Sentences with phrase «scale film based»

(15) More crucial, however, was a nebulous idea for an intimate, small - scale film based on the life of children.

Not exact matches

I raise this issue because movies, especially Hollywood major motion picture films, have the power to affect, on a mass scale, the audience perception on reality — especially a movie that bases its entire plot on a real historical event such as we can see in Argo.

Speaking of which - with Civil War, directors Anthony and Joe Russo (who also helmed The Winter Soldier) deliver some of the most impressive superhero - based fight scenes and set pieces featured in any Marvel Studios film yet, in terms of both the sheer scale and creativity of the Avenger vs. Avenger battles.

As an additional service to moviegoers, each film is given a Critics» Choice Rating (on a 1 - 100 scale, 100 being the highest), based on the cumulative grades each film receives in the monthly balloting.

To celebrate upcoming film Deadpool 2, Hot Toys is very thrilled to bring to you today the new 1 / 6th scale Deadpool collectible figure based on the forthcoming movie!

Journey's End This is a small - scale, well - acted film based on a 1928 stage play, focusing on the horror of life in the trenches in World War I.

After this run of deeply ruminative, small - scale works, one last major film was still to come; Akerman's final narrative feature film, La folie Almayer (Almayer's Folly, 2011), based on the 1895 novel by Joseph Conrad.

A film based on the game has been reportedly «in development» for over a decade, going as far back as 2007, with director Len Wiseman attached in 2008, though he dropped out in 2010 after the $ 100 million budget was scaled back, and the project languished for years.

Happier than they should be, based on the film's opening conversation, in which Trent seriously rates Duncan a three on the «1 to 10 scale.»

A film based on the game has been reportedly «in development» for over a decade, going as far back as 2007, with director Len Wiseman attached in 2008, though he dropped out in 2010 after the $ 100 million budget was scaled back, and the project languished for years.

The exhibition will also feature his flip - book film, Second - hand Reading (2013), a series of mural - scale tapestries based on his opera production of Shostakovich's The Nose and a set model which reveals his working process on the opera production Lulu (2016), which he will direct at English National Opera this November.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.

Le Conqueroo, a new large scale installation and performance by the Chicago - based group Academy Records, is a site specific installation incorporating film, mixed media, and live and recorded drums.

These larger - scale works are based on the discs of mounted film inserted into the eponymous stereoscopic toy.

Based on an artistic movement started by Holden and his friends whilst growing up in their hometown of Bedford, MI!MS is a large scale sculptural installation incoporating film, painting, drawing and found objects to trace the history and legacy of their efforts.

Possessed of a remarkable clarity of vision, a striking spatial intelligence and a generous stylistic inclusiveness, it places on an equal footing art objects and time - based art — not just video and performance art but music, dance, theater, film — and does so on a scale and with a degree of aplomb we have not seen before in this town.

The exhibition features his flip - book film, a series of mural - scale tapestries based on his opera production of Shostakovich's The Nose and a set model which reveals his working process on the opera production Lulu, which he will direct at English National Opera this November.

Over the last decade, New York - based DuBois has produced a prodigious body of work ranging from musical composition and collaborative performance, to large - scale public installations, film, and generative computer works.

Three of the works are film pieces: The Refusal of Time (2012) and O Sentimental Machine (2015), which have never previously been exhibited in the United Kingdom, and Second - hand Reading (2013), a series of mural - scale tapestries based on his opera production of Shostakovich's The Nose and a set model for the opera production Lulu (2016), which Kentridge will direct at the English National Opera in November 2016.

Running until 26 July 2008, the exhibition incorporates seven new large - scale paintings, a body of towers and Houshiary's first film - based work, Shroud 2007.

Mikula preconceives her images» overall look and scale, shooting economically and with an eye to predicting the color range of expired film based on its precise vintage.

The godmother of feminist art, Kelly is known for her provocative films and large - scale narrative installations that explore notions of sexuality, work, power, and politics by tapping into the more visceral aspects of daily life... «Kelly is one of the most important female Conceptual artists of our time,» says L.A. gallerist Susanne Vielmetter, who represents the artist along with New York — based Mitchell - Innes & Nash, and Pippy Houldsworth Gallery of London.

From large - scale installations, through to long - term process - based projects and, more recently, films, Superflex's work is founded in economic and political awareness.

Nashashibi's exploration into painting is in some ways influenced by her upcoming film on Guatemala - based painter Vivian Suter, and her previous film The Painter, 2013, a semi-portrait of Renée Levi in the studio and her highly physical practice of producing large - scale gestural and abstract paintings.

Jones's work takes many forms; from gallery based film and installation to large scale public events.

First appearing as a figurative element in his works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed stage and costume design for the New York City Ballet's The Most Incredible Thing in 2016, a performance choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.

THIS film is the culmination of all that, with a stronger activist voice, updated science content, inclusion of the faith - based green movement — and a revisit of Louisiana, where every interviewee in 2002 predicted devastation on a Katrina scale.