Sentences with phrase «scale oil paintings for»

Not exact matches

January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

His drawings — in particular his studies for his large - scale oil paintings with their notes scribbled down the margins — are some of his most intimate works to date.

Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finisPaintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finispaintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished size.

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

For his exhibition at Victoria Miro Mayfair, Khan has produced large - scale composite photographs made from a series of oil stick paintings.

The Museum's small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil paintings that fill the exhibition space.

For her first exhibition at Casey Kaplan, New York — based artist Jordan Casteel will present a series of large - scale oil paintings of men she photographed while wandering the streets of Harlem.

For her first solo outing at the gallery, the artist will exhibit oil, ink, and charcoal paintings as well as small - scale oil - painted wood sculptures.

Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.

For this exhibition, Moyer has produced a series of vibrant, large - scale paintings, a dramatic, architectural sculpture, and drawings in oil on paper.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

These are used for inspiration for the larger oil paintings, and at times translated into digital interpretations that are produced at a larger scale.

In 2011 his oil paintings were commissioned by the MTA Arts for Transit program and are permanently installed as large - scale murals for a New York City A train subway station.

Opening: Jordan Casteel at Casey Kaplan For her first exhibition at Casey Kaplan, New York — based artist Jordan Casteel will present a series of large - scale oil paintings of men she photographed while wandering the streets of Harlem.

Huang Zhiyang, who was instructed in Chinese calligraphy as a child, is recognized for his large - scale oil paintings, ink washes on silk, and drawings on paper.

The early works prepare the way for such important paintings as Hemlock (1956), Ladybug (1957), and George Went Swimming at Barnes Hole, But It Got Too Cold (1957), large - scale works that signal Mitchell's energetic yet controlled mastery of oil paint on canvas.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Wimp Dip, for example, a large - scale painting included in the current exhibition, shows the ex-president covered in oil.

For this large scale work Samorí used a composite technique - oil painted monotypes are laid on assembled papers on canvas uniformed by a coat of tempera.

For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.

Known for large - scale, energetic oil and enamel paintings, Martinez's work in Salmon Eye synthesizes classical formal composition with a speed bordering on stream of consciousness.

The Vigorous Imagination is notable for its pioneering inclusion of large - scale installation and performance alongside impressive, vibrant oil paintings.

Pamela Golden is best known for miniature paintings in oil and encaustic, but the exhibition at Marlborough Contemporary presents large - scale sumi watercolor and ink works that show surfers and dinosaurs.

As with her oil paintings, Frecon's works on paper continue her investigation of a highly allusive, geometric and yet still organic abstraction; mostly small in scale, they are remarkable for their quiet presence and power.

An important yet overlooked figure of the Bay Area Abstract Expressionist movement, Gechtoff was known for producing vibrant large - scale works featuring expressive gestural brushstrokes and thickly - applied layers of oil paint.

The later works are a Peter Doig snow scene from 2001 - 02; Whiteread's maquette for her Trafalgar Square commission in 2001 which was a resin cast of the plinth itself; the Hurvin Anderson oil painting Maracus 111 from 2004; a Conrad Shawcross maquette for his large - scale work Continuum, a three - metre - high sculpture commissioned by the National Maritime Museum; and George Shaw's Ash Wednesday, 8.30 am from 2004 - 05, one of a number of Humbrol enamel paintings the artist has made over the years of the Coventry housing estate where he grew up.

In his work for the Jerwood Painting Fellowships, Lewis draws from personal memories and associations to compose his large - scale, carnivalesque oil paintings.

Swing Landscape [fig. 1][fig. 1] Stuart Davis, Swing Landscape, 1938, oil on canvas, Indiana University, Bloomington, Ezkanazi Museum of Art was the first of two commissions that Stuart Davis received from the Mural Division of the Federal Art Project (FAP), an agency of the Works Progress Administration (WPA), to make large - scale paintings for specific sites in New York.

T01944 FLAXMAN: UNDERSTUDY [from](SANDSEND SERIES FROM BEYOND THE WORLD»S END) 1972 [T01941 - T01944; complete] Inscribed «FLAXMAN understudy Sandsend Series from beyond The World's End» b.l., «Scale 1 = 4» b.c. and «optional orientation - preferred position Ian Stephenson 1972» b.r. Oil and enamel with ballpoint on paper treated with white polish, 30 × 40 (76.2 × 101.6) Purchased from the artist (Grant - in - Aid) 1975 Exh: 11 englische Zeichner, Kunsthalle, Baden - Baden, May — June 1973, and Kunsthalle, Bremen, July — August 1973 (Stephenson 16); Recente Britse Tekenkunst, Koninklijk Museum, Antwerp, September — October 1973 (Stephenson 16); Art as Thought Process, Serpentine Gallery, December 1974 — January 1975 (no numbers); Ian Stephenson: Paintings 1955 — 66 and 1966 — 77, Hayward Gallery, March — April 1977, also Arnolfini Gallery, Bristol, May — June 1977, and Turnpike Gallery, Leigh, August — September 1977 (72) All four studies [T01941 - T01944] were first shown at an informal British Council preview, Drawings by 11 British Artists, at the Hayward Gallery in London on 16 March 1973, immediately prior to their despatch for tour in Europe.

One of the most significant artists of her generation and the winner of the 2006 Turner Prize, Abts is known for her acrylic and oil paintings whose extraordinary magnetism belies their modest scale.

For Conflicting Lines, his 2015 exhibition at Victoria Miro Mayfair, Khan produced large - scale composite photographs made from a series of oil stick paintings which have undergone an intensive process of overlaying lines of writing repeatedly painted on to a minimal ground, until the language became obscured.

Alex Katz: Small Paintings looks as small - scale oil paintings by the American master known predominately for his large - scale Paintings looks as small - scale oil paintings by the American master known predominately for his large - scale paintings by the American master known predominately for his large - scale canvases.

Presenting a cycle of five large - scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.

Of these connections, I note an interest in paintings of modest scale (a stated interest which is not consistently reflected by the paintings chosen for Reinventing), in «low - key» or unassuming compositions, and a fixation on the artists» renewed «curiosity about paint's material possibilities» («Provisional») and their «rediscover [y][of] the possibilities of painting on stretched canvas, and working with oil paint, figure / ground relationships, [and] applying paint with a brush instead of spraying or folding or pouring or staining» (Reinventing).