Sentences with phrase «scale museum installations»
Our good friend Dennis McNett has carved out a vast body of work with his signature woodcut prints: from gallery walls and large - scale museum installations to skateboard decks and graphics.
https://www.juxtapoz.com/ Not exact matches
The project was exhibited as a large scale installation at the Les Nuits Photographiques in Paris, PMQ in Hong Kong, the CAFA museum in Beijing, and is currently in the permanent collection of the Museum of Contemporary Photography in Chmuseum in Beijing, and is currently in the permanent collection of the Museum of Contemporary Photography in ChMuseum of Contemporary Photography in Chicago.
The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.
P.S. 1 Contemporary Art Center is pleased to present the U.S. museum premiere of Jim Shaw's large - scale installation The Donner Party (2003).
For his first solo museum exhibition, Arunanondchai presents 2012 — 2555, a large - scale installation which is the first in a trilogy of video - installations.
Many of the artists represented in Painting in Space have collaborated with CCS Bard on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's large - scale installation, The parliament of reality, permanently installed on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed on the entrance walkway to the Hessel Museum.
Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.
Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.
Jong Oh will open a new large - scale, site - specific installation at deCordova Sculpture Park and Museum in the two - person exhibition «Sculpting with Air ``.
For this solo show, the Mexico City — born, Dallas - based artist will fill the Newark Museum's main galleries with large - scale chromatic installations conceived specifically for the space.
MASS MoCA exhibits art by both well - known and emerging artists, focusing on large - scale, immersive installations that would be impossible to realize in conventional museums.
On February 1, 2016, artist Leonardo Drew sat down with Rebecca Hart, Polly and Mark Addison Curator of Modern and Contemporary Art at the Denver Art Museum to discuss his dynamic large - scale sculptural installations.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.
Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).
Her large - scale installation Woman on the Run was originally commissioned by and exhibited at Selfridges, London, and has traveled to Smack Mellon, Brooklyn; 21c Museum, Louisville; the Frist, Nashville, SECCA, Winston - Salem, and the Virginia MOCA, Virginia Beach.
Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.
Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.
In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).
The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.
In the past several years, his multichannel video works have evolved into ambitious, large - scale installations shown in museums around the world.
The museum's outdoor sculpture garden features a significant sculpture by George Segal, a major loan from Miami - based collector Martin Z. Margulies, alongside large - scale installations and site - specific commissions by Allora & Calzadilla, Abigail DeVille, and Miami - based artist Mark Handforth.
The museum is currently hosting an exhibition of absurdly playful, large - scale video installation works by the duo Lizzie Fitch and Ryan Trecartin (open until May 2018).
Jaar's large - scale SCAD - commissioned installation Shadows, made possible with support from the Ford Foundation, will make its world premiere at the SCAD Museum of Art in Savannah during deFINE ART.
One of his most recent works, Šuillakku — corral version (2014), a large - scale sound installation that creates a hybrid between the music of non-Western and Western cultures and is inspired by the ancient Assyrian empire, was the subject of an exhibition at the New Museum in the spring 2014.
A special installation of Il Lee's new large - scale work on canvas accompanied by a ballpoint pen work on paper will be presented at The Metropolitan Museum of Art in New York from November 23 through March 20, 2011.
Since opening in 1999, the museum has focused on «large - scale and complex installations» that might not be possible in other, more conventional institutional settings.
Caroline Lathan - Stiefel is an artist who creates large - scale sculptural installations consisting of fabric, pipe cleaners, wire, string, plastic, thread and fishing weights that have been shown in gallery and museum settings, outdoor spaces.
Brooks has exhibited large - scale installations at Dallas Contemporary, Miami Art Museum, Nouveau Musée National de Monaco, Bold Tendencies London, as well as American Contemporary and the Sculpture Center in New York.
Curated by the Hirshhorn Museum and Sculpture Garden's Gianni Jetzer, the Unlimited sector of Art Basel is a platform for large - scale installations and sculptures, projected video works, live performances, and anything else that can't be contained in the art fair booth.
Filling the museum's expansive first - floor galleries, Simon's exhibition features large - scale immersive works — ASSEMBLED AUDIENCE + A COLD HOLE — as well as the first - ever major museum installation of the artist's bookwork.
His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the São Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Bienal, and is in the permanent collections of the Museum of Modern Art, Institute of Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art, and other institutions worldwide, including a permanent large - scale installation at the Massachusetts Institute of Technology.
A year after the Whitney Museum's show, a new survey of James Lee Byars (1932 — 1997) on view at Perry Rubenstein, Mary Boone and Michael Werner galleries includes a careful selection of sculptures, works on paper, large - scale installations and a performance.
In anticipation of the studio launch, the DMA installed Daniel Buren's Sanction of the Museum (1973), a large - scale installation that was recently acquired and conserved by the museum following nearly three decades in stMuseum (1973), a large - scale installation that was recently acquired and conserved by the museum following nearly three decades in stmuseum following nearly three decades in storage.
The Museum's small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil paintings that fill the exhibition space.
Jennifer Rubell (b. 11 June 1970) is widely recognised for a series of large - scale «food installations» which have been exhibited in numerous museums around the world, including the Saatchi Gallery (London), the LA County Museum of Art, the Brooklyn Museum, the National Portrait Gallery (Washington) and the Rubell Family Collection (Miami).
Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.
His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the Sao Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Biennale, and is in the collections of the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum of American Art, the Albright - Knox Museum, the San Francisco Museum of Modern Art and other institutions worldwide, including a permanent large - scale installation at MIT.
Serra's first solo exhibition at the museum was held in 1980, and marked the creation and permanent installation of the large - scale steel sculpture Waxing Arcs in the entrance area.
Titled Décor: Barbara Bloom, Andrea Fraser, Louise Lawler, the exhibition is centered around Bloom's installation The Reign of Narcissism from 1988 - 1989, a personal museum devoted to her own likeness presented as a full - scale faux - neoclassical period room.
Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of Art's presentation will include several works not previously exhibited including neon work by Kendell Geers, a photo series by Youssef Nabil, large - scale works on paper by Christine Beatrice Dixie, a sound installation by Frances Goodman incorporating bridal fabrics cascading from the ceiling, a calligraphy garden by Moataz Nasr and a collage by Wangechi Mutu.
Sheena Wagstaff, the Museum's Leonard A. Lauder Chairman of Modern and Contemporary Art said, «In her large - scale installations, Cornelia opens our eyes to the special qualities — and sometimes darker significance — of familiar places and things we tend to overlook.
The exhibition surveys work by Tara Donovan from 2000 to present and features large - scale installations recently included in museum exhibitions in the U.S. and abroad.
Internationally - acclaimed artist Josephine Meckseper, known for her film, photography, and installations that conflate art objects with commodities, responds to the museum's architecture, location, and collection with five large - scale sculptural works installed in the outdoor gallery, lobby, and permanent collection galleries.
Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.
To complement and expand on themes in the exhibition, Garage has collaborated with the Louise Bourgeois Trust and The Easton Foundation to present two large - scale installations: Maman (1999), a giant bronze spider towering more than 9 meters above the ground, will greet visitors in Gorky Park's Garage Square before entering the Museum.
This year the English artist, best known for large - scale installations such as Cold Dark Matter: An Exploded View, was selected for the Metropolitan Museum of Art's fourth annual roof garden commission — for which she created Transitional Object (Psychobarn), an installation based on Alfred Hitchcock's Psycho.
The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.
Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.
Both are central to the large - scale installations I have designed, including Untitled (2012) in the Barclays Center, Brooklyn; Faux Real (2013) in the Norton Museum, West Palm Beach; a mural currently in production for the United States Embassy in Dakar, Senegal; and a mosaic recently selected by the Los Angeles County Metropolitan Transportation Authority for a station on its new Crenshaw / LAX Corridor.
The «Paperworks» exhibition at the Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15 contemporary artists working with paper in unusual ways.