Zanela Muholi produces large
scale gelatin silver prints exploring the lesbian experience of African women.
His unique, meticulously produced, large -
scale gelatin silver prints appear at first glance as portraits of individuals, but are in actuality composite representations of members of a specific social group or demographic in Asia.
The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large -
scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.
A 45» wide processing sink is available for making large -
scale gelatin silver prints.
Not exact matches
The impressively rich, detailed
gelatin silver prints exhibit a breathtaking tonal
scale due to a stain developer called Pyro (notorious for its toxicity).
A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large -
scale works and
silver gelatin prints.
Many of Woodman's
gelatin silver prints feature this strong, idiosyncratic abstract lineage, and she also extended her investigation of the serial geometrical form in her large -
scale diazotype
prints.
Photographer unknown, [Miss Georgia Englehard
scales her fifty - sixth peak in the Canadian Rockies with Ernest Feuz, her Swiss guide, Mount Victoria, British Columbia, Canada], ca. 1933,
gelatin silver print.
This was taken to a photo lab, where a
gelatin silver print was produced, to a
scale of 78 × 42 inches.
Often
printed on the grand
scale of a history painting — exhibited either as backlit lightboxes akin to advertising displays or as crisp ink jet and
silver gelatin prints — Wall's works reveal their poetic potential through portraying empathetic characters, picturing impossible vantage points, and capturing elusive moments.
Image above: © Carl Strüwe, Butterfly (Red Admiral),
Scales on Wing (Ala papilionis), 1928,
Gelatin silver print,
printed late 1950s / Courtesy Steven Kasher Gallery
Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large
scale, unique
silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand -
printed method; there is a stack of litho -
prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.
Clearly Stieglitz also obsessed over the
printing process for this image, as a photogravure, carbon
print, and
gelatin silver print are all on view, in which he tweaked the texture of the snow and the
scale of the shadowy coachman within the image.
«I dream a world» Looking for Langston, an exhibition of newly - conceived, large -
scale and
silver gelatin photographic works and archival material, at Victoria Miro, Wharf Road and a special presentation at Somerset House for Photo London (18 — 21 May) features photographs presented as both large -
scale works and
silver gelatin prints, accompanied by an installation of the award - winning film.
Orto Botanico # 1 (2014), a large -
scale silver gelatin print, presents a sculptural form emerging from a base of incongruous materials; the hint of surrealist photography projects an atmosphere of ambiguity over the relative ordinariness of the colour photographs that appear alongside it in the exhibition.
While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as
silver gelatin works
printed on Ilford paper and as large
scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.
New Film Stills present a series of
gelatin silver print photographs made in 2013 ranging in
scale from 40 - by - 30 inch to 8 - by - 10 inch.