Written and directed by master filmmaker Jia Zhangke (The World, Still Life), «one of the best and most important directors in the world» (Richard Brody, The New Yorker), this daring, poetic and grand -
scale film focuses on four characters, each living in different provinces, who are driven to violent ends.
Not exact matches
SunPower
focuses on high - efficiency panels that are ideal for rooftop solar installations, while First Solar's thin -
film panels hold up better in harsh environments and appeal to large -
scale utilities.
I think Mission: Impossible - Ghost Protocol is the most consistently entertaining, most laser -
focused entry in the series so far, and while I would argue that it is very much a sequel to the third
film and not just a disconnected piece of a flexible franchise, it is also a great rollicking self - contained spy movie adventure on a grand
scale, and it's preposterous fun.
Being originally intended as part of a six part series though, the
film focuses solely on his early years, beginning with Napoleon as a boy, leading a large
scale snowball fight and being bullied for his stony countenance.
Despite some stunning cinematography that conveys the Outback's disquieting majesty, the
film's
scaled - back character
focus finds an ideal home on Netflix.
Journey's End This is a small -
scale, well - acted
film based on a 1928 stage play,
focusing on the horror of life in the trenches in World War I.
With its wide
focus, Soderbergh's
film is technically epic in
scale, yet Traffic derives its lasting power from the savvy notion that sheer size is no match for urgent, true - to - life immediacy.
In its ambition it resembles Rose Troche's third
film, The Safety of Objects — that picture also saddled with a large, veteran cast and a problem with
focus, but most importantly with the responsibility of a young filmmaker given the opportunity, with a bigger budget and well - regarded performers, to produce a piece commensurate in
scale to that perceived expectation.
The
film is told mostly in wide - angle close - up, giving it an intimate
scale and a human
focus.
The unfortunate part however, is that this
film is lacking in the
focus and emotions to make it worthy of it's epic
scale and attempt at romance.
Bringing together almost two decades of sculpture,
film, drawings, large -
scale installations and photography, Emily Jacir: Europa
focuses on Jacir's dialogue with Europe, Italy and the Mediterranean in particular.
Europa (the Italian and Arabic word for «Europe») presents sculpture,
film, drawings, large -
scale installations and photography that
focus on her work in Europe, in particular Italy and the Mediterranean.
Mikula's large -
scale images, shot on Polaroid
film, employ her trademark soft
focus and knack for using tricks of
scale to powerfully suggestive effect.
Europa brings together almost two decades of sculpture,
film, drawings, large -
scale installations and photography with a
focus on Jacir's work in Europe, in particular Italy and the Mediterranean.
This very welcome large -
scale show
focuses on the last 10 years of the Polish painter, photographer and
film - maker's work.
Interiors - spaces inhabited both physically and mentally - still form her main subject matter, but for this show she abstained from the walk - in
film installations she's become known for and
focused on sculptures: small -
scale models of rooms, mostly with the same floor plan though otherwise unalike, and sculptures of furniture, such as beds and armoires.
Later in the Autumn IMMA launches IMMA Collection: Freud Project, 2016 — 2021; a significant selection of 50 works by Lucian Freud (1922 - 2011), regarded as one of the world's greatest realist painters, which are on long - term loan to the IMMA Collection; Europa, the first survey exhibition of Palestinian artist Emily Jacir's work in Ireland which brings together almost two decades of sculpture,
film, drawings, large -
scale installations and photography with a
focus on Jacir's work in Europe, particularly Italy and the Mediterranean.
Emily Jacir: Europa brings together almost two decades of sculpture,
film, drawings, large -
scale installations and photography and
focuses on Jacir's dialogue with Europe, Italy and the Mediterranean in particular.
The
film focused almost entirely on the world's highest paid living artist producing his large -
scale abstract squeegee works in his studio.