Sentences with phrase «scale oil painting works»

Typically, he creates several preliminary watercolour studies before executing his large scale oil painting works, usually on stretched linen or cotton.

Not exact matches

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

He often works in grisaille, creating large - scale oil paintings depicting various configurations of the body.

His drawings — in particular his studies for his large - scale oil paintings with their notes scribbled down the margins — are some of his most intimate works to date.

Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finisPaintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finispaintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished size.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

Emerging talent Clare Bonnet's work was a huge success in our Jamaica Street Artists exhibition earlier this year and this time we will show four recent, large - scale oil paintings of semi-abstract female studies.

Through a combination of found - object assemblages, stunning large scale collages and an oil on linen painting that nods to de Chirico, Hundley's work evokes all of the lust, betrayal, violence, and despair expected in a visual interpretation of ancient Greek tragedy.

The show will feature new work by the artist, including five 11 - foot - tall oil on canvas paintings and eight smaller - scale works.

- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.

While some artists create large - scale oil paintings, others draw on top of photographs, or combine sculpture and two - dimensional work.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

This exhibition sees Williams engage with large scale painting and ceramic forms, incorporating gold leaf and sand, alongside raw pigment and oil paint, to produce affect in his experimental, and textural works.

Large - scale, hyperrealistic, and rendered in smooth oil paint, the works immortalize the flower through an entrancing and evocative narrative.

Bill White is a painter whose works range from small works on paper to large - scale oil paintings.

In his large - scale oil painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French lyrical abstraction, more precisely the calligraphic style of the German born painter Hans Hartung (1904 - 1989).

As the name «Initiations» suggests, the works in the Enitharmon exhibition are modest and small - scale, but in her major oil paintings Walker is working at a growing pitch of ambition and accomplishment.

In the large - scale work Hebron (1998 - 2001), Petlin utilizes chalk and oil on unprimed linen to create outlines of figures and smears of red paint and chalk, indicating bloodshed.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

She began working on large - scale oil paintings containing expressive gestural brushwork that foretold what would become her signature voice.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

At the peak of contemporary - art prices in May 2008, Zeng's oil painting of Red Guards fetched HK$ 75.4 million, while large - scale works averaged HK$ 5 million or more.

This catalogue is published in conjunction with Minus, Tal R's second solo exhibition at Victoria Miro Gallery, which features a new series of large - scale oil paintings and works on paper.

T+H Gallery is pleased to present Close to Me, a solo exhibition of new work by Stephanie McMahon, comprised of intimate and electrifying small to large - scale oil paintings.

Amy Sillman «s newest work includes high and low, fast and slow, large and small, and ranges across mediums, from large - scale oil paintings to a 7 - minute digital animation and several hundred inkjet prints made from stills of the animation.

The Philadelphia Sketch Club presents The 155th Exhibition of Small Oil Paintings, a group exhibition of work featuring «small» scale oil woOil Paintings, a group exhibition of work featuring «small» scale oil wooil work.

The early works prepare the way for such important paintings as Hemlock (1956), Ladybug (1957), and George Went Swimming at Barnes Hole, But It Got Too Cold (1957), large - scale works that signal Mitchell's energetic yet controlled mastery of oil paint on canvas.

Small oil paintings such as this one are sketched from life and often intended to be scaled up into larger works, but their economic execution and visible brushstrokes reveal an intimate side to his practice.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Kate demonstrates in gouache and oil the more intimate and spontaneous front end of her process through these smaller scale works painted plein air and which were literally brought home in her suitcase.

One of very few large - scale oil paintings from the 1980's as well as a number of other smaller works will represent Mary Grigoriadis, an originator of the Pattern and Decoration Movement.

For this large scale work Samorí used a composite technique - oil painted monotypes are laid on assembled papers on canvas uniformed by a coat of tempera.

Laini Nemett works with cardboard models, collage, and large - scale oil paintings to create architectural environments that explore the idea of home.

Featuring works from the 1950s to the present, the show takes a look at his studies in oil, his large - scale paintings, his collages and cut - outs in an impressive display of colour, scale and immense skill.

Featured will be new large - scale oil paintings of artists Kara Walker, Laurie Anderson, and Zhang Huan; works from Close's ongoing self - portrait series; intimately scaled portraits of musician Paul Simon and arts patron Agnes Gund; a collection of prints; and immaculately crafted Belgian Jacquard tapestries.

For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.

Known for large - scale, energetic oil and enamel paintings, Martinez's work in Salmon Eye synthesizes classical formal composition with a speed bordering on stream of consciousness.

The Henry is pleased to present a focused exhibition of works by the celebrated artist Sean Scully with a presentation of the artist's photographic Harris and Lewis Shacks portfolio, from the museum's permanent collection and October a large scale oil painting from the same period.

The works are large - scale oil stick paintings on paper using a personal vocabulary of line, gestural marks, color and texture.