Sentences with phrase «scale multimedia installation»

On view September 23, 2011, through January 8, 2012, this will be Biggers» first museum presentation in New York, and it will mark the Brooklyn debut of Blossom (2007), a large - scale multimedia installation.

The exhibition is Biggers» first museum presentation in New York, and it will also mark the Brooklyn debut of Blossom (2007), a large - scale multimedia installation that incorporates references ranging from lynchings to Buddha's enlightenment under the bodhi tree.

From large scale multimedia installation to paper collages, Hodges explores notions of cyclical loss and the ephemeral nature of life.

On view at the National Gallery of Art, Washington, East Building, from September 23, 2012, through January 27, 2013, the exhibition will also include the large - scale multimedia installation To Mallarmé (2003) by Mario Merz.

After Image will feature a range of new artworks, including a large scale multimedia installation, which continue to develop Popova's interest in the limitations of visual communication, art history, and shared spaces.

Benedict Drew (b. 1977) works across video, sculpture and music, creating large - scale multimedia installations which comment on the effects of socio - political and environmental issues.

Typically, her projects are documentary based, but transform reality into a quasi-theatrical event using various - scaled multimedia installations.

Most recently, Schneemann has started creating large - scale multimedia installations.

Not exact matches

Over the past 10 years, her groundbreaking work has generated a broad spectrum of innovative and ambitious output, from large - scale data analytics programs to site - specific multimedia installations, transforming billions of emotion data points into immersive works of art.

Mixing the traditional media of painting, printmaking and sculpture with elements of digital and interactive technologies, Keith Piper's large - scale multimedia and multi-screen installations are recognised by their «cut & paste,» multi-layered aesthetics.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

Her new multimedia exhibit will feature large - scale oil paintings, drawings, watercolor paintings, an installation and a pop - up store with tote bags designed by the artist.

The multimedia artist Lisi Raskin uses large - scale drawings, collages, and installations to tackle themes that emerged during the Cold War, from nuclear panic and fallout shelters to the military command centers that brought mankind to the brink of annihilation.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

In Keep Out, Jay Heikes» new exhibition at Marianne Boesky Gallery, the Minneapolis - based artist displays his large - scale copper installations that consist of wire, iron, steel, and wax, as well as a selection of paintings and multimedia works.

Over the years, Bureau Phi has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific installations, performances, and other multimedia projects.

Among the unexpected holdings of the New Mexico Museum of Art collection are a series of Cubanborn artist Ana Mendieta's Silueta photographs; Delilah Montoya's exploration of Chicano social issues through the vehicle of a home altar; a large - scale display of 158 pieces of ceramic blackware by Eddie Dominguez; a protofeminist wax sculpture by Louise Bourgeois; and Meridel Rubenstein and Ellen Zweig's multimedia installation about New Mexico's atomic legacy.

Sprawling room - size installations are a hallmark of the D.Daskalopoulos Collection, and this exhibition incorporates a significant number of ambitiously scaled works, including Thomas Hirschhorn's humbly crafted catacomb Cavemanman (2002) and John Bock's hallucinatory multimedia landscape Palms (2007).

A multimedia artist, previous works include Untitled (Ghardaïa)(2009), a scale model made from couscous, of the North African town that was an inspiration to architect Le Corbusier and a major installation at the art survey dOCUMENTA (13), in 2012, where he juxtaposed images of wounded soldiers from World War I with re-appropriated African masks, suggesting a connection between physical healing and cultural reconstruction, both of which are processes of repair.

Ranging from large - scale installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video, glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $ 10,000 Arlene Schnitzer prize selected by the Museum's curatorial staff.

His work frequently explores boundaries and taboos, spanning large scale installation and sculpture, narrative painting and multimedia.

Autogena and Portway have worked together since the early 1990's, developing large scale performances, multimedia installations and site - specific work, usually in collaboration with organisations and experts across many specialised fields.

Ann Hamilton is internationally recognized for her large scale, multimedia installations, including the event of a thread, which was staged in 2012 at the Park Avenue Armory in New York.

He began creating multimedia installations that synthesized large - scale drawings and paintings, often incorporating his own writing, along with sculptures, videos (one was based on the television show «Captain Kangaroo»), and performances, often scatological and sadomasochistic in nature.

Since 1999, McNeil and Miller have constructed multimedia installations and large - scale paintings and sculptures.

As well as displaying objects and design materials, the exhibition includes large - scale immersive multimedia installations and offers hands - on interactive experiences.

Garnering international acclaim for complex multimedia installations that have transformed such prestigious sites as The Museum of Modern Art, New York, Dia Art Foundation, Irish Museum of Modern Art, Dublin, and the American Pavilion in the 1999 Venice Biennale, Ann Hamilton has demonstrated more than once that she is at ease with large - scale projects.

Working primarily with oil on canvas, Birch has also ventured into film and installation work culminating in some particularly notable large - scale projects, including the 20,000 square feet multimedia installations HOPE & GLORY: A Conceptual Circus (2010) and Daydreaming With... The Hong Kong Edition (2012) at the ArtisTree, TaiKoo Place, Hong Kong.

This exhibition brings together sculptures, drawings, and large - scale installations, as well as the artist's multimedia memorial to the earth's vanishing biodiversity and habitats.

There's nothing metaphoric about the title of this exhibition: Museum of Modern Art and P.S. 1 curator Klaus Biesenbach has marshaled a group of more than one hundred paintings, sculptures, videos, multimedia works, and installations (some large - scale) from the past six decades on the theme of corporeal entering and exiting, from metabolism (nourishment and excretion) and reproduction (intercourse to birth) to violence (shooting and — ouch!

Passage spans the last 10 years of Suh's career and will bring together a number of his most iconic installations for the first time, from his signature fabric architectures, room - sized rubbings and appliance - sized lightboxes to thread drawings, works on paper, scale models, video installations and multimedia documents of his public works.

• Supervise maintenance of 100 plus computer systems and ensured functional inter and intra net networking on all systems at all times • Act as network administrator during joint ventures and third party IP involvement • Maintained user database interface fully updated and functional • Provide aid in setting up multimedia, installation of relevant software for proper functioning and troubleshooting during large scale presentations and conferences involving use of technology