Sentences with phrase «scale international exhibitions»

Among other large - scale international exhibitions, Nauman's work has been included on numerous occasions in Documenta, the Whitney Biennial, and the Venice Biennale, where he won the prestigious Golden Lion Award in 1999 and again in 2009.

Following two successful solo shows at Alsopp Contemporary in London, Vladimir Restoin Roitfeld presented Pol's work in three large - scale international exhibitions: The Martus Maw, New York (2009); The Mother of Pouacrus, London in (2010); and Sick Atavus of the New Blood, New York (2011).

She has also participated in many large - scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992).

Abramović has participated in large - scale international exhibitions including Documenta VI, VII and IX in Kassel, Germany and the Venice Biennale in 1976 and 1997, for which she was awarded the Golden Lion for Best Artist.

Abramović has participated in large - scale international exhibitions including Documenta VI, VII, and IX in Kassel, Germany and the Venice Biennale in 1976 and 1997, for which she was awarded the Golden Lion for Best Artist.

Many other performances followed, and in the meanwhile, her work was also featured in many large - scale international exhibitions, such as the Venice Biennale and Documenta VI, VII and IX.

She has also participated in many large - scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel (1977, 1982 and 1992).

Not exact matches

«We're thrilled to be taking part in an international exhibition of this scale.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

The Warehouse exhibitions feature 20 and 21st century sculpture, photography, video, painting and large scale installations by international artists culled from the collection of Martin Z. Margulies.

Alice Neel: Family is a satellite exhibition in the first ever Dublin Contemporary, a large scale multi venue exhibition that has brought a slice of international contemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autumn of 2011.

The exhibition presents a selection of large scale street art, created at May Lane between 2005 and 2009 by legendary Australian graffiti artists and celebrated international street artists.

This past spring, the gallery relocated to a 4,000 - square - foot space in Hollywood with the capacity to support large - scale projects and exhibitions, aiming to represent both local and international contemporary artists and engage with the community to encourage cultural conversation.

Committed to comprehensive, large - scale projects by major international artists for presentation to the public, Ayn Foundation's current projects include Andy Warhol's The Last Supper and Maria Zerres's September Eleven located in the west Texas town of Marfa; an installation of work by Dan Flavin at Fisherbau in Polling, Germany; and an exhibition of paintings by Arnulf Rainer at Mana Contemporary.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

In 2012 she was the co-curator of TRACK a large - scale, city - wide international group exhibition in Ghent, Belgium.

From it's base in Amsterdam, Flatland operates on an international scale due to its various activities which revolve around a programme of both art fairs and exhibitions in institutions around the world.

She has curated a number of large - scale exhibitions of film and video including Scream and Scream Again: Film in Art and Into the Light: The Projected Image in American Art 1964 - 1977, awarded best thematic exhibition in New York City by the International Association of Art Critics.

In the exhibition, James joined with Barry McGee and Stephen Powers, who both went on to become international stars, to recreate a New York alleyway, covered in graffiti, on a massive scale.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

Most Notable Exhibition: In Enwezor's case, it's a tie: As the artistic director of the second (and final) Johannesburg Biennale, Enwezor's «Trade Routes: History and Geography» is largely credited as an important moment for African art on an international scale.

Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring exhibition «Africa Remix «(2004 - 07) and many others.

This large - scale exhibition, uniting the two institutions, is an exceptional project that has the support of the French Embassy in Argentina and the Institut français d'Argentine, and brings together works by 23 international artists, from David Lynch to Agnès Varda, Patti Smith, Wolfgang Tillmans or Nobuyoshi Araki, presented in Argentina for the very first time.

Pelican Bomb's creative thematic exhibitions and large - scale public projects feature international artists while exploring the intersection of New Orleans» social histories and contemporary art.

The first major exhibition in Australia of work by acclaimed Italian contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of major international visual arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.

Future Shock is a large - scale exhibition of works by international artists that articulates the profound impact of the acceleration of technological, social, and structural change upon contemporary life.

From 1999 to 2010 he was the Hammer Projects curator at the Hammer Museum Los Angeles where he curated or oversaw more than 80 project exhibitions and 3 large - scale group shows of local and international emerging artists.

This elegant volume, published in conjunction with an exhibition at the San Francisco Museum of Modern Art, features large - scale color plates of over 250 artworks by 140 artists of international renown, such as Jackson Pollock, Robert Rauschenberg, Alberto Giacometti, Richard Diebenkorn, and many others.

Recent exhibitions include: Jancar Gallery, Los Angeles, CA; Cue Art Foundation, New York; LAXART, Culver City, CA; and large scale wall works for the Hagga Gallery in Descanso Gardens, La Cañada Flintridge, CA, and collaborations with Kim Schoenstadt, for the Urban Institute of Contemporary Art, Grand Rapids, Michigan and the Los Angeles International Airport.

The team of six curators presents eight large - scale exhibitions featuring works by more than ninety international artists.

It is perhaps fitting, then, that curator Przemysław Strożek uses the work as a symbolic point of departure for an exhibition that simultaneously serves as the first large - scale retrospective of Prampolini's work since the early 1990s and as a portrait of the international character of the Polish avant - garde, the centenary of which is this

Across The Tetley's First Floor Galleries, The Feast Wagon looks at identity and nationhood against a backdrop of today's globalised contemporary art scene, with its international biennales and large - scale touring exhibitions such as the British Art Show.

Noon 1 (2012), a large - scale work on paper, was first exhibited in Pouran Jinchi's solo exhibition POURAN JINCHI: Dawn, Noon and Night at Art Projects International in New York.

On another wall, four international artists as well as two graffiti artists from the east and west coasts of the United States, will also produce a large - scale and site - specific collaborative mural prior to the exhibition opening.

Condo takes its name from «condominium» and is a large - scale collaborative exhibition of international galleries.

Congregating in the exhibition were large - scale sculptures and installations by 24 prominent international artists represented by galleries around the world.

Established in 2012 and closed January 1st, 2017, May produced and funded eleven immersive, multi-sensory, large - scale solo exhibitions by exceptional, emerging and mid-career international, contemporary artists.

The SCAD Museum of Art presents «Built, World,» a group exhibition featuring works by leading international artists investigating architecture and constructed realities with a variety of media across a range of scale.

When envisioning the scale and demands of your project, keep in mind that exhibition budgets average between $ 7,000.00 and $ 8,000.00 (for everything beyond admin support and space) and do not cover travel, international shipping, or construction.

Montreal Museum of Fine Arts (Musee des Beaux - Arts de Montreal) Founded in 1860, and Canada's oldest art institution, the museum is a member of the International Group of Organizers of Large - scale Exhibitions, also called the Bizot Group, enabling it to exchange works and exhibitions with other renownExhibitions, also called the Bizot Group, enabling it to exchange works and exhibitions with other renownexhibitions with other renowned museums.

This international group exhibition features artists variously using scale, unusual materials, and sly contextual devices to reveal the manner in which their subjects» «authenticity» is manufactured.

The artists» first major museum survey, this exhibition will present large - scale paintings created in conjunction with international communities, including American soldiers in Iraq, coal miners in Pennsylvania, Cairo citizens in the Arab Spring, and stateless children in Thailand.

Honold gathered her experience in organizing large scale exhibitions for international design label droog worldwide.

They support exhibitions by emerging and established, local, national and international artists working with large scale sculpture, painting, print, drawing, photography, installation, sound and video art.

Over the years, Bureau Phi has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific installations, performances, and other multimedia projects.

In recent years, Frances Stark (* Newport Beach, California, 1967, lives and works in Los Angeles) has been widely acclaimed for her large - scale multimedia works presented in major international exhibitions, including her digital video «My Best Thing», first shown at the 54th Venice Biennial (2011), «Put a Song in your Thing» from Performa, New York (2011), and her recent work «Bobby Jesus's Alma Matter...» at the Carnegie International, Pittinternational exhibitions, including her digital video «My Best Thing», first shown at the 54th Venice Biennial (2011), «Put a Song in your Thing» from Performa, New York (2011), and her recent work «Bobby Jesus's Alma Matter...» at the Carnegie International, PittInternational, Pittsburg (2013).

This solo presentation, curated by Chapter — to develop a suite of new work for a large scale, ambitious and original exhibition — will be the artist's first major commission at an international biennale.

The exhibition, titled Flocks consists of ten large - scale color photographs of international dance companies.

LIGHT SENSITIVE NOW OPEN / View a slideshow of the preview and opening for the exhibition, which includes over 100 works from domestic and international artists, from tiny early daguerreotypes to large - scale contemporary color prints and videos, and is drawn from 12 public and private North Carolina collections.