Sentences with phrase «scale film feel»

Not exact matches

We felt that the best way to exploit the scale and scope required to close out the final chapter of these three phases, was to be the first films shot entirely on the IMAX / ARRI Digital camera.»

On top of that, there is something very realistic about low - budget films that do exactly that, because it feels more grounded in reality, instead of overblown on a large scale.

A docudrama that in its early scenes feels like a documentary — the co-directors have a nonfiction background, and the actors are actual carnival performers — the film plays out like a small - scale fairy tale.

Robert Richardson's camera glides across the various flattened landscapes with purpose, and plunks down to provide widely scaled, conspicuously painterly compositions (and for once, the background action in a Tarantino film feels lively and detailed).

«The Neon Demon» was a beautiful entirely extremely disturbing thriller, totally hardcore, and the role of Elle Fanning was outstanding, Nicolas Winding Refn did an acceptable job, but from start was exciting until the middle of the I felt intermittent film, sometimes the pace increases and other decreases, but ended in the most disturbing way possible, certainly a hardcore film, a half scale.

While the cast of characters all remain in touch with their deep - rooted feelings of survival and promise, when a film is full of unlikable and hard - pressed figures, it's difficult to scale your own investment into their well - being.

The film also feels like it is scaled way higher than its budget.

Technically, this is one of the best - looking films of the MCU, with Oscar - nominated cinematographer Rachel Morrison giving everything a grand scale and scope that gives Black Panther an epic feel.

However, it is detrimental to the narrative, causing it to lack pace, and leads to the film feeling overburdened by the scale of the story it is trying to tell.

More importantly than anything, it cuts close to the bone, with much of the film feeling like Gilliam confronting his own mortality: «for all the film's flaws, it feels like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time on Earth will be brief in the grand scale of things... it's not so much a film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»

While the scale of the animals feels off since all of the creatures are roughly the same size, they are still wonderfully conceived and stunningly put on film.

I don't know what the actual process was, but this feels like the sort of intimate, small - scale film where the director had the actors live together for a few weeks before shooting began.

It's also a grand - scale film that feels like a possible best picture winner.

The film has a very large scale feel to it though doesn't try to go overboard.

Instead of feeling like the same thing on a feature film scale, this film was able to take this character and show the audience his personal struggles, while still making a film filled to the brim with uncomfortable laughs.

This idea of using what one has to better those around is taken to a much grander scale, and it makes the film feel so much more powerful than your typical film.

While it's possible to praise the sheer scale of the film and the audacity of its shocking (and, yes, genuinely chilling) finale, there are also long stretches of this movie that feel rudderless.

The Revenant, while entertaining from moment to moment, ultimately feels like film school on a much grander and more experienced scale - but with the same tendency to overindulge in technique and form, rather than substance and feel.

Unfortunately, apart from a few painterly shots here or there, the film's visuals appear on par with an HBO miniseries, boxing the film's scale into a 16:9 frame that makes the Civil War feel inappropriately small.

The film never stopped feeling like the audience was experiencing an epic scale story.

Despite the films grand scale in both its cast and vision, there are times were the backdrop does feel like a stage set.

The film has such a large scale yet you feel like you are spending time alone with Sky and her cubs.

The environment design is stunning as it rivals the blockbuster film franchises Lord of the Rings and The Hobbit in encapsulating how an enthusiast of their respective novels would anticipate Mordor to look and feel as well as successfully showcasing the vast scale of such grand fantasy environments, alongside the stylistically presented Wraith World.

Since the late 1990s, Simpson has extended these concerns into a series of film and video installations and large - scale photographic works printed on felt.

In 2011, in collaboration with the director and artist Harmony Korine, she exhibited Shadow Fux at the Swiss Institute in New York where she collaged, painted, and drew over large - scale faces of film stills from Korine's Trash Humpers, to create otherworldly beings that the viewer can feel in their presence.