Sentences with phrase «scale oil painting on»

Large - scale oil painting on canvas by contemporary Cuban artist Julio Larraz.

Architectural scale oil painting on canvas, measures 70» by 70.5».

Comprised of richly colored and delicately scaled oil paintings on panel, the show runs from March 28 through May 2, with an opening night reception on Thursday, March 28.

Inka Essenhigh discusses creating the large - scale oil paintings on paper that will be exhibited in Comet Dust & Crystal Shards, her inaugural exhibition at Jacob Lewis Gallery.

This is the New York - based artist's second solo exhibition with the gallery and it will feature a suite of new large - scale oil paintings on wooden panel.

Not exact matches

Osborne's swagger seems a bit subdued as we wind our way through the laboratories and testing pools, past scale models of tankers and oil platforms detailed down to the company logos painted on their sides (no photos allowed).

January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through iOn January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through ion her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through iOn January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through ion her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

Angel gave us a play by play of his approach, commencing with a large - scale, representational oil painting on Plexiglas installed on the wall.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

Many of the Depression - era paintings she made were oil on paper, because materials were hard to come by and expensive, and the exhibition is dominated by large - scale compositions on paper.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

This is the next series in the Coloringbook Portfolio and «Paper Doll» Series, large scale oil and digital ink paintings on sheets of paper.

Through a combination of found - object assemblages, stunning large scale collages and an oil on linen painting that nods to de Chirico, Hundley's work evokes all of the lust, betrayal, violence, and despair expected in a visual interpretation of ancient Greek tragedy.

She focusses on techniques, structure, and composition, and by playing with the scale and gaze of her figures she reformulates the visual language of traditional oil paintings.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

Her large - scale oil on canvas paintings question how art can become a place by its interaction with the environment and how the space can become the artwork.

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

The show will feature new work by the artist, including five 11 - foot - tall oil on canvas paintings and eight smaller - scale works.

Meditative, large - scale paintings augmented by smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents» mid-century suburban home.

Aramis Gutierrez's oil paintings unload personal and historic conflict on an epic scale.

While some artists create large - scale oil paintings, others draw on top of photographs, or combine sculpture and two - dimensional work.

Continuing to employ a specifically corporeal scale, Byrne arranges a suit of small oil paintings between a large - scale triptych and three diptychs, all drawn on copper or linen.

Timothy Taylor Gallery, London until 12 July 2014 Jazz and blues have always exerted an influence on the abstract paintings of Sean Scully RA, but he has perhaps never acknowledged its influence as clearly as his new remarkable quintych at Timothy Taylor — A Kind of Red (2013), comprised of five large - scale oil - on aluminium panels, in response to Miles Davis's modal classic A Kind of Blue.

Bill White is a painter whose works range from small works on paper to large - scale oil paintings.

Poppy Fields features a series of vividly colored, oil on linen paintings that are uniquely intimate in scale and nature compared to the artist's iconic large - scale Ash paintings and monumental sculptures.

Using the rapt audience of a TED Talk as subject, «I Want to Hold You Close» is an immersive installation centered on a large - scale oil painting of a crowd, effectively placing the viewer on stage.

In the large - scale work Hebron (1998 - 2001), Petlin utilizes chalk and oil on unprimed linen to create outlines of figures and smears of red paint and chalk, indicating bloodshed.

For this exhibition, Moyer has produced a series of vibrant, large - scale paintings, a dramatic, architectural sculpture, and drawings in oil on paper.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.

She began working on large - scale oil paintings containing expressive gestural brushwork that foretold what would become her signature voice.

Below you can find more pictures including 3 paintings with oil and acrylic on canvas and a large scaled mural made in Bordeaux in 2015.

Trey Egan's second solo exhibition at Cris Worley Fine Arts includes eight large - scale abstract oil paintings on canvas that animate and transform the white walls of the gallery into a torrential color storm.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Meditative, large - scale paintings and smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents» mid-century suburban home.

Sappers and Miners will include a series of large - scale paintings produced in oil on canvas.

Future Glow will include large - scale paintings in oil on canvas.

Using traditional oil paints, epoxy resins, house paints and other mixed media, his abstract variations range from small explorations on paper to large - scale paintings.

This catalogue is published in conjunction with Minus, Tal R's second solo exhibition at Victoria Miro Gallery, which features a new series of large - scale oil paintings and works on paper.

In this show, as always, she is intensively engaged with drawing and its corporeality: drawings that she makes with her little finger on an iPhone screen, and the drawing process inherent to large - scale paintings which she makes using brushes, rags, scrapers and giant oil crayons.