Working with accumulations of found materials, Soyeon Cho's site - specific, often large -
scale installations reflect on our relationship to these inexpensive, disposable objects, and her work in our Window Space considers the particular challenges that come from travelling to produce installation - based art.
Working with accumulations of found materials, Cho's site - specific, often large -
scale installations reflect on our relationship to these inexpensive, disposable objects.
Not exact matches
In honor of the 200th anniversary of the Kunstverein in Hamburg, Wolfgang Tillmans created a large
scale installation which
reflected on his practice of the last 30 years.
Ranging from text to
installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large -
scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which
reflects and refracts visitors and its Brutalist architectural surroundings.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will
reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large -
scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected
installations.
Ranging from large -
scale painting to site - specific
installation, these commissions spotlight trailblazing artists at different stages of their careers, and
reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.
The exhibition features large -
scale paintings, sculptures and an
installation drawing references to signature Off - White ™ motifs alongside Murakami's iconic cast of anime characters,
reflecting incisively on the signs of the current times.
Showing here in London for the first time in a public institution, Carlos Garaicoa
reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large -
scale installations, sculptures, video and photography.
Via Negativa, a new, large -
scale sculptural
installation,
reflects the artist's continuing exploration of spatial as well as conceptual dimensions.
Including drawings, prints, ceramic sculpture, and a large -
scale paper
installation, «Reverse Reflection Prints and Drawings»
reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all at once.
Butler's artistic output, often taking form through video, sculpture, drawing, and large -
scale installation, conceptually
reflects and refracts the inner - workings of the Internet and the politics of appropriation.
Likewise, Therrien's artistic output, while varied, consistently
reflects the subdued intensity of his person: one who contemplates, then produces, unique and exquisite objects and
installations, always with great attention to color, form, and detail, and prone to catalyzing shifts in a viewer's experience of
scale, perspective, and time.
The show
reflects on the traditional role of public art by offering a counterbalance to the monumental
scale often employed for plaza sculptures and other outdoor
installations in public spaces.
Kovats»
installation is comprised of three large -
scale (3 x 2m), shallow, metal bowls
reflecting the shape of the world's oceans lifted from the globe.