Sentences with phrase «scale oil paintings which»

Presenting a cycle of five large - scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.

The second part consists of six delicately colored pencil drawings which are designed to look like hand colored postcards and depict views of the hospitals in Germany and Austria where the T4 Euthanasia programme took place between 1939 and 1941, whilst the third part consists of five large scale oil paintings which display the insides of Nazi Gas Chambers.

Not exact matches

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

The Museum's small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil paintings that fill the exhibition space.

Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

Diebenkorn achieved world fame with his large - scale canvas based oil paintings and vivid abstractions known as the Ocean Park which included more than 140 of his paintings.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

This catalogue is published in conjunction with Minus, Tal R's second solo exhibition at Victoria Miro Gallery, which features a new series of large - scale oil paintings and works on paper.

In this show, as always, she is intensively engaged with drawing and its corporeality: drawings that she makes with her little finger on an iPhone screen, and the drawing process inherent to large - scale paintings which she makes using brushes, rags, scrapers and giant oil crayons.

The artist explores the subject using different mediums and two distinct approaches: A series of portraits painted in oil with text and two large scale drawings which form a diptych.

Kate demonstrates in gouache and oil the more intimate and spontaneous front end of her process through these smaller scale works painted plein air and which were literally brought home in her suitcase.

I made large - scale paintings in oil, which were very much about expressive mark - making.

The exhibition opens on the ground floor with new paintings from Colen's Mailorder series (2015 — 2018) of lush oil - on - linen screen prints, which depict images of clothing from mail - order catalogues, enlarged to a monumental scale.

Joaquin Boz creates large - scale abstract paintings that are thick with saturated oil which he extensively manipulates.

After seeing James Bishop, which is currently on view at David Zwirner (September 6 — October 25, 2014), I would urge anyone who cares about what an artist can do with paint to go and immerse themselves in this beautiful, sensitive, astringent exhibition of eleven mostly square, human - scaled paintings in oil and four small works (all are less than six inches in height and width), done in oil and crayon on paper.

Thereafter, artists moved on to large - scale canvases, to which they applied oil paint thickly, with a spatula, palette knife, or brush, or directly from the tube.

The later works are a Peter Doig snow scene from 2001 - 02; Whiteread's maquette for her Trafalgar Square commission in 2001 which was a resin cast of the plinth itself; the Hurvin Anderson oil painting Maracus 111 from 2004; a Conrad Shawcross maquette for his large - scale work Continuum, a three - metre - high sculpture commissioned by the National Maritime Museum; and George Shaw's Ash Wednesday, 8.30 am from 2004 - 05, one of a number of Humbrol enamel paintings the artist has made over the years of the Coventry housing estate where he grew up.

For Conflicting Lines, his 2015 exhibition at Victoria Miro Mayfair, Khan produced large - scale composite photographs made from a series of oil stick paintings which have undergone an intensive process of overlaying lines of writing repeatedly painted on to a minimal ground, until the language became obscured.

Of these connections, I note an interest in paintings of modest scale (a stated interest which is not consistently reflected by the paintings chosen for Reinventing), in «low - key» or unassuming compositions, and a fixation on the artists» renewed «curiosity about paint's material possibilities» («Provisional») and their «rediscover [y][of] the possibilities of painting on stretched canvas, and working with oil paint, figure / ground relationships, [and] applying paint with a brush instead of spraying or folding or pouring or staining» (Reinventing).