Sentences with phrase «scale images presented»

The results are large - scale images presented in a tableau style.

Not exact matches

Features the scale of Earth's impact ripples would go unseen at the resolution of images taken from orbit imaging and would not be expected to be present if the meter - scale ripples were impact ripples.

They presented frontline research in various fields such as large - scale methods to identify novel drug targets, how to extract more information from microscopic images by the use of computational methods, as well as the movement and behavior of immune cells.

A separate COSMOS team led by Scoville presented images of the large scale galactic structures in the same area with the dark matter.

Though it was not present at Gecco's SDCC booth, the collectible manufacturer will be adding one more statue to their Dark Souls line in the near future; teased in the promotional announcement image included below, Gecco is presently working on a 1 / 6th scale statue of the «Knight of Astoria, Oscar».

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

Part of a series of stretched photographs presented as adhesive vinyl murals Lawler began making in 2006 in which she expands her images to fit the location of their display, the work suggests large - scale advertising formats even when viewed in more intimate, interior settings.

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of shooting, collecting, and aggregating present - day images.

For Bernstein, this piece, presented in counterpoint to her large - scale images within the gallery, proclaims her presence and confronts egotistical posturing of artists within the art world and society.

By arranging the works into large - scale installations throughout 180 The Strand, Strange Days aims to «weave images and sounds into polyphonic, dreamlike compositions, blending the present with memories of the past and premonitions of the future».

In his first solo show in Philadelphia, Wynne will present a collection of his hand - crafted objects against a backdrop of digital images and wall scale quotes crafted in glass.

A new video, Son (2018), presented as a large - scale projection in the main gallery, interweaves appropriated and handmade still images into a long - duration animation.

For his third solo show at Paula Cooper, Kelley Walker presented a number of large - scale «paintings» across which march silk - screened images of scanned bricks and cinder blocks.

Alongside the meticulously composed, large - scale, color images of interiors for which Höfer is known, the exhibition presents photographs from the artist's remarkable new body of work.

The fact that in all but one of these images the man is playing against an invisible opponent, and that in the large - scale painting the fi gure is staged in a jungle, just in front of a blue brick grid, is a fantastic tease that presents a nice taught wire to hang conjecture on.

Close up images of the artists body are here presented in a large - scale configuration of work, a simultaneous abstract and intimate portrait of the artist.

The images, staggered throughout the space in the manner of theatrical props, present themselves as potential police mug shots, closed - circuit camera stills or anonymous faces in the crowd, albeit magnified in scale and distorted by their mediation through surveillance technology.

The use of existing images, which might be altered in scale, cropped, rephotographed, angled or simply presented in copied form — «appropriation,» as practiced by Richard Prince and Sherrie Levine, among others — inspired indignant critical sniping from writers like Robert Hughes.

Gary Simmons: Fight Night @ Metro Pictures Oct. 30 — Dec. 23, 2014 Recognized for his signature «erasure» technique in which he smudges and obscures elements of his paintings and drawings, New York - based Gary Simmons is presenting a series of boxing images including a large - scale installation of 180 posters advertising historic boxing matches.

Using large - scale images, she presents the viewer with a -LSB-...]

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

Presenting 19 single - channel videos and 9 larger - scale video sculptures / installations, Moving Image has been conceived to offer a viewing experience with the excitement and vitality of a fair, while allowing moving - image - based artworks to be understood and appreciated on their own tImage has been conceived to offer a viewing experience with the excitement and vitality of a fair, while allowing moving - image - based artworks to be understood and appreciated on their own timage - based artworks to be understood and appreciated on their own terms.

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

This evolving continuum of personal and idiosyncratic images is often presented in epic collections of small - scale drawings, paintings, and photographs, presented in flowing and seemingly haphazard installations that appear to grow organically, like a busy life well lived.

I Love You with My Ford (1961), Look Alive (Blue Feet, Look Alive)(1961), Tube (1962), and Morning Sun (1963) are included in The Popular Image Exhibition, a large - scale compendium of Pop and Fluxus art curated by Alice Denney, at the Washington Gallery of Modern Art, Washington, D.C. Rosenquist's painting Vestigial Appendage (1962) is included in the group exhibition De A à Z 1963: 31 peintres americains choisis par The Art Institute of Chicago, one of the first European exhibitions to include his work, presented at the Centre Culturel Américain, Paris.

Although individual images of her paintings aren't available, Michaela Eichwald presented two dark abstractions (one can be seen on the back wall above) and an anxious, small - scale portrait (hung above eye level) that seemed unsure, edgy, and heartfelt.

Currently on view: Edward Burtynsky Essential Elements 1981 — 2012andSalt Pans 2016 (through December 31) presents an overview of Burtynsky's work across four decades, including both iconic and previously unpublished images from his series Quarries, Oil and Water, as well as new large - scale photographs from his recent Salt Pans series made in India at a barren, salt - producing area in Gujarat.

Highlights include: Flags I Jasper Johns» richly layered 1973 screenprint, presenting an iconic image within the artist's oeuvre in its most striking graphic form; a monumental screenprint on linen, Océanie, la mer, Henri Matisse's largest scale editioned piece and a brilliant example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.

Accompanying the exhibition's large - scale video works will be Richardson's latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.

There in the ever dimming late - afternoon light, surrounded by his newest works — comparatively small to mid-sized painted wall reliefs and large - scale collages of computer generated images — we spoke of his views and attitude toward his work, both past and present.

Bird presents monumental scale paintings based off photographic images of cross-generational women.

Alongside the meticulously composed, large - scale, color images of interiors for which Höfer is known, the ex - hibition presents photographs from the artist's remarkable new body of work.

Beautifully installed on a scale no British institution could match, this mid-career survey was filled with ideas and very different ways of presenting images, narratives and filmed situations.

In Rear Window Treatment Tompkins presents a suite of photo - based drawings, intimate scribbles on source images for her large - scale paintings.

In the rear gallery, Kolding will present a large vitrine containing several intimately scaled dioramas made from black and white printed images, which have been mounted to wood and cut to shape.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

That fact becomes much less intuitive when you present an image which so badly distorts the scale of reality.