The exhibition featured Walker's handsome, large -
scale figure paintings, interspersed with smaller drawings and still life sketches.
Not exact matches
It tracks Elaine de Kooning's development as a first - rate, innovative portraitist through variously sized drawings,
figure studies, trial sketches and small
paintings across five decades, with each room dramatically highlighting the best of her large -
scale oil
paintings, some never exhibited publicly until now.
New
paintings on view feature monumental nude
figures and intimately
scaled body parts.
The small, fragile ceramic vessels that reference military and funerary formations, «the family units of historical
figures in Vietnam,» stand in sharp contrast to the energy and movement of the large -
scale paintings.
The format of Rythm Mastr, whether as an animated feature, graphic novel, or multi-panel sequence on newsprint, may feel like a departure from Marshall's
painting practice, more tethered to pop culture than the high - brow arena where the artist's large -
scale works fetch seven
figures.
Tompkins was an important
figure in the photorealist movement of the 1970's but largely overlooked due to the fact that she was a woman making large -
scale paintings of heterosexual intercourse, imagery that until then had been reserved for male artists and viewers.
The large -
scale paintings in Sequences from a Volatile Now dissolve, however, explicit reference to historical
figures.
In his 2012 exhibition at the Matthew Marks Gallery, Cricket Music, Tessellation
Figures & Notebook, 11 large -
scale, richly hued, and layered
paintings create complex patterns and grids.
In my more recent
paintings, by increasing the
scale and gesture of the stars, the
figure / ground relationship shifts from delicate to muscular.
The canvases range from a few feet tall to roughly human height; in preliminary drawings for the
paintings Richter sketched human
figures alongside the layouts of some of the works, indicating the meticulousness with which the
scale of the works was devised.
Price: The
scale of your
figures in your
paintings and on some of the
painted objects is small.
The
figures who people Njideka Akunyili Crosby's large -
scale works — hybrids of
painting, drawing, collage, and printmaking — inhabit familiar - looking domestic interiors.
Shaw uses a focus on the over-arching themes of fallibility — fallen heroes, collapsed economies, and political
figures — to center his exhibition around a series of large -
scale paintings begun in 2004 on old, cut - apart theatrical backdrops.
Bringing together a selection of recent cut - out paper
figures, mixed media works on paper, collage
paintings in beehive frames, a large -
scale painted sailcloth and hand -
painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.
This large -
scale bronze playfully casts the classical female
figure, reimagined in Giorgio de Chirico's surreal
paintings, as if she is made of crudely carved polystyrene, further debunking the fetishized art historical form.
It includes small -
scale paintings by «other art» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist
painting and photo - realism, as well as works by leading
figures of the post-Soviet period.
She plans to use her time at the 18th Street Art center to meld the two mediums: bringing together the art of
painting with the aesthetics of tattooing with works on paper, and to create some small
scale sculptures that she can see in her mind's eye and now need to
figure out how to bring into fruition.
She focusses on techniques, structure, and composition, and by playing with the
scale and gaze of her
figures she reformulates the visual language of traditional oil
paintings.
Siskin and Fly are continuations, on a more intimate
scale, of her recent large
paintings inspired by English birds, in which she gives her human
figures feathered collars but few other defining accessories.
Two large -
scale paintings depict a
figure almost completely obscured by foliage, which gives the impression of something glimpsed in a dream or recreated from a lost source.
Exploring deeply personal themes, these large -
scale paintings maintain a sense of intimacy and purpose as the
figures interact within an increasingly complicated world.
Texan artist Robert Yarber is renowned for his dizzying large -
scale paintings of
figures flying in the night sky above glittering megacities.
The resulting sculptures, which she worked into by hand, sometimes adding a lick of white
paint or a shade of coloured pencil, are of a human -
scale and could equally be age - worn human
figures or gnarled tree trunks — again, the human and the natural is a juxtaposition Carey enjoys exploiting.
To See Beyond Its Walls (and access the places that lie beyond) combines a large -
scale painting of a female
figure with a reimagined interior of Sans - Souci Palace (1813) in northern Haiti, tracing conflicted histories and current political contexts of Hispaniola (the shared island of the Dominican Republic and Haiti) and America.
In a fugue of abstraction and representation, depth and surface, micro and macro, the remarkable slippage between gestural waves of
paint and fantastically rendered
figures, creatures and objects, these epically
scaled paintings evolve Cooke's fundamental interest in the theory and practice of
painting to a compelling hybrid state of generation and destruction.
The exhibition brings together recent work, medium
scale paintings where a
figure or
figures are situated in psychedelic and symbolic landscapes, alluding to spiritual or heightened emotional interiors.
In the large -
scale work Hebron (1998 - 2001), Petlin utilizes chalk and oil on unprimed linen to create outlines of
figures and smears of red
paint and chalk, indicating bloodshed.
It is amazing what human presence adds to a
painting regardless how small
scale the
figure is.
Exhibition highlights include: two ornate, figurative
paintings by Australian artist Del Kathryn Barton; three large -
scale, realist
paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented
figure by Brooklyn - based artist Nathaniel Mary Quinn; four small -
scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large -
scale surrealist drawing by German artist Dennis Scholl; among others.
Her New Museum exhibition brings together a selection of recent cutout paper
figures, mixed - media works on paper, collaged
paintings in beehive frames, a large -
scale painted sailcloth, and hand -
painted texts on the gallery walls.
Alternatively, the
figures in his large -
scale paintings might find themselves alone, or nearly so, and in intimate settings where self - reflection is powerless to stave off the distractions of glittering company and indulgence in earthly pleasures.
Sotheby's Contemporary Art Evening Auction on 8 March will be led by Untitled (One Eyed Man or Xerox Face), one of Jean - Michel Basquiat's finest full - length male
figures from his series of grand -
scale paintings that took the art world by storm in the early 1980s.
He blended the artistic styles of his adopted countries with those of Africa, creating mythical hybrid
figures — combinations of animals, plants and humans — in large -
scale paintings.
Alongside these works, the exhibition features a selection of new
paintings that range from monumental nude
figures to intimately
scaled canvases that present details of bodily parts and facial features.
While the two schools of abstract expressionist
painting shared certain characteristics ---- large
scale; bold, gestural brushwork; emphasis on the materiality of
paint;
figure and ground equal or collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures and the expansiveness of the western landscape, in addition to European
painting, invited landscape references into their work whereas New York painters resisted such associations.
Known for his vibrant, large -
scale paintings of black man posing as famous
figures, Kehinde Wiley's Obama presidential portrait features the US ex-leader sitting in front of a floral backdrop.
Before beginning a given
painting, Opheim first determines the
scale of the work and the type of
figure he wishes to
paint.
As his new exhibition is installed at Lisson Gallery, London, the artist explains how
painting, place,
scale and skin all
figure in his thinking about sculpture
Richter's large -
scale paintings question the context of history
painting in a society whose historiographic idea of progress has been significantly altered, hence Richter's lone, heroic
figures depicted singularly or in an ecstatic mass.
A much - revered
figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a
painting — abolishing color in order to focus on material, brushstroke, support, and
scale.
Essenhigh's large
scale paintings create an enigmatic world in which animated action
figures are cast alongside mythological characters and the demimonde in roles where time - honoured human concerns such as patriotism,...
Named for African - American abolitionist and women's rights activist Sojourner Truth, Parsons
paints strong female characters, like the scintillating, silhouetted
figure smoking in the darkness in her large -
scale work Anthony at Night with the butterflies (2016).
Usually
painting from collaged photographs, Wood takes delightful liberties with background,
scale, and color, often distorting
figures, employing unusually vivid hues, or adding a work of art in place of a family photo in an interior scene.
Ghada Amer is best known for her large -
scale, hand - embroidered
paintings of seemingly abstract lines that resolve into repetitive patterns of highly erotic
figures and scenes.
The exhibition includes 40 beautiful and impressively
scaled paintings by such major
figures as Helen Frankenthaler, Morris Louis, Kenneth Noland and Jules Olitski.
British artist Jenny Saville
paints the
figure in massive
scale, combined with an overt, never - ending interest in the pure rendering of human flesh.
Intrigued by the multiple complexities in Greenwold's
paintings, Bui writes: «With their repeated penetration of lines, Greenwold's new
paintings and drawings evoke Giacometti's existential angst, while the calibration of
scale among
figures, objects, interiors, and landscapes conjures Balthus's magnified psychological space.
Piri Halasz reviews three exhibitions of works by Jules Olitski: Revelation: Major
Paintings by Jules Olitski at American University, Washington D.C. (through December 16), Jules Olitski On An Intimate
Scale at George Washington University, Washington D.C. (through December 14), Anthony Caro and Jules Olitski: Masters of Abstration Draw the
Figure at Freedman Art, New York (thorugh February 2, 2013).
James Rosenquist came to prominence among New York School Pop Art
figures like Roy Lichtenstein, Jasper Johns and Robert Rauschenberg is well known for his large -
scale, fragmented works that bring the visual language of commercial
painting onto canvas, from 1957 - 60, Rosenquist earned his living as a billboard painter.
Cast in bronze from a full -
scale fiberboard construction and
painted, they are intrinsically equivalent to the
figures themselves.