Sentences with phrase «scale oil painting of»

Using the rapt audience of a TED Talk as subject, «I Want to Hold You Close» is an immersive installation centered on a large - scale oil painting of a crowd, effectively placing the viewer on stage.

She used these manufactured setting as still - lifes, transcribing them into larger scale oil painting of abstract space - scapes.

On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

Emerging talent Clare Bonnet's work was a huge success in our Jamaica Street Artists exhibition earlier this year and this time we will show four recent, large - scale oil paintings of semi-abstract female studies.

For her first exhibition at Casey Kaplan, New York — based artist Jordan Casteel will present a series of large - scale oil paintings of men she photographed while wandering the streets of Harlem.

Opening: Jordan Casteel at Casey Kaplan For her first exhibition at Casey Kaplan, New York — based artist Jordan Casteel will present a series of large - scale oil paintings of men she photographed while wandering the streets of Harlem.

The large - scale oil paintings of Constanza Hurtado perform a different balancing act.

Featured will be new large - scale oil paintings of artists Kara Walker, Laurie Anderson, and Zhang Huan; works from Close's ongoing self - portrait series; intimately scaled portraits of musician Paul Simon and arts patron Agnes Gund; a collection of prints; and immaculately crafted Belgian Jacquard tapestries.

The result of a deliberative process guided by careful attention to spatial relationships, the large - scale oil paintings of Suzan Frecon (born 1941) are composed of asymmetrical curves that result in minor and major measured areas of color.

Not exact matches

Osborne's swagger seems a bit subdued as we wind our way through the laboratories and testing pools, past scale models of tankers and oil platforms detailed down to the company logos painted on their sides (no photos allowed).

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

He often works in grisaille, creating large - scale oil paintings depicting various configurations of the body.

His drawings — in particular his studies for his large - scale oil paintings with their notes scribbled down the margins — are some of his most intimate works to date.

It tracks Elaine de Kooning's development as a first - rate, innovative portraitist through variously sized drawings, figure studies, trial sketches and small paintings across five decades, with each room dramatically highlighting the best of her large - scale oil paintings, some never exhibited publicly until now.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Her large scale mixed media oil paintings are found in the public collections of the Solomon R. Guggenheim Museum; Brooklyn Museum; Museum of Fine Arts (Houston); Victoria and Albert Museum (London); and Fine Arts Museum of San Francisco.

Featured in critically - acclaimed retrospectives at the Tate Britain, London, the Centre Pompidou, Paris and The Metropolitan Museum of Art, New York, this large - scale oil painting is a landmark of Hockey's career.

Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finisPaintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finispaintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished size.

The exhibition presents large - scale oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.

This exhibition consists of twenty - six watercolors and three small - scale oil paintings.

As in her iconic series Azulejões, where the artist amplifies the scale of the blue and white Portuguese tile, these new three - dimensional oil paintings have grown from her fascination to develop a technique that would allow her to reconstruct 19th century Pallisy ware from the celebrated Portuguese factory of Caldas da Rainha, run by Rafael Bordalo Pinheiro (1846 - 1905) one of the most relevant Portuguese artists and Palissy follower.

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

Angel gave us a play by play of his approach, commencing with a large - scale, representational oil painting on Plexiglas installed on the wall.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

For his exhibition at Victoria Miro Mayfair, Khan has produced large - scale composite photographs made from a series of oil stick paintings.

Many of the Depression - era paintings she made were oil on paper, because materials were hard to come by and expensive, and the exhibition is dominated by large - scale compositions on paper.

The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large - scale oil painting that depicts a fighter, weapon in hand, while underneath him everyday events such as a wedding taking place and a child riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

This is the next series in the Coloringbook Portfolio and «Paper Doll» Series, large scale oil and digital ink paintings on sheets of paper.

Through a combination of found - object assemblages, stunning large scale collages and an oil on linen painting that nods to de Chirico, Hundley's work evokes all of the lust, betrayal, violence, and despair expected in a visual interpretation of ancient Greek tragedy.

The Museum's small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil paintings that fill the exhibition space.

She focusses on techniques, structure, and composition, and by playing with the scale and gaze of her figures she reformulates the visual language of traditional oil paintings.

March 30, 2004, Philadelphia, PA — From April 22 to May 29, 2004, Locks Gallery will present an exhibition of intimately scaled oil paintings by Warren Rohrer.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

Meditative, large - scale paintings augmented by smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents» mid-century suburban home.

- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.

While some artists create large - scale oil paintings, others draw on top of photographs, or combine sculpture and two - dimensional work.

Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

Continuing to employ a specifically corporeal scale, Byrne arranges a suit of small oil paintings between a large - scale triptych and three diptychs, all drawn on copper or linen.

Timothy Taylor Gallery, London until 12 July 2014 Jazz and blues have always exerted an influence on the abstract paintings of Sean Scully RA, but he has perhaps never acknowledged its influence as clearly as his new remarkable quintych at Timothy Taylor — A Kind of Red (2013), comprised of five large - scale oil - on aluminium panels, in response to Miles Davis's modal classic A Kind of Blue.

In his large - scale oil painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French lyrical abstraction, more precisely the calligraphic style of the German born painter Hans Hartung (1904 - 1989).

Poppy Fields features a series of vividly colored, oil on linen paintings that are uniquely intimate in scale and nature compared to the artist's iconic large - scale Ash paintings and monumental sculptures.

As the name «Initiations» suggests, the works in the Enitharmon exhibition are modest and small - scale, but in her major oil paintings Walker is working at a growing pitch of ambition and accomplishment.

Diebenkorn achieved world fame with his large - scale canvas based oil paintings and vivid abstractions known as the Ocean Park which included more than 140 of his paintings.

Faiz continues this tradition with her large - scale oil painting «Divider» (2015), by combining post-painterly abstraction with Albert Oehlen's version of abstract art, an aversion away from recognisable forms.