Sentences with phrase «scale group exhibitions»

She has exhibited, screened and performed her work at museums and galleries in large - scale group exhibitions throughout the world, such as: the Taipei Biennial; Documenta 5, 6, 7, 8, 11, and 13; the 2008 Sydney Biennial; the 2008 Yokohama Triennial; and the 28th Sao Paolo Biennial.
Between 2003 and 2013, he worked closely with Okwui Enwezor — current director of the Haus der Kunst Museum in Munich and Artistic Director of the 2015 Venice Biennale — to produce a series of academic symposia, large scale group exhibitions, and major museum programs, many dedicated to postcolonial and contemporary African art.
He has exhibited widely in the United Kingdom and internationally and has curated a number of large - scale group exhibitions.
Roelstraete is currently the Curator of MuHKA, the Museum of Contemporary Art (Museum van Hedendaagse Kunst) in Antwerp, Belgium, where he has organized large - scale group exhibitions and monographic shows.
Cedric Christie has exhibited widely in the UK and internationally and has curated a number of large - scale group exhibitions including Something I don't do and The Things of Life at Flowers Gallery.
Delvoye's work has also been displayed in large - scale group exhibitions, such as Documenta IX; the 1999 Venice Biennale; Triennale di Milano; Yokohama Triennale; 3rd Moscow Biennale; CAPC Musée de Bordeaux; Lyon Biennale; MOCA Shanghai; MoMA PS1; The Vancouver Art Gallery; and The Grand Palais in Paris.
Curated by Bettina M. Busse, the exhibition ICON continues the gallery's tradition of large - scale group exhibitions such as Women — Art — New Trends featuring Marina Abramović, Valie Export, Rebecca Horn, Maria Lassnig, Gina Pane, and Carolee Schneemann from 1975, Mannerism Subjective.
From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Stuff (2013).
Museum - scale group exhibitions suggest a culture - wide obsession, as with «Undone» at the Whitney at Altria, followed in no time by «Unmonumental» at the New Museum.
Jonas has exhibited, screened and performed her work at museums, galleries and large scale group exhibitions throughout the world, such as: Taipei Biennal; Documenta 5, 6, 7, 8, 11, and 13; the 2008 Sydney Biennial; the 2008 Yokohama Triennial; and the 28th Sao Paolo Biennial.
Celebrate the opening of Soundtracks with early access to this electrifying large - scale group exhibition.
This large - scale group exhibition links the vibrant legacy of avant - garde jazz and experimental music of the late 1960s (particularly within the African American arts scene on the South Side of Chicago) and its continuing influence on contemporary art and culture today.
Soundtracks is the museum's first large - scale group exhibition centered on the role of sound in contemporary art.
Between Spaces On view October 25, 2009 - April 5, 2010 For the second time in P.S. 1 history, the junior curatorial staff will produce and organize a large - scale group exhibition.
This presentation is SFMOMA's first large - scale group exhibition centered on the role of sound in contemporary art.
The consolidation of the artists» status began in 1995 with a large - scale group exhibition Brilliant!
«Unorthodox is a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistic conventions.
Christine Sun Kim and Thomas Mader's Tables and WindowsPresented at SFMOMA in Soundtracks, «the museum's first large - scale group exhibition centered on the role of sound in contemporary art,» co-curated by Rudolf Frieling and Tanya Zimbardo.
Artist Liu Jianhua is bringing his work «Trace» to take part in USC Pacific Asia Museum's «Reshaping Tradition: Contemporary Ceramics from East Asia», a large scale group exhibition, on 11th September.
This large - scale group exhibition (9 December 2016 - 22 April 2017) presents art being made today in, or about, Africa, from an Afro - futurist perspective that challenges traditional divisions: fantasy, imagination and cosmology, usually associated with past mythology, are incarnated into science fiction and futurist representation.
SFMOMA Soundtracks, SFMOMA's first large - scale group exhibition exploring the role of sound in contemporary art, is on view through January 1, 2018.
Initiated in 2015, the large - scale group exhibition organized by artists Jonas Burgert, John Isaacs, Christian Achenbach, Zhivago Duncan, Andrej Golder, Andreas Mühe and David Nicholson under the name of Artist Weekend, is taking place for the second time over this year's Gallery Weekend.
Opening Night is May 18th Time: 7 - 11 pm featuring dance performance in the streets by Brontez Purnell & Amara Tabor Smith Performances by LoveWarz and Sean O'Dell Music by Strawberry Smog + Moira Scar Free Cafe, Public Art and more... About the Show: The Luggage Store Gallery presents Streetopia, a large - scale group exhibition to take place in venues throughout downtown San Francisco this coming May 18 through June 23.
Initiated in 2015, the large - scale group exhibition organized by artists Jonas Burgert, John Isaacs, Christian Achenbach, Zhivago Duncan, Andrej Golder, Andreas Mühe and...
The exhibition continues the Center's long - term research into new directions in China's contemporary art scene as well as the institutional tradition of mounting a large - scale group exhibition once every four years.
This large - scale group exhibition presents art being made today in, or about, Africa, from an Afro - futurist perspective that challenges traditional divisions: fantasy, imagination and cosmology, usually associated with past mythology, are incarnated into science fiction and futurist representation.
A large - scale group exhibition featuring works by Kathy Prendergast, William McKeown, Isabel Nolan, Siobhan Hapaska, and Dorothy Cross.
Those include two exhibitions set for 2014: A survey of Utah cult filmmaker Trent Harris, and a large - scale group exhibition looking at Danish migration in Utah.
Unorthodox Presents Work by 55 Contemporary Artists Global, Multigenerational Exhibition Opens November 6 at the Jewish Museum New York, NY - This November, the Jewish Museum will present Unorthodox, a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistic -LSB-...]
This large - scale group exhibition (9 December 2016 - 22 April 2017) presents art being made today in, or about, Africa, from an Afro - futurist perspective that challenges traditional divisions.

Not exact matches

In addition to serving the luxury business traveller, the hotel is targeting the lucrative and increasingly important MICE (meetings, incentives, conferences and exhibitions) market, which currently does not have a hotel of sufficient scale to host such large groups.
Focusing on the central role of colour in Patrick Heron's work, this exhibition brings an extensive group of the artist's large - scale abstract works to Cornwall, where Heron lives and worked from 1956.
This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.
Widely recognized for his large - scale, modular works produced throughout the 1960s and 1970s, Smith was included in the seminal group exhibition Primary Structures at the Jewish Museum, New York, in 1966.
This exhibition introduces a group of seven large - scale paintings, the Red Rocks series, which have been Marden's main focus for the past three years.
Ballroom Marfa is pleased to announce Hyperobjects, a group exhibition co-organized by philosopher and Rice University professor Timothy Morton and Ballroom Marfa Director & Curator Laura Copelin, engaging ideas from Morton's theory to confront the overwhelming scale of today's ecological crisis.
Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.
In partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectively).
In addition to this work, the exhibition will include photographs, made by the artist as he accompanied the clock on a ship from London to New York, as well as a group of large - scale drawings of the night sky, based on the star charts which sailors use to navigate.
Recent group exhibitions include: Parentheses, Hong - Ik Museum of Art, Seoul, Korea (2012); Scales of Dragon, Anseong Machum Museum, Anseong, Korea (2012); Best of Best, KT&G SangsangMadang, Seoul, Korea (2011); Shinsegae Art Award Selected Artist, Shinsegae Gallery, Gwangju, Korea (2011); In the CITY, Chung - Mu Art Hall, Seoul, Korea (2011); and Chung - Ang Emerging Artist, Doosan Art Center, Seoul, Korea (2011).
Jack Tilton is showing a group of collages by Derrick Adams that furthers some of the concerns around portraiture and identity in his recent, grandly scaled exhibition at Pioneer Works in Red Hook, Brooklyn.
For her first solo exhibition at Document, the Brooklyn - based artist has scaled down with a group of thirty intimate, process - intensive digital photo - collages on plexiglass, none more than twenty - two by seventeen inches.
Works from the collection of Viktor Bondarenko have been shown repeatedly in group and solo exhibitions of contemporary art, but the collection has never been exhibited in the full scale.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
In 2012 she was the co-curator of TRACK a large - scale, city - wide international group exhibition in Ghent, Belgium.
This group exhibition, which debuted at the Walker Art Center, features artists variously using scale, unusual materials, and sly...
Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.
This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.
As if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile instead.
This is the Casasempere's first solo exhibition in Japan and features large scale sculpture with a group of ceramic pieces.
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