumental scale, such as Sarah Jones» The Spare Room, and others on an exceedingly intimate scale, like Ann Hamilton's Portal.

This second solo exhibition at the gallery features large - scale, wall - mounted artworks constructed from a grid - like arrangement of panels encrusted with electronic parts.

There is a gem - like little show of work by Vik Muniz, the Brazilian - born artist famous for large - scale photographs of images composed out of non-traditional materials — chocolate, glitter, dust, trash — at Whitebox, the pocket gallery that rests at the heart of Whitespace, the innovative, West Palm Beach exhibition space.

Monet's mural - sized Water Lilies and the grand canvases of the Abstract Expressionists - designed to overwhelm in a conventionally scaled, mid-century exhibition space - looked like postage stamps at the bottom of the multistoried atrium.

The Weather Makers will present three large - scale video works alongside a new print series, weaving together myth and metaphor with scientific research and new digital technologies, The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.

Los Carpinteros» watercolour drawings, several examples of which are included in the exhibition, often function like architectural blueprints for constructions that are built to scale and adapted for each particular exhibition space.

The Rose's exhibition included large - scale canvases like Love and Violence (1965)-- in which a man grabs a woman by the throat, while frames from a horror film unfold below against a blood - red background — as well as photo and video documentation from the 1960s through the 1980s of Drexler's theater pieces, which premiered at such avant - garde New York venues as the Judson Poets» Theater and Theater for the New City.

His solo exhibition at Turner Contemporary brings together the large - scale tableau «My Ghosts» alongside «The Deerson Series», a group of scarecrow - like sculptures, and recent works on paper.

The photo series «Looks Like a Landscape» was made in resistance to the biennale organizers, who had rejected Liu's earlier proposal of a large - scale installation that he had wanted to make with artists who had not been invited to participate in the biennale exhibition.

Comprising multiple painted vase - like structures, as well as three large - scale paintings, the exhibition plays out a tension - in - contiguity between painterly sculptures and sculptural paintings.

For the 2015 Summer Exhibition's Annenberg Courtyard installation, Shawcross has created a large - scale, immersive work consisting of five steel, cloud - like forms.

It wound up instead programming large - scale exhibitions of major figures like Matisse, Van Gogh and Picasso, interspersed with mature contemporary British artists like Anthony Caro and William Turnbull.

«In one of the two large - scale installations that make up Marianne Vitale's striking exhibition, nine cast - steel railway joints used in train switches stand vertically in an outdoor riverside meadow, like a clan of marooned, rusty beings.»

A new site - specific mixed media mural created for the MOCA presentation will welcome visitors into exhibition galleries, which will be transformed into a forest - like environment populated by the installation of large - scale felt trees.

Given the context, an exhibition at Eyebeam Art & Technology Center, I was intrigued by the various possibilities of these little pictographs being transcribed and / or re-codified by artists and designers into interactive platforms, large - scale installation works, digital collage and even being represented in traditional media, like painting and drawing.

Carefully selected artists are featured like a constellation of small solo exhibitions, the participating artists include: Ai Weiwei, Olafur Eliasson and Maurizio Cattelan, as well as Wael Shawky, who is introduced to Japan in full - scale for the first time.

The sheer scale of the new Anselm Kiefer exhibition, «Il Mistero delle Cattedrali», — theatrically staged across the hospital - like, vast and sanitary spaces of the new White Cube in Bermondsey — will knock you sideways.

His large - scale works — shown in exhibition spaces as well as public space and nature — often seem like functional do - it - yourself structures which were once inhabited or will be made inhabitable soon.

Large - scale works like Dusk (2007) and The Dark (2007), which are on view in this exhibition, are examples for this technique, while works like So Long Black, Silver and White (2009) and So Long Black, Red, Yellow and Blue (2009) take this approach into her so - called Split Surface Paintings which pay homage to Barnett Newman and have been a prominent feature among her works of the last decade.

Smaller in scale than those paintings of her 2014 debut exhibition, the new work matches in surreal ebullience their predecessors, praised by Roberta Smith as «big, boisterous semi-abstract canvases (that) exude an impressive confidence... like close - ups of billboards or a tour through some outsize undergrowth in which nature has merged with several brands of abstraction, from early American Modernism to Color Field painting... (Silva) is already is tackling a lot with an astuteness and aplomb that make her a painter to watch.»

Vasconcelos, who makes large - scale sculptures, is considered by some to be the Louise Bourgeois of Portugal — she lives in Lisbon — and her pièce de résistance of recent shows, including one in Portugal that became the most highly attended exhibition for years — is a piece called A Noiva (The Bride), which, from a distance looks like a large, pendulous chandelier.