Sentences with phrase «scale installations representing»

Spread over five galleries and extending out into the public areas of the museum - including its facade - the exhibition includes paintings, sculpture, films and temporary large - scale installations representing urban and rural sights, sounds and environments as well as the people to be found there.

Not exact matches

Many of the artists represented in Painting in Space have collaborated with CCS Bard on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's large - scale installation, The parliament of reality, permanently installed on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed on the entrance walkway to the Hessel Museum.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.

Congregating in the exhibition were large - scale sculptures and installations by 24 prominent international artists represented by galleries around the world.

Yang Fudong is represented in this exhibition with a large - scale film installation of his work Seven Intellectuals in a Bamboo Forest from 2003.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

With 118 ICA works by 36 artists, many represented by large - scale installations, the galleries are jam - packed.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

The godmother of feminist art, Kelly is known for her provocative films and large - scale narrative installations that explore notions of sexuality, work, power, and politics by tapping into the more visceral aspects of daily life... «Kelly is one of the most important female Conceptual artists of our time,» says L.A. gallerist Susanne Vielmetter, who represents the artist along with New York — based Mitchell - Innes & Nash, and Pippy Houldsworth Gallery of London.

Given the context, an exhibition at Eyebeam Art & Technology Center, I was intrigued by the various possibilities of these little pictographs being transcribed and / or re-codified by artists and designers into interactive platforms, large - scale installation works, digital collage and even being represented in traditional media, like painting and drawing.

Other sectors include Insights, which features projects by galleries based in the Asia and the Asia - Pacific region and representing artists from the region, and Encounters, which features large scale sculpture and installation work.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).

Artworks in the exhibition represent a range of mediums, including mural art, sculpture, illustration, portraiture, large - scale installations, graphic novels, photography, and more.

The show includes, amongst others, Let us see if a million people can be silent, a full - scale, site - specific wall mural made of regular, diagrammatic waves, each one representing a font used to quote Fidel Castro; a series of fruit sculptures; a room installation made with modernist reclaimed furniture; a series of works on canvas and offset printed paper; and Years, a 6 metre high, fragile construction of rusty steel, a partition of numbers, namely of the years 1959 to 2008 in descending order.

WS explores McCarthy's artistic oeuvre: in the show we find his fantastical forests, large - scale installations that represent the interior / exterior model, an installation tableaux that synthesizes the body, object, and space; here, in the the Armory's massive Wade Thompson Drill Hall.

The Pace Wildenstein Gallery represented Dubuffet in America since 1968, and since that time, has held 14 solo exhibitions and one large scale installation exhibition in 2003.

Consisting of large scale works from his Soap Bubble Paintings series, this installation is represents his ongoing experimentation with non-traditional mediums and chemical processes.

The installation is the first Wisconsin utility - scale solar installation located on a closed landfill site and represents another step in modernizing our Town of Beloit energy campus.

Each cell represents four square kilometers, with a presumed maximum installation capacity of eight 2 MW modern utility - scale wind turbines.

Do you think it represents an installation that we all can afford, such that it could be adopted on a large scale basis?

Katherine Gensler, senior manager for government affairs for the Solar Energy Industries Association, a trade group that represents both big solar developers and manufacturers of smaller photovoltaic systems, says federal incentives aimed at jump - starting large - scale solar development made 2010 a banner year for new U.S. installations.

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