Sentences with phrase «scale graphite»

The remainders, which Dickinson started creating in 2010, are large - scale graphite rubbings of the painting's surface made each time the work has gone through a significant change.

Jackie Case and Roy Wright will be represented by their works on paper, the former specializing in whimsical small - scale graphite drawings, whilst Wright captures the intricate details of trees and cityscapes in charcoal.

Melissa Cooke's large - scale graphite drawings look like surrealistic black - and - white photographs.

Her large - scale graphite drawings also on view in the gallery invited close inspection, the subtle shift in hand drawn lines creating a palpable sense of movement within the confines of two - dimensions.

Ikon shows a related series of large - scale graphite drawings entitled Mistah Kurtz — He Not Dead (2015), depicting magnified details of pinstripe, the iconic costume and camouflage of trade in the City.

Catherine Meier will be installing large - scale graphite drawings on paper that depict the subtlety of the vast, open grasslands of the North American Great Plains.

Her large - scale graphite drawings also on view in the gallery invited close inspection, the subtle shift in hand - drawn lines creating a palpable sense of movement within the confines of two dimensions.

She is known for her meticulous, large scale graphite drawings, multi screen videos and sculptural installations.

The Southeastern Center for Contemporary Art is celebrating Robyn O'Neil's twenty years of drawing, the works in this exhibition represent those two decades with large - scale graphite drawings and collages accented with pops of color.

A series of large - scale graphite and colour pencil drawings created on -LSB-...]

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Often, the still imagery we collect forms the source material for large - scale graphite drawings that are obsessive documents of infatuated characters.

The title of the exhibit is named after a large - scale graphite drawing in the exhibit, which reads, «Dear 1968,» «Love 1984,» hinting at the conversation between the artist and her father, Rodney Barnette, who joined the Black Panther Party in 1968.

At Regen Projects, the L.A. artist's fourth solo hometown show features much smaller works: domestically scaled graphite drawings and oils on canvas and linen.

Not exact matches

But discrete, micron - scale pockets of graphite appear to be a unique find.

In a second paper in the current issue of the journal Nano Letters, Zewail and his colleagues described their visualization of the changes in a nanometer - thick graphite membrane on a longer time scale, up to a thousandth of a second.

The Amazon Kindle DX Graphite featured a 9.7 inch display screen with 1200 x 824 pixel resolution at 150 ppi, 16 - level gray scale, 10:1 contrast ratio.

[Which may be misguided, there's much debate whether large - scale high quality graphene production will be derived from chemical processes, rather than graphite itself].

Her large - scale and labor - intensive works range in size from 7 to 12 feet, and envelope the viewer in expressive and analytic gestures made in graphite, gouache, and conté crayon on paper.

Teresita Fernández's latest solo show of new work As Above So Below, opening at MASS MoCA on May 24, 2014, combines graphite and gold to create a series of immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.

The exhibition surveys a broad range of inventive methods and materials employed by Rivers over the course of his career, which includes intimate works of graphite, collage, large - scale paintings, life - size sculptures and foam - sculpted relief - paintings.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

The enormous space better allows for his large - scale installation of graphite halogen lights, which hang in rows the full length of the ceiling.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

Responding to MASS MoCA's massive and light - filled first - floor galleries, Fernández has created a trio of large - scale, landscape - informed installations, which embody this expression, and is united through the show's elaborately detailed exploration of graphite and gold.

Teresita Fernández's latest solo show of new work at MASS MoCA As Above So Below will combine graphite and gold to create a series of immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.

Ashley Oubré is an American self - taught artist, known for her large - scale drawings made with graphite powder, india ink and carbon pencil, created in a photorealistic style.

This exhibition highlights his work on a more human scale and showcases his deftness across a range of materials including graphite, steel, stainless steel, alabaster, polyester resin, and wood.

is a series of 24 film projections, 24 sound compositions, and 24 large - scale charcoal and graphite drawings inspired by

This exhibition will feature paintings ranging from small to very large - scale, and a selection of sculpture meticulously carved from elemental materials such as graphite, pewter and salt.

Executed in graphite in 1965, War and Peace is a large - scale triptych drawing depicting two colossal archaic warriors who confront each other in battle while the world around and beneath them crumbles.

With this new body of work, O'Neil has created twelve drawings with graphite and mixed media that range from small, immediate expressions to larger - scale, intricate drawings filled with groupings of mysterious symbols.

The project also includes twenty - four large - scale charcoal and graphite drawings evoking traces of explosion and connoting volcanic ashes.

Published to accompany his show at Corbett vs. Dempsey, The Pencil of Nature covers drawings Winters created between 2006 and 2014, ranging from small - scale, heavily worked graphite drawings to large ones incorporating charcoal, ink and gouache.

The works, reproduced as full - color plates, are comprised of acrylic, ink, graphite and masking - tape drawings from 1974 — 75, as well as two large - scale paintings from the same period and the artist's notebooks.

Employing both drawing and collage, Taylor creates the pieces by combining charcoal, graphite, cloth, oil, paper and wire into works full of minute complexity on a gigantic scale.

On exhibit will be large - scale works on paper comprised of collage, and various different media such as acrylic paint, graphite, and crayon.

Galleria Nazionale d'Arte Moderna e Contemporanea, Rome presents the third stage of this major transcontinental tour, Sean Scully: Change and Horizontals, an intensely focused survey comprising of acrylic, ink, graphite and masking - tape drawings from 1974 - 75 - presented together for the first time in over 30 years - as well as two large - scale paintings from the same period and the artist's personal notebooks.

New York — The Drawing Center presents Sean Scully: Change and Horizontals, a focused survey that comprises Sean Scully's (b. 1945, Dublin, Ireland) acrylic, ink, graphite, and masking - tape drawings from 1974 — 75 — presented together for the first time in over thirty years — as well as two large - scale paintings from the same period.

This intensely focused survey is comprised of acrylic, ink, graphite, and masking - tape drawings from 1974 — 75 — presented together for the first time in over 30 years — as well as two large - scale paintings from the same period and the artist's personal notebooks.

In the center of the gallery are two large - scale floor drawings by Tony Lewis created from roofing paper, tape, and dense layers of graphite arranged in a sculptural form.

This original exhibition debuts one of the Museum's most recent acquisitions, a large - scale, graphite drawing by American artist Karl Haendel.

Gary Kachadourian primarily makes graphite and ink drawings of everyday places and objects which he then either scales down or up often creating room sized installations of forests, homes, vacant lots and even chicken bones.

The installation includes a suite of seven new large - scale «mandala» paintings, accompanied by a range of table - top painted bronze sculptures and large graphite drawings.

Often using wood, bronze, graphite to create rough, expressive figures that seemingly defy physics, the artist is a legend in the realm of large - scale public sculpture.

this show will include large scale poured oil paintings and graphite drawings on aluminum panel.

Jackson's Blackboard Paintings — large - scale geometric abstractions rendered in graphite and blackboard paint — cover the surrounding walls.

In line with his large - scale sculptures of screens partly crushed and his ghostly graphite drawings of crashed cars, the outdoor sculpture, while abstract, resonates as a roadside barrier destroyed in a critical collision.

It moves from a set of Symbolist graphite drawings from the 1940's, to some Abstract Expressionistic paintings from the 1950's, to four of the giant - scale Minimalist works for which Bladen is best known, to a selection of pedestal - size geometric models from the 1970's and 80's.

After being visually barraged with dozens of large - scale, brightly colored paintings as you enter the fair, Verna's booth of small - scale drawings, many in graphite or pencil - on - paper, is a breath of fresh air.