Sentences with phrase «scale films for»

Tull, who will remain chairman and chief executive officer of Legendary, has been seeking to expand in Asia with Legendary East and in 2013 signed an agreement with China Film Co. to jointly produce large - scale films for global audiences, such as «The Great Wall,» which will star Matt Damon.

Ahead of next month's full - scale filming for the movie, these days she remains on location in China, coming and going between her lodging quarters and the martial arts practice room.

Not exact matches

Scaling up to 125 employees by 2001, CORE competed for contracts with larger, more established names like George Lucas's Industrial Light & Magic, landing dozens of feature film jobs, among them Hollywood blockbusters like X-Men and Doctor Doolittle.

SunPower focuses on high - efficiency panels that are ideal for rooftop solar installations, while First Solar's thin - film panels hold up better in harsh environments and appeal to large - scale utilities.

Finally, the report said that a tax credit for film and television production, which Cuomo has proudly expanded, «should be scaled back because it does not appear to pay for itself in its current form.»

For larger scale operations, work is needed to produce CNT membranes on thin films or fiber cloth composites.

While a number of ferroelectric materials are known to science and are already used in different applications, their crystal structure does not allow them to be scaled down to a small enough, ultra-thin film for use in miniaturized devices.

The fact that thin films made of low cost metal - organic perovskites can be produced on a large scale for example by spin coating and subsequently baking (whereby the solvent evaporates and the material crystallizes), makes this technology additionally attractive.

Researchers at North Carolina State University have developed a new technique for creating high - quality semiconductor thin films at the atomic scale — meaning the films are only one atom thick.

Abstract: Scientists at the U.S. Naval Research Laboratory (NRL) have devised a clever combination of materials — when used during the thin - film growth process — to reveal that particle atomic layer deposition, or p - ALD, deposits a uniform nanometer - thick shell on core particles regardless of core size, a discovery having significant impacts for many applications since most large scale powder production techniques form powder batches that are made up of a range of particles sizes.

Click here to visit our Physics Connect profile Hiden's quadrupole mass spectrometers provide vacuum, plasma and surface analysis in nanotechnology applications, including SIMS depth profiling of nanometre scale thin film structures, plasma characterisation for enhancement of device etch processes, and vacuum diagnostics / temperature programmed desorption analysers in UHV scanning tunnelling microscopes.

Her fundamental investigations have aimed to control the synthesis of nanoparticles and nanostructured thin films; as well as, to apply microstructural characterisation techniques for the study of nanostructured materials at the nano - scale.

If you are new to Inspiring Wit, to fill you in, my former work and field was in design, for interiors, large scale events, theatre and film production.

3 / 4Sammy Davis, Jr.: I've Got ta Be Me is the first major film documentary to examine Davis» vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th - century America.Sammy Davis, Jr. had the kind of career that was indisputably legendary, so vast and multi-faceted that it was dizzying in its scope and scale.

Ferrell films can vary from one end of the scale to the other, he can be funny and ingenious or a complete annoying twat, unfortunately many of his films do come under the «annoying twat» label for me.

Shaun isn't special ops, or a trained survivalist, or a superhero bitten by a radioactive spider, and in a way, one doesn't ever truly worry for her safety (she impressively scales a stone wall and a fance, while running around barefoot for a good chunk of the film without stubbing her toe, too).

Those responsible for the marketing of this film fumbled the ball on such a colossal scale that it couldn't hope to recoup the reported budget of $ 250,000,000 despite the fact that it really isn't all that bad.

Robert Richardson's camera glides across the various flattened landscapes with purpose, and plunks down to provide widely scaled, conspicuously painterly compositions (and for once, the background action in a Tarantino film feels lively and detailed).

Normally the science fiction concept of time travel is reserved for big budget action films, but the idea itself can be much more interesting within the confines of an indie scale film.

But as the film progresses, this battle - torn young woman becomes the poster child for a full - scale attack on the Empire.

Usually a delay of six months would be a very bad sign for a film of this scale, but Warners are choosing to release the film in a period we've come to know as «awards season,» and that can only be a good thing.

Now, with movie attendance falling, expectations may have been scaled back somewhat for films, unless they're a sure thing — and sometimes even then.

That Marion Cotillard is generating serious awards buzz for her performance in the small - scale Belgian drama Two Days, One Night is a testament to the film's quiet emotional power.

The key to the film's success is its down - to - earth approach to a topic usually addressed for its larger scale implications.

Marc Webb, who is also back in small - scale drama mode after work on two Spider - Man films, is behind the camera for the movie.

As a comedy, it might make you smirk or lightly chuckle on a couple of occasions, mostly due to a few low - scale, size - related sight gags, but it's doubtful you'll be quoting the film for any hilarious one - liners once you leave the theater.

«A street - racing blockbuster about traffic cops» is one of the more endearing action - film premises in recent memory, and in terms of conceptual scale alone it seems a refreshing rejoinder to the genre's rather exhausting penchant for maximalism.

On the scale of narrative, Coppola's film has been celebrated for its subtlety and for the challenge that it offers its audience.

Not only are «Get Out,» «The Shape of Water» and «Blade Runner 2049» some of the very best films of 2017, but from the no - budget indie realm («Prevenge,» «A Ghost Story,» «Transfiguration,» «Raw») to expensive studio epic scale («War for the Planet of the Apes,» «Kong: Skull Island») and newly blazed ground out of the predominantly formulaic superhero («Logan,» «Wonder Woman,» «LEGO Batman») and Star Wars («The Last Jedi») factory farms, fantasy filmmakers tried their hardest to be smart, visually adroit, sometimes startlingly innovative and — strangest of all for this escapist format — humanely, emotionally credible.

Some very good points in here To be honest, I like seeing huge battles as a climax in blockbusters... but I agree it's pretty cool when films go for a smaller scale ending that's less epic and more personal.

Catching Fire presents mostly the same story as the first film, but speedier and with a slight twist as previous Hunger Games winners Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (the grim - jawed Josh Hutcherson) cause trouble for the capitol of Panem, the post-war-rebellion version of the United States, after their previous victory, which inspires small scale rebellions across the nation, mostly evident via graffiti.

«Big Effects, Small Scale» it is a brief look at the film's effects, I would have loved for this to be a lot longer since the effects are critical in this film.

The 2016 Deadpool film broke data and changed into an astounding essential and industrial luck, particularly for an R - rated film, which is why many studios are actually satisfied R - rated comedian e book films can paintings on a big scale.

Director John Crowley (Boy A, Intermission) does a very fine job with a good troupe of thespians, and while the film lacks a huge budget for large - scale action scenes, the more grounded developments definitely work in its favor in keeping a tenuous believability in what is mostly a story built on creative fantasy.

The Wall arrives on Blu - ray with a solid AVC - encoded transfer that does plenty of good for a smaller - scale film such as this.

It is a template for the kind of large scale film that fits the Legendary template, and there is a ticking clock incentive that puts it on a fast track.

Being originally intended as part of a six part series though, the film focuses solely on his early years, beginning with Napoleon as a boy, leading a large scale snowball fight and being bullied for his stony countenance.

Introducing Thunderbolt in Civil War could also just serve as foundation for future films including Red Hulk, but Nemo's presence in the film suggests there might be some large - scale manipulations in store.

Though much of the action remains confined to the inner sanctum of Franco's home, the biblical implications of the film dictate that they must eventually be taken out of their comfort zone, and thanks to their reasonably sized budget, they have enough to clout to develop some eye - popping special effects, and although it intends to satirise the current trend for apoca - blockbusters, it does its level best to match them in terms of scale.

More importantly than anything, it cuts close to the bone, with much of the film feeling like Gilliam confronting his own mortality: «for all the film's flaws, it feels like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time on Earth will be brief in the grand scale of things... it's not so much a film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»

His follow - up to the almost - VR scale of that film is a return to his home country of Mexico, where he's been working on a»70s - set family drama for years.

At four hours long, this film isn't for casual moviegoers, but fans of ambitious cinema will enjoy its scale, even though it's more of an extended personal drama than a proper epic.

The actor is exceptionally melancholy and somber in the film, which makes director Alexandros Avranas» latest an off - the - beaten - path selection for moviegoers on the hunt for a small - scale mystery.

However, given that the subject is, to say the least, touchy, the fact that this film was even made is worthy of at least some kudos to Maher for having the guts to potentially offend the vast majority of people in the country, and perhaps the world, with his expression of doubt in their beliefs and his own belief that, though many individuals have found great benefit from the ancient scriptures, religion ultimately does more harm than good when looking at it in its totality from a global historical scale.

Except for a well - staged scene depicting the attack on the marchers on the Edmund Pettus Bridge, the best scenes in «Selma» are the small - scale ones: Oprah Winfrey (also one of the film's producers) as an bedraggled activist denied the opportunity to vote; a scene where King's wife, Coretta (Carmen Ejogo), confronts him about his philandering; a cameo involving the father (portrayed by that marvelous actor Henry G. Sanders) of a murdered man in Selma.

Emmerich has had several attempts at world - ending destruction, and although each of the aforementioned films was impressive in its time, 2012 sets a new standard for large - scale disaster porn.

(15) More crucial, however, was a nebulous idea for an intimate, small - scale film based on the life of children.

I don't know what the actual process was, but this feels like the sort of intimate, small - scale film where the director had the actors live together for a few weeks before shooting began.

With so many heroes and the massive build to the fight against Thanos for the Infinity Stones, the film is working on a huge scale.

Holofcener's last film «Please Give» ended up on many of our year - end lists in 2009, so while we're not expecting «big things» exactly — that's hard to say about small scale dramas about regular people — we are, as usual, excited and grateful that we live in a world where, despite all the tentpole tendencies, there's still a very viable space for Holofcener to make movies.