Sentences with phrase «scale painting exhibition»

IVAM Centre Julio González, Valencia, Spain, presents the large - scale painting exhibition James Rosenquist.

Not exact matches

Squirl uses spray paint, paint pens and multi layered stencils to develop large scale live works, and pieces for exhibition and sale.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Thus, an exhibition now on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature, large - scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

For her solo exhibition at Ameringer McEnery Yohe in New York, the artist has created the large - scale painting Untitled (2014), alongside six smaller paintings comprising extracts of the first.

Contracted for a six week period to work with a team of artists to produce large scale acrylic paintings for exhibition at Deitch Projects in NY, NY.

Simultaneous to the painting show at CMCA, Bowdoin is showing six large - scale drawings in a small but powerful exhibition, «John Walker: A Painter Draws.»

The Warehouse exhibitions feature 20 and 21st century sculpture, photography, video, painting and large scale installations by international artists culled from the collection of Martin Z. Margulies.

This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.

In 1947, at the height of the Abstract Expressionist era, the Museum of Modern Art mounted an exhibition called Large - Scale Modern Paintings; to qualify for inclusion, paintings had to measure at least six feet in one dPaintings; to qualify for inclusion, paintings had to measure at least six feet in one dpaintings had to measure at least six feet in one direction.

The remaining thirty - two paintings make up the remarkable second half of the exhibition culminating in the five Grand Décorations (large scale Water Lilies) made in surprising and relative obscurity at Giverny at the end of Monet's life.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

A broad survey of rare and never - before exhibited large - scale paintings, the exhibition centers around the artist's monumental «map paintings» created between 1967 and 1971, the year they were first shown at the Whitney Museum of American Art.

PAMM's exhibition, which ranges from color - splashed, large - scale paintings to sculptures and multimedia pieces, highlights her diverse talents.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

The second half of his solo exhibition includes a series of collaborative figurative sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding large - scale paintings by artists from Milwaukee, Chicago, New York, and Atlanta, including:

The exhibition comprises large scaled paintings Sall produced during his recent residency at the Roswell Artist - in - Residence Program in New Mexico.

At the Pulitzer Arts Foundation in St. Louis, where the 28 - foot - tall Kelly work composed of two monochrome aluminum panels painted blue and black is permanently installed, Mr. Ligon has free - associated on the political, formal and poetic interplay of these two colors in a large - scale exhibition he has organized.

The exhibition surveys a broad range of inventive methods and materials employed by Rivers over the course of his career, which includes intimate works of graphite, collage, large - scale paintings, life - size sculptures and foam - sculpted relief - paintings.

This solo exhibition of paintings that prominently features artist Jack Whitten's large - scale 2005 painting 9.11.01 that was made in response to the September 11th tragedy, as well as the Martin Luther King series that he made in the 1960s.

The first room of the exhibition takes on a gloomy and philosophical feeling with Nara's popular large - scale paintings.

As demonstrated in the cheekily titled I Always Lie, Sprecher's third solo exhibition at Jeff Bailey Gallery in New York, he is equally gifted in color combinations and media application, in a range of scales and often within the same painting.

Covering the five decades of painter Jules Olitski's career, this exhibition presents 30 large - scale paintings drawn from public and private collections and intended to highlight the artist's essential periods and themes of creation.

For an abstract painter today experiencing for the first time, Monet's large scale paintings in the room called: Studies: Water Lilies, Weeping Willows, and Irises 1914 - 1919, beginning the second half of the exhibition there can only be a profound shock of recognition.

The exhibition makes the most of Tate St Ives» expansive new display areas to show a number of Heron's large - scale paintings, and marks the evolution in his visual language, aesthetic sensibility and practice.

Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.

This marks a departure from the artists use of appropriated imagery, the exhibition comprises many new large - scale paintings that incorporate his own designs, which is a first for the artist.

This exhibition introduces a group of seven large - scale paintings, the Red Rocks series, which have been Marden's main focus for the past three years.

The exhibition, curated by gallery director Indira Cesarine, will feature over fifty watercolors by the artist, who will be presenting a new series of large - scale watercolor paintings along with many of her signature works.

This exhibition features a selection of large - scale works on paper that combine collage, painting, drawing, printmaking.

Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

Solo exhibitions of her paintings are infrequent, and large - scale shows on the East Coast are unheard of.

The exhibition also includes large - scale sculptural work by Kendell Geers, Sigalit Landau, Stuart Bird and Walter Oltmann, new and recent photographic work by Mikhael Subotzky, Adam Broomberg & Oliver Chanarin, Alfredo Jaar, David Goldblatt and Sue Williamson, and paintings by Moshekwa Langa, Clive van den Berg and Vusi Beauchamp.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

Alice Neel: Family is an interesting exhibition with works of differing scales and painterly approach, some are intensely painted, some loose and quick.

The exhibition presents large - scale oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.

This exhibition consists of twenty - six watercolors and three small - scale oil paintings.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

The announcement for Stubbing's exhibition shows him with two paintings; these atmospheric, often large scale works were lyrical and rhythmic arrangements of palm prints made with Stubbing's hands «saturated like a living palette».

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

Featuring three large - scale paintings from 1972, 1990 and 1993, the exhibition will highlight Alex Katz's cool, representational and reductive style.

The exhibition includes more than two - dozen modestly scaled drawings, paintings, pastels and mixed media works, dated between 1966 and 2000, depicting cityscapes, mountains, and farmland.

The exhibition brings together large - scale paintings by the artists drawn from institutions and private collections, including works from SAM's holdings.

In addition to the artist's more refined, contemplative paintings, the exhibition devotes a space to his smaller - scale, sometimes fragmentary drawings.

The exhibition consists of 11 large - scale vibrantly colored recent paintings.

Michael Williams is published to accompany the artist's first US solo museum exhibition, at Carnegie Museum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - making.