These large -
scale images show South African youths in elaborate church uniforms, interior portraits of South Africans, and laborers amidst the stark landscape of the sugar cane industry.
Not exact matches
From the
images of the pod's interior, it appears like Dubai's Hyperloop system would be a comfortable ride as well, as evidenced by the generous amount of legroom
shown in the full -
scale prototype model.
He adds that» In addition the
images obtained by radio - interferometry
show, on
scales of one parsec (some three light years) that the jet appears to be helical, and contains many vórtices.
This
image shows a young and unripe acorn, characteristic with a dense pattern of irregularly placed
scales that cover nearly completely.
However, gravity on the comet is also very weak, and an analysis of the forces exerted on the grains at the comet's surface
shows that these thermal winds can transport centimeter -
scale grains, whose presence has been confirmed by
images of the ground.
The most detailed
images yet made of the chemical bonds in a molecule
show what large -
scale models had long assumed: the more electrons that two atoms share, the shorter the bond between them.
This information is then used to construct a sequence of «lipid order»
images that
shows molecular orientation dynamics at subsecond time
scales.
«It will
show us how molecules behave, information that is not available from the micron -
scale morphological
images taken with traditional microscopy techniques.»
At the meeting, he
showed an
image of a half - millimetre slab of the mouse brain's hippocampus, at a
scale that revealed connections between neighbouring neurons.
The
image, captured when Mars was just 50 million miles from Earth — a mere stone's throw away in the cosmic
scale of things —
shows russet Martian deserts pockmarked with craters and bright frosty polar caps shrouded, in some regions, in a thin haze of clouds.
Marks around the edge of the
image show the
scale: 1000 km between marks.
A, C, E: time - resolved scattering optical
images show individual transient PNBs generated around single NP clusters during exposure to the two simultaneous laser pulses (0.5 ns each, 532 nm and 787 nm): A - the mono - NP cluster of gold spheres, C - the mono - NP cluster of gold rods, E - the multi-NP cluster of the same diameter as in A and C but consisting of a mixture of gold spheres and rods; the pixel
image amplitude is
shown in the gray
scale.
In contrast to conventional nanometer -
scale quantum dot nanostructures that can hold a single electron, this
image shows chemically - synthesized assemblies of integrated quantum dot structures that can communicate via photons.
Despite increased public awareness, large -
scale operations are still open for business in many countries, new
images show.
As both these
images and our earlier spy photos and leaked
scale - models
show, the Volvo S90 will have a traditional long - hood luxury - sedan silhouette, with proportions bringing to mind rivals like the Audi A6, BMW 5 Series, and Mercedes - Benz E-Class.
SID Tablet Display Shoot - Out Galaxy Note II - Optimus G Pro - Nexus 7 - iPad Retina Display An invited feature article on Tablet displays written for the Society for Information Display that examines the performance of four high - end Tablet displays in ambient light, demonstrating how they progressively degrade with increasing ambient light, and then
showing how to accurately compensate and correct the on - screen
images for these effects by dynamically modifying the Color Gamut and Intensity
Scale.
The
images are
showing significantly reduced color,
image contrast, and gray
scale accuracy.
The
images should
show very good color,
image contrast, and gray
scale accuracy.
Depending on how the
image is coded in your HTML, it will either always
show up in its original source size or
scaled to the size of the full page.
It's likely RIM will fix this issue in the near future so wallpaper
images display 1:1 instead of
scaling as they do now, but in the mean time, be aware that you might not quite get the
image to
show as you'd like for a wallpaper.
As
shown in the
images, the new Kindle Paperwhite has the same appearance design with its predecessor, but the new eReader boasts a better 6 ″ Paperwhite display with Carta e-paper technology and 16 - level gray
scale, and with the help of its 300 ppi pixel density and optimized font technology, the new Kindle Paperwhite delivers you more clear and sharper text and
images, meanwhile built - in light allows you to read in the dark.
``... he used pre-rendered bitmap
images showing ships from several different sides and angles, which could then be
scaled to suit the player's out - the - cockpit view, rather than making a proper, mathematically rigorous 3D engine built out of polygons.
A release date, price and prototype model have not been officially
shown, however Gecco provided fans - and press - with a promotional
image of their future «Scissorwalker» statue; the upcoming collectible will feature the cloaked scissor - wielding demon at 1 / 6th
scale, though exact dimensions have not been given.
Here, the artist has framed the illustrated pages from Robert Burnham's 1966 amateur astronomy book Burnham's Celestial Guide,
showing the small -
scale plates from this self - published, quasi-scientific manual which depict telescopic
images of galaxies, stars and nebulae along with brief, surprisingly poetic captions.
The
show will include many works that have never been
shown in public before, such as his senior thesis An
Image of Salome, in addition to his vibrant pastels, large -
scale gestural paintings, and well - known prints, such as Dante's Inferno.
At Sprueth Magers in London, these five industrial series are on
show in their characteristic grid formations alongside a selection of single, large -
scale images.
His just opened
show at Mark Moore Gallery includes stunning examples of his large -
scale photorealist / abstract
images, as well as a new series of small -
scale works made with some interesting materials.
His decision to
show all of his plates at a
scale of 1:2 makes the monumental archive — with more than 5,000
images — visible in all its details for the first time.
In his first solo
show in Philadelphia, Wynne will present a collection of his hand - crafted objects against a backdrop of digital
images and wall
scale quotes crafted in glass.
His decision to
show all of his plates at a
scale of 1:2 makes the monumental archive with more than 5,000
images visible in all its details for the first time.
The entry space to the four floor
show includes a fifteen - foot canvas by artist Dan Colen which uses crushed flowers as its medium and serves as a dynamic companion to the small
scale poured Kool - Aid
image by David Hammons.
They could be on the
scale of Andreas Gursky's or Thomas Ruff's work, but these photographs
show that
images don't have to be blown up to huge dimensions to be monumental...»
The exhibition includes a selection of large -
scale posed family portraits from his first one - person
show The Good Life in 1994 along with
images from his Ektachrome Archive, which the artist photographed between 1986 and 2000.
This exhibition of large and medium
scale works features photographs that plumb the depths,
showing what the naked eye does not always see, as well as unusual dreamlike
images, resulting from water, heat and time working to deconstruct archived slides.
For his third solo
show at Paula Cooper, Kelley Walker presented a number of large -
scale «paintings» across which march silk - screened
images of scanned bricks and cinder blocks.
Faught creates exuberant large -
scale textile works that employ an array of techniques and everyday materials — such as sequins, posters, buttons, and Xeroxed
images — that
show the ability of textiles to be a source of both personal comfort and political agitation.
He moved on to C ¿ zanne - like sketches (a 1932 drawing) and biomorphic art; a 1932 drawing
shows his notations on light, shade, texture,
scale and color above an
image of interconnected bones.
Recently Josephine Pryde had a large -
scale model freight train constructed for visitors to sit on as they rattled past her photographs in a
show in San Francisco, but it is her enigmatic, often staged
images that count: hamsters, young women pretending to be pregnant, hands holding objects and gifts.
Hung facing the elevators, large -
scale paintings by David Salle and Barbara Kruger are set against a backdrop of He Kills Me (1987), an AIDS protest mural by Donald Moffett,
showing repeated lithographic
images of Ronald Reagan in acerbic, Day - Glo colors.
Another artist in the
show, Jennifer Steinkamp, makes large -
scale videos — moving pictures of still
images or still
images of moving objects — that might best be understood as projected paintings.
A
scale model of the gallery space in chalk stone is carved, over the duration of the
show, into an
image — a sculptural copy or model — of the exhibition, reproducing the topography of works and gallery furniture.
The large -
scale images are not easy to place, often
showing vast sections of landscape with little direct human activity — though, often evidence of human construction.
Titled Discoteca, the
show consists of a series of 14 large
scale drawings from her Vinyl series — a group of handmade, larger than life reproductions of vintage vinyl records, where each Sharpie pen stroke replicates a groove or where cover
images are lovingly traced in a way reminiscent of teenage bedrooms and the manual imperfection of adoring fans, only to expand in craftsmanship and ambition to reach a perfect language of its own.
There is a gem - like little
show of work by Vik Muniz, the Brazilian - born artist famous for large -
scale photographs of
images composed out of non-traditional materials — chocolate, glitter, dust, trash — at Whitebox, the pocket gallery that rests at the heart of Whitespace, the innovative, West Palm Beach exhibition space.
In addition to large -
scale sculpture and hand - painted, stenciled works on wood, the
show contains
images such as Day of Discovery, seen here.
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large -
scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012),
shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates
images from the history of late 20th century comedy.
Her large -
scale triptych of light boxes
showed images of decaying architecture and empty interiors with broken fans and ripped out sockets that resonated with the feelings of loss and displacement.
The
show features large -
scale drawings of nudes in idyllic settings, photographs of dreamy tabletop dioramas made from collaged porn
images and family photos and paintings of tulips that reference Dutch masters.
Then, in the late seventies, their representational canvases were featured in a series of large -
scale group
shows uptown, including «New
Image Painting,» a 1978 exhibition at the Whitney.
Another large -
scale image produced in the same year, I've Got it All (private collection),
shows the artist, legs splayed on a red floor, clutching banknotes and coins to her crotch.