Sentences with phrase «scale oil and acrylic»

This is mambomountain — the artist's most recent collection of large - scale oil and acrylic paintings.

Weiser's new series will present five of his latest large - scale oil and acrylic paintings in Gallery II.

The exhibition introduces her most recent large - scale oil and acrylic paintings that collect, dissolve, shred, and layer visual culture without hierarchy.

Not exact matches

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

Later, she started working on a larger scale pieces using oil and acrylic.

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

Below you can find more pictures including 3 paintings with oil and acrylic on canvas and a large scaled mural made in Bordeaux in 2015.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Finally, she reproduces the collage, at a greatly expanded scale, in acrylic, oil, and enamel.

One recent highlight is Dana Gordon, whose large - scale acrylic and oil paintings explode with color.

The works exhibited consist of oil and acrylic paintings on canvas, woodwork, paper works, small scale drawings and found objects.

Armors for Chorus and Players, Overduin and Kite, 2010, Sticks: Celastic, acrylic latex, oil enamel and tempera on wood, objects: military trench shovel, scale part, hooks, chimes, weights, Celastic, acrylic latex, and oil enamel

The show includes small, medium and large - scale works that fall into two broad categories: acrylic - and - gesso paintings on canvas, and oil paintings on gesso board.

«In Memoriam,» 2017 by Kathi Robinson Frank is from her recent body of large - scale work measuring 72» high by 60» which incorporates oil, acrylic, charcoal and me...

Acrylic and oil on canvas In 2004, Muckensturm began working with oil on large scale canvases.

The paintings, many of modest size, vary in medium from traditional oil and acrylic to gold leaf and other non-traditional materials; the drawings include graphite, ink and natural pigment drawings and range from post-it note size to much larger scale drawings.

One of the most significant artists of her generation and the winner of the 2006 Turner Prize, Abts is known for her acrylic and oil paintings whose extraordinary magnetism belies their modest scale.

Inspired by interactions and studio visits with American Abstract Expressionists, including Helen Frankenthaler, Robert Motherwell, Barnett Newman, and Mark Rothko, Hoyland increased the scale of his pictures and moved exclusively to acrylic paint rather than oil.