Sentences with phrase «scale glass sculptures»
For the past decade, Dustin Yellin has been dazzling the art world with his large - scale glass sculptures, which transport collage to another dimension.
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Recognized internationally for his unique glass sculptures and large - scale works for public spaces, Howard Ben Tré makes reference to historical architectural forms, industrial shapes and Read More»
Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
Shan Shan Sheng, large scale oil paintings, glass sculpture.
Sculptural constructions by Richard Stankiewicz, Betye Saar, and Abe Ajay, a mobile by Alexander Calder, a large glass piece by Dale Chihuly, and several large - scale metal pieces by Seymour Lipton — some of which are currently on view in the Hamer Sculpture Garden — round out the museum's collection of post-war sSculpture Garden — round out the museum's collection of post-war sculpturesculpture.
The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.
Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.
Visible on the interior of each sculpture are abstract glass forms blown and carved as quarter - scale interpretive «models.»
He exhibits selections of his signature «painting sculptures», culling from his ongoing dynamically figurative cosmos Psychogeographies as well as intimately - scaled acrylic and glass contrasts.
The works ranged from highly saturated colored op - art paintings to large - scale light and glass sculptures that allow the viewer to activate and engage with the art works.
«OTHONIEL» is a presentation of iconic large - scale steel and glass sculptures by prominent contemporary French artist Jean - Michel Othoniel.
This exhibition will comprise a series of large - scale watercolors and ceramic and glass sculptures about the sea and a large mythical octopus, a hidden sculptural force, and ghost like presence of fierce emotion underneath the moire effect of water.
Two highlights of the exhibition will be a monumental sculpture comprised of seven panes of glass suspended in an aluminum framework — each pane containing words, which form an abstract radial constellation — and a large - scale site - specific wall drawing that Khan will be creating at the gallery.
Yellin, who is also the founder of the Pioneer Works Center for Arts and Innovation, created for the occasion 15 large - scale glass and mixed - media sculptures, each weighing more than 3,000 pounds.
This featured graphic design and poster art, furniture, stained glass art, batik, metalwork and ceramic art, as well as textiles, tapestry art and some small - scale sculpture.
Working with serial cast glass parts to enlarge scale and combining these elements with metal, wood and other materials to create monumental works, he has raised glass sculpture to the realm of public art.
In Noémie Goudal's large scale photograph Cascade (waterfall), a plastic sheet replaces the pouring water; Tania Kovats» glass and water sculpture Where Seas Meet is made with sea water from three places around the world where seas visibly meet; in David Buckland's photographs of Ice Texts, words of warning are projected on to icebergs; Susan Derges captures the continuous movement of water by immersing photographic paper directly onto rivers or shorelines; and Martin Parr candidly documents the English at the seaside.
Heart • Water • Ink features more than 70 artworks including paintings, freehand brushwork, Chinese ink hybrids, graffiti art, Chinese calligraphy, lacquer paintings, 3 - D video projections, Murano glass, and large - scale dragon and horse sculptures.
The artist's recent projects and commissions include a large - scale outdoor public art commission for the Seattle Art Museum's Olympic Sculpture Park, where her work — Seattle Cloud Cover ‖ allows visitors to walk through a covered skyway while viewing the city's skyline through tiny holes in multicolored glass; — Blind Blue Landscape ‖, a site - specific commission for the renowned Benesse Art Site in Naoshima, Japan, completed in September 2009; and — Stacked Waters ‖, a site - specific installation created for the cavernous entrance of the Blanton Museum of Art, January 2009.
She will make a colourful large - scale glass installation made of many intricately cut sculptures, using found and blown glass and create an intimate atmosphere between the creature - like figurines which come to life with dramatic lighting.
Her large - scale Sea Paintings, grandly produced with the help of the sea itself, provide a backdrop for the galleries, which are filled with various other sculptures, films and glass works by the artist.
Characteristic of her sculpture is the juxtaposition of imposing, large - scale forms made of concrete, iron, or aluminum with intricately etched surfaces and sumptuous materials such as glass, alabaster, and tapestry.
This close relationship has enabled Lou to further develop her signature medium of glass beads by collectively producing intricately beaded canvases, sculptures, and large - scale installations.
Her debut at the gallery centers on Structural Psychodramas # 2, an installation of small Murano glass sculptures, as well as two of the artist's monumental disaster paintings and large - scale, provocative neon works, one of which reads «NO MORE MASTURBATION.»
MARK BRADFORD: SEA MONSTERS This exhibition of new paintings and sculptures by the widely admired artist and MacArthur Award winner will include a mural more than 100 feet in length, scaled to match the museum's glass - fronted Lois Foster wing.
With an architectural refit of the four gallery spaces and three new films alongside sculptures and wall works in neon, smoke, haberdashery, commercial slat walls, vinyl siding and blown glass, BAD LAND is a narrative about the sliding scale of sovereignty, self - sufficiency and despair.
, a large - scale kinetic sculpture installation composed of double - sided glass panel mirrors, with an excerpt of text cut out of each mobile panels.
The gallery's booth (G2) will include Joel, a large - scale oil - on - canvas portrait of American sculptor Joel Shapiro by Chuck Close; an elegant sculpture by Alexander Calder; a stained glass sculpture homage to the legendary Brazilian architect Oscar Niemeyer by Brian Clarke; and a painting by Mark Rothko.
Most recently, her large - scale paintings and glass - and 3D - printed sculptures articulate the relationship between natural forms such as the wave, the vortex, and the helix, with planes of sight and human gesture.
Lou's relationship with South Africa - she established a studio of Zulu artisans in 2005 - has enabled her to develop her signature medium of glass beads by collectively producing intricate beaded canvases, sculptures and large - scale installations.