Sentences with phrase «scale features like»

Global climate models are thought to be relatively credible at predicting the broad - scale climate changes that we might expect, but lack the resolution to pick out small - scale features like tropical storms.

Not exact matches

The Spruce called the Digital Body Fat Weight Scale the best BMI scale and liked that it has several different features to keep track of more than your weScale the best BMI scale and liked that it has several different features to keep track of more than your wescale and liked that it has several different features to keep track of more than your weight.

Scaling up to 125 employees by 2001, CORE competed for contracts with larger, more established names like George Lucas's Industrial Light & Magic, landing dozens of feature film jobs, among them Hollywood blockbusters like X-Men and Doctor Doolittle.

In honor of this feature returning, we'd like to introduce a new wrinkle: The BEANS Score ™ *, in which we rank the unfortunate incidents on a scale from one to 10.

The mall was certainly on the upper scale featuring more stylish, trendy and non chain like stores.

Mini cribs look and feel like the real thing, but their scaled - down frames and flexible features make them ideal for small nursery spaces.

The detailed models produced using the MT imaging data of the southwestern U.S. more accurately portrayed surface structures at a scale of less than 100 kilometers, Liu said, which is important because features like volcanoes and faults are localized phenomena that are harder to predict using larger - scale models.

But there's better evidence for smaller - scale water features on Mars, like rivers and lakes,» Grossman says.

Researchers have developed hierarchical metallic metamaterial with multi-layered, fractal - like 3 - D architectures to create structures at centimeter scales incorporating nanoscale features.

Sneaker style fit for a princess, these Chucks feature large sequin detail, overlaid atop one another like scales on a mermaid fin.

For directors like Christopher Nolan and Steven Spielberg who tend to work on a massive scale with even larger budgets it takes more time and effort to turn in that final product, which makes it quite surprising that Ridley Scott has become as efficient at delivering a steady flow of features in the past few years.

Instead of feeling like the same thing on a feature film scale, this film was able to take this character and show the audience his personal struggles, while still making a film filled to the brim with uncomfortable laughs.

In addition to the open - ended and scaled questions of Google Forms and the quiz - like features of Kahoot!

Participant comments also indicated that the preservice teachers particularly liked AGO's base maps (21.95 %), capability of adding / editing layers and map notes (21.95 %), and interactive features of Web - maps, such as changing map scales (17.07 %).

The trails were fairly easy to navigate and offered many opportunities to pull over, which I did repeatedly to capture a full - scale perspective of the dirt covered Wrangler near the geological feature, which made the Jeep look like a Hot Wheels car.

Now, thanks to its lightweight aluminum body and improved interior space, the XF may just have tipped the scales in its favor Interesting features of this model are Lightweight, all - aluminum body, athletic yet elegant styling, ample interior room, luxurious appointments, optional all - wheel drive, and powerful supercharged V6 engines Contact Baker Motor Company of Charleston today for information on dozens of vehicles like this 2016 Jaguar XF 35t R - Sport.

An abundance of luxury appointments makes this mammoth Infiniti the only import - badged luxury SUV with the scale, features and capabilities to compete directly with big domestic models like the Cadillac Escalade ESV, GMC Yukon XL and Lincoln Navigator L, while fending off other international nameplates, including the Audi Q7, Mercedes - Benz GL 450 and the Lexus LX 570.

Mazda CX - 7's interior design also features sports car appeal, created in part by touches like a speedometer scaled to 240 km / h, a leather steering wheel and shift knob.

The CX - 3's interior also feels like a scaled - down version of the CX - 5, with a functional cabin that is well proportioned, featuring excellent ergonomics.

For those who like to compete on a larger scale, the app also features a leaderboard that shows how you rate against those in your circles as well as the general public.

From the economically priced low - end Libre PRO, which doesn't sacrifice features like eye - friendly e-paper LCD technology, over 100 pre-loaded public domain classics, and an installed music player, to their upper scale Libre Touch that boasts full color, wifi, and touch screen user interface, Aluratek has made a name for itself by offering choices to its market base.

A cascade of e-readers will hit the market this year, taking the devices far beyond gray - scale screens with features like touch navigation and video chatting - and probably lowering prices, too.

So the functionality of the app is still there, it's not optimized to utilize the extra size of the screen with more features, but it does scale up to look just like it did originally.

This luggage scale also has many useful features that I like such as auto holding display locks once weight is stable, auto - off functions, and low battery indicator.

So at the time the game would look and can fully run on the hardware at it's current state, but then add those missing factors I mentioned previously and then suddenly you'll have to start scaling back things like graphics or resolution to get the game at a playable state with core features in tact on current hardware.

The game also features «team - based actions,» like giving your teammates a boost to help them scale a wall, and weapon customization.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Medal of Honor featured class based gaming, just like Battlefield, but did it on smaller scale maps like Call of Duty.

The game's nature, featuring large - scale warfare, suits some of his songs that feel almost like they are commanding you to march.

Also amazing on an intimate scale, are the four works in Jackson's «Cozy Bubble» series, featuring doll sized beds centered in protective shell - like frames, with a variety of interiors designed to provoke delightful dreams.

Berlin - based Grosse (b. 1961, Germany) is mainly known for large - scale three - dimensional work that features bright, unmixed, sprayed - on color that evokes abstract painters like Sam Francis and Helen Frankenthaler.

The format of Rythm Mastr, whether as an animated feature, graphic novel, or multi-panel sequence on newsprint, may feel like a departure from Marshall's painting practice, more tethered to pop culture than the high - brow arena where the artist's large - scale works fetch seven figures.

He uses bold, modernist designs on a huge scale to play off of pre-existing architectural features and cover spaces like walls and even entire building facades.

Objects Like Us features tabletop art objects by fifty - six artists and sets out to «explore the relational behaviour of intimately scaled objects that personify or embody a human condition or attribute.»

Her small - scale watercolor compositions, etchings, and books feature tiny, hand - written texts and an ever - changing cast of doll - like talkative girls.

Notable exhibitions include his large - scale overlapping line drawings of nudes for his series Water Paintings shown at the 1999 Venice Biennale, and his 2006 solo show Cave Paintings at White Cube, which featured marble tableaux of collaged stones set together like tectonic plates.

Matterhorn (How to See Like a Machine) Brute - Force Descriptor Matcher; Scale Invariant Feature Transform, 2016.

In the end, featuring selections from the UBS collection still says too much about a major museum today and its institutional power — much like the scale of the remodeling, the tower above, and the hefty admission fee.

Layered in image & texture, monumental in - scale, and featuring bold strokes, free gestures, and vibrant colors, works from 1985 to 2005 record in an abstract vein a period of intensified cultural and demographic transition even for an ever - changing city like New York.

On display are several new bodies of greatly varied work: a series of paintings based on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitler.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

The museum, which Mr. Krens first considered developing in China, would feature one of the world's largest working systems of O scale model trains, with perhaps 100 in operation at one time and a control room that «would look like something from NASA,» he said.

Featuring the work of seminal American and British artists like Tony Smith, Gerald Laing, Carl Andre, Donald Judd, Robert Morris, and Sol LeWitt, the exhibition included a bounty of large - scale geometric sculptural abstraction.

This exhibition features five of her recent animations and numerous paintings, both small and large scale, along with a jewel box - like installation of drawings.

With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.

Walking around the hall now, she says that «working with the scale of the space is like the difference between a short and a feature film».

This second solo exhibition at the gallery features large - scale, wall - mounted artworks constructed from a grid - like arrangement of panels encrusted with electronic parts.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Alongside the main Fair opening January 21, London Art Fair brings to its visitors a number of accompanying programs like Art Projects, a curated showcase of the freshest contemporary art from across the globe featuring large - scale installations, solo shows and group displays, alongside an extensive Film Programme presenting a selection of experimental film and video work.

Now being showcased at the Whitney Museum alongside photographs by Deana Lawson, Henry Taylor's large - scale paintings will be featured among works by artists like Julian Schnabel and Yoshitomo Nara in Blum & Poe's group showing.