Sentences with phrase «scale installations such»

These figures do not include small - scale installations such as residential rooftop solar photovoltaic systems.

This year the English artist, best known for large - scale installations such as Cold Dark Matter: An Exploded View, was selected for the Metropolitan Museum of Art's fourth annual roof garden commission — for which she created Transitional Object (Psychobarn), an installation based on Alfred Hitchcock's Psycho.

Not exact matches

But such small - scale installations are expensive, requiring hefty incentives to make them attractive to homeowners.

The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.

Through different medias such as photography, film, and sculpture, Boltanski creates large - scale installations about communal memories and identities.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

The first part, MANIC / LOVE, featured Wolfson's most recent large scale animatronic installation Colored sculpture (2016), whose red hair, freckles, and boyish look draw associations with such literary and pop cultural characters as Huckleberry Finn and Howdy Doody.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

American artist Leonardo Drew (born 1961) creates large - scale sculptural installations incorporating both manipulated and found materials such as paper, wood, tree branches and roots, rust and mud.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

He is also strongly concerned with environmental issues and has made large - scale, outdoor installations taking inspiration from Latin American landscapes such as those of north Chile.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

The exhibition features a series of sculptures and a large - scale, immersive installation fashioned from intricately reconstituted street materials, such as yellow and red «caution» tape, construction tarps, garbage bags, discarded hub - caps and debris netting.

Celebrated for his full - scale installations and wall - mounted sculptures, Drew uses a variety of materials such as wood, iron, cotton, paper and mud to re-work in the building of new and lively forms.

This year's edition of Art Basel's Art Unlimited section presents large scale installations, sculptures and videos by artists such as Erik van Lieshout, Daniel Buren, Etienne Chambaud, Anish Kapoor, Vera Lutter, Waltercio Caldas, Cerith Wyn Evans, Jorinde Voigt, Rirkrit Tiravanija, Carl Andre, Fred Sandback, Allen Ruppersberg, Mona Hatoum, Kendell Geers, Sudarshan Shetty, Gardar Eide Einarsson, Christian Andersson, Daniel Robert Hunziker, Lun Tuchnowski, David Zink Yi, Jason Rhoades, and Jennifer Allora & Guillermo Calzadilla.

Not that you would notice him limiting his scope or scale; even within these works he broadens out to include other disciplines such as performance, writing, public speaking, musical composition and installation.

However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.

Nonas has exhibited extensively throughout the world, making floor - based and wall - mounted works that range in scale and are situated both indoors and out; such as, the permanent installations at the abandoned village, Vière et les Moyennes Montagnes, Digne - les - Bains, France in 2012 and at the Fondazione Ratti, 2003 - 11.

Presenting large - scale installations that resemble elements of nature under a microscope and cell - like forms or organisms from the depths of the ocean, Donovan's body of work derives from recognisable everyday items, such as Scotch Tape, drinking straws, paper - plates, needles, plastic rods and toothpicks.

Robert Smithson, an artist associated with the Land Art and Post-Minimalist movements, used natural objects in both his large - scale land installations, such as Spiral Jetty (1970), and his smaller museum installations made of stones and dirt removed from specific locations.

In the «70s, the artist prepared numerous large - scale installations, such as Blocks and Stones in 1973 for the Portland Center for the Visual Arts, Oregon, and outdoor works, such as Stone Field Sculpture in 1977 in Hartford.

The exhibition also includes a broad range of drawings and collages, and more recent, immersive installations featuring such materials as commercial advertising posters, large - scale photographs, films, and books.

Through basic elements such as pixels and binary code, the artist builds large - scale sculptural installations that defy predictability, and ultimately grow into complex forms that question common notions of space and time.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

Eliasson is known for large - scale installations that reference nature, such as The Weather Project at Tate Modern in 2003 and The New York City Waterfalls (for which the artist installed artificial waterfalls under the Brooklyn Bridge in 2008).

Odita has been commissioned to paint several large - scale wall installations at institutions such as The United States Mission to the United Nations in New York (2011), the Savannah College of Art and Design (2012), New York Presbyterian Hospital (2012), New Orleans Museum of Art (2011), Kiasma, Helsinki (2011) and the George C. Young Federal Building and Courthouse in Orlando, Florida (2013).

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.

Henderson's large - scale wall works have incorporated materials such as lead and treacle in installations which are rooted in visuality.

Comprising wide - ranging imagery and materials, such as small - scale drawings, screen prints and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing and installation.

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.

So the black gold from the mines is at the centre of this exhibition of large - scale installations and sculptures: The deep black of coal, its shimmering surface and tactile qualities were used as aesthetic resources by artists such as Marcel Broodthaers, David Hammons, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Bernar Venet or the ZERO group.

Although Lowman's work is influenced by such earlier appropriation artists as Andy Warhol, Richard Prince, and Cady Noland, his own brand of image recycling disperses into an unstructured installation - environment in which posters, record jackets and silk - screened imagery create a large - scale narrative that ruminates on specific issues, from American gun culture to celebrity cults.

Over the years, Bureau Phi has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific installations, performances, and other multimedia projects.

Interwoven with his large - scale graphics and comic - strip works are found materials such as empty bottles, discarded syringes, old sheet metal and other fragments from the street, remade into sculptural installations.

[3] She has created small scale installations in which the viewer engages with the artwork in some way, such as Space Invaders (1980), Speedflesh (1999), and Study for Mirror and Garden (2008).

Mahama's large - scale public installations, such as the one currently on view at the Venice Biennale, explore how capital and labour manifest themselves through industrial materials such as worn - out sackcloth.

The artist's large - scale installations have transformed mundane public spaces such as empty warehouses and factories into lyrical environments where the line both mesmerizes and intoxicates.

The artist is presenting «a large - scale site - responsive installation» as well as repurposed works of found materials using tire scraps, rusty hinges, roofing tile, and other such objects ripe for reinvention for her third show at the gallery.

This selection of historic Polaroids show both models and artworks in progress, many of which are also included in the Serpentine Sackler Gallery exhibition, such as the archetypal figure of the Cowboy, workers from the large - scale installation Lunchbreak, Man on Mower and Children Playing Game.

For the Los Carpinteros exhibition at Parasol unit, the ground floor galleries are dedicated to large - scale installations and sculptures, such as Tomates, 2013.

The exhibition includes his large - scale installations, such as Tropicalia and Eden, and also examines the artist's involvement with music, literature and politics.

While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.

Works in the exhibition range from large - scale canvases such as Cristoforo Colombo (1965), Camels and Goats (1980), and Rat Tat Tat (2001), to smaller sketches such as Hollywood Film Stars and Homes Foldout (1973) and back to the two new and previously unseen painted installations — Biggles and The Spitfire (both 2012).

Alternating between large - scale sculptures, collages, and installations with Day - Glo colors and graphic patterns, the artist has a sense of form that stems from modernist masters such as Picasso and Mirò.

New and existing large - scale installations as well as smaller, more intimate works explore a variety of organic and inorganic forms, such as the life cycle of jellyfish or the routines of a shipping crew on a freighter.

He started to create three - dimensional «tableaux», large - scale installations for which he used found objects and everyday things such as TV sets, car parts, furniture, loudspeakers, and also plaster casts of various family members and friends.

They make large - scale sculptures like Ventricle alongside other work such as immersive digital video installations.

Phyllida Barlow, whose distinctive work as a sculptor has often involved making large scale installations using cheap, everyday materials such as cardboard, fabric, timber and polystyrene, has been made a CBE for services to art.

Xu Bing is known for large - scale installations that incorporate a variety of materials, such as tobacco, silkworms and corn husks, that address issues of cultural and national identity, social change, environmental advocacy and surveillance.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.