For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large -
scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.
He often works in grisaille, creating large -
scale oil paintings depicting various configurations of the body.
Not exact matches
Eric Fischl made his reputation in the 1980s with large -
scale figurative
oil paintings depicting ambiguous, erotically charged scenarios set in the American suburbs.
The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large -
scale oil painting that
depicts a fighter, weapon in hand, while underneath him everyday events such as a wedding taking place and a child riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.
The second part consists of six delicately colored pencil drawings which are designed to look like hand colored postcards and
depict views of the hospitals in Germany and Austria where the T4 Euthanasia programme took place between 1939 and 1941, whilst the third part consists of five large
scale oil paintings which display the insides of Nazi Gas Chambers.
The exhibition comprises of a series of
oil paintings depicting a set of self - invented locations and scenarios that shift the sense of
scale within the traditions of landscape and still life.
The exhibition opens on the ground floor with new
paintings from Colen's Mailorder series (2015 — 2018) of lush
oil - on - linen screen prints, which
depict images of clothing from mail - order catalogues, enlarged to a monumental
scale.
Using acrylic,
oil or both on a variety of surfaces, the 30 small -
scale paintings in Tender 2 abstractly
depict two boats at sea.