Sentences with phrase «scale immersive exhibitions»

Following the success of The Infinite Mix, The Store's complex of 10 studios will stage site - specific experiences, including large - scale immersive exhibitions and events.

Not exact matches

Her exhibition WALALA X PLAY is part of the gallery's summer programme — an immersive, interactive installation exploring ideas of art, wellbeing and human scale.

Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern to enter.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

On view until April 6th, Fernandez's exhibition, her largest solo to date, comprises immersive installations across widely varying scales, from the panoramic to the intimate.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

Filling the museum's expansive first - floor galleries, Simon's exhibition features large - scale immersive works — ASSEMBLED AUDIENCE + A COLD HOLE — as well as the first - ever major museum installation of the artist's bookwork.

In contrast to Miyajima's large scale public artworks, which give an idea of the immersive nature of his work but are not on display during the exhibition in Sydney, his exhibited Pile Up Life sculptures (2009) are small «stupas» moulded from dried earth and studded with blue or red LEDs.

Crisscrossing generations, nationalities, processes, and approaches, the exhibition features approximately 50 works by 34 artists — including works by the aforementioned artists alongside Olga de Amaral, Eva Hesse, Ernesto Neto, Rosemarie Trockel, Anne Wilson, and Haegue Yang — that range from small - scale weavings to immersive environments, all made in fiber.

The exhibition features a series of sculptures and a large - scale, immersive installation fashioned from intricately reconstituted street materials, such as yellow and red «caution» tape, construction tarps, garbage bags, discarded hub - caps and debris netting.

However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.

In contrast to Olitski's large and immersive canvases in the Katzen Arts Center exhibition, the works in the Luther W. Brady Art Gallery demonstrate the artist's ability to work at intimate scale, without any lessening of powerful impact.

The exhibition also includes a broad range of drawings and collages, and more recent, immersive installations featuring such materials as commercial advertising posters, large - scale photographs, films, and books.

The two - venue exhibition will include five large - scale digital monitor pieces and the immersive, digital installation, Crows are chased and the chasing crows are destined to be chased as well, Division in Perspective - Light in Dark, 2014.

Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».

Furthermore, Tillmans has transformed the understanding of photographic exhibition making through his daring and original installations, playing with scale, formats, framing and presentation to produce immersive experiences that have inspired subsequent generations of artists.»

Established in 2012 and closed January 1st, 2017, May produced and funded eleven immersive, multi-sensory, large - scale solo exhibitions by exceptional, emerging and mid-career international, contemporary artists.

In presenting a key selection of Ahn's late Water and other paintings, this comprehensive exhibition explores both the sharp - edged existentialism and immersive spirituality inherent in Ahn's large - scale abstractions.

The exhibition will cover the full scope of Hockney's artistic practice, from small scale, intimate works to vast, immersive canvases.

MOCA Cleveland Winter Exhibition Features Teresita Fernández Sculptural Installations CLEVELAND, OH - The Museum of Contemporary Art Cleveland opened its winter exhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and pExhibition Features Teresita Fernández Sculptural Installations CLEVELAND, OH - The Museum of Contemporary Art Cleveland opened its winter exhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and pexhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and perception.

This patterning is used on multiple scales from paintings to immersive installations, which unfolds across exhibition spaces as meditative encounters.

The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.

Her dynamic, immersive installations address key issues that span the realms of film, museum exhibitions, the natural sciences, and contemporary culture through the deployment of movement, scale, and architecture.

Through experiments with scale, color, material, and space, the exhibition will create an immersive environment that raises questions about art and display and enables fresh takes on the specific works.

Large - scale fragments of four distinct «Brutalist» playgrounds from Churchill Gardens, London, Seamount Court Aberdeen, Brownfield Estate, London and Park Hill, Sheffield, have been recreated in 1:1 scale for the exhibition offering an opportunity for audiences of all ages to immersive themselves in a surreal landscape of post-war play.

For the 2015 Summer Exhibition's Annenberg Courtyard installation, Shawcross has created a large - scale, immersive work consisting of five steel, cloud - like forms.

The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and immersive video works to explore and challenge the notion of place.

Fernández, a 2005 MacArthur Foundation Fellow and 1998 Artpace resident artist, will focus on her latest work, notably «As Above So Below,» a large - scale exhibition in which Fernández combined graphite and gold to make a series of immersive, interconnected installations.

This traveling exhibition features six of Ms. Kusama's immersive «Infinity Mirror Rooms,» as well as many other key paintings, collages and works on paper from the early 1950s to the present, and several recent large - scale paintings that have never been shown in the United States.

Produced in collaboration with the Coppel Collection in Mexico, the exhibition will feature one of Hirschhorn's large - scale spatial collages that will transform The Mistake Room's gallery space into an immersive environment.

Showcasing some 50 galleries representing 11 countries, the fair features a special jewel - box exhibition presented by Maison Giampiero Bodino in the Armory's Tiffany - designed Library Room and a large - scale immersive environment, titled Parley for the Oceans, which addresses threats to our ecosystem, which was created in collaboration with artist Doug Aitken.

As well as displaying objects and design materials, the exhibition includes large - scale immersive multimedia installations and offers hands - on interactive experiences.

For the exhibition, Attie is creating an immersive multi-media environment comprised of a large - scale sculpture surrounded by a six - channel video projection and audio soundtrack.

Featuring a survey of Schoultz's small - scale works as well as immersive installations, the exhibition shows off Schoultz's creative versatility.

On January 22, 2014, artist Mowry Baden visited a Pomona College class to demonstrate and discuss his immersive, large - scale sculpture «Dromedary Mezzanine,» which is on exhibition at the Pomona College Museum of Art from January 21 - April 13, 2014.