Sentences with phrase «scale paintings as»

The show and its catalogue, with essays by Kamps, Roberta Bernstein, Sarah Rich, and Dave Hickey, focus on a group of fourteen large - scale paintings as well as source materials from 1958 to 1965, a period when Kelly further blurred the line between figure and ground and

This exhibition, titled The Legend is in Trouble, features four large - scale paintings as well as a series of drawings.

New works are currently on view at Yares Art in Santa Fe, New Mexico and a survey exhibition will open at Yares Art, New York on September 16th featuring the most recent series of major - scale paintings as well as select works from the past five decades.

I will be exhibiting brand new large - scale paintings as well as an accompanying soundtrack of music.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.

The artist's first major exhibition in the region features ten large - scale paintings as well as smaller canvases, wherein according to the artist, «the architecture of place meets the architecture of the sky», revealing phenomena of paint and light, in an oeuvre teetering between a call for salvation and a silent abyss...

The show features large - scale paintings as well as drawings by Sol LeWitt, Agnes Martin, Warren Rohrer, Pat Steir, and Sean Scully.

Michael Williams is published to accompany the artist's first US solo museum exhibition, at Carnegie Museum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - making.

Rather than a sign of the artist's modesty, I see Ray's intimately scaled paintings as an implicit rebuke of the art world's current obsession with McMansion scale.

Not exact matches

In great periods of painting, such as the Renaissance in Europe, the wealthy who could afford to hire artists often subsidized major religious works as appropriate to the scale of their own palaces and as gifts to religious institutions.

Osborne's swagger seems a bit subdued as we wind our way through the laboratories and testing pools, past scale models of tankers and oil platforms detailed down to the company logos painted on their sides (no photos allowed).

Even if your scale is off by 5 pounds, or your body fat caliper is inaccurate by 1 %, as long as you use the same device and measure in the same way under the same conditions, you can track trends and paint the picture of your health and whether or not it's improving!

It's the work of Baltimore born Maya Hayuk, «her paintings and massively scaled murals recall views of outer space, traditional Ukrainian crafts, airbrushed manicures, and mandalas» as I read later on the website.

it becomes evident that Emmerich is as ill - adept at painting personal moments as he is as a maestro at crafting large - scale disaster images.

She rang in the new millennium by donning head - to - toe blue body paint and scales for her role as Mystique in Bryan Singer's X-Men (2000).

As we reported in 2010, a large - scale study painted a mixed picture of charter schools, noting that while low - income students generally learn more at these institutions, higher - income students often learn less.

I think it only hurts us to paint small - scale conscientious breeders devoted to their dogs with the same brush as puppy mills and pet stores.

Madeleine Grynsztejn, the Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA, who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful choice of ephemeral material influenced many younger artists, such as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.

Alongside these large - scale paintings will be new sculptures by the artist, as well as a table that has blocks of shea butter on it.

Marshall has done this «from the ground up,» as Metropolitan Museum curator Ian Alteveer put it, working through historical styles and genres, including Rococo love scenes, large - scale history paintings, and Impressionist plein air fetes.

As winter settled in on Yellow Springs, Hotaling has moved his work indoors but continues to add to the series by translating some of the pieces he painted outdoors, which are often small due to the limited carrying capacity of the bicycle, into larger - scale works.

As well, major museums are getting a fair amount of media coverage around the restoration of important paintings to be displayed in their original large - scale and extremely ornate frames.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Heidegger speaks of human beings as Dasein, as «being there,» and it is part of the intended experience of Newman's paintings that our thereness is implied by the scale of the paintings themselves.

In the most minimal examples, we are presented with a singular aperture, which, taken out of context and scale, also suggests an eye socket — as though to imply that one must even look through the eye, and that all these painted rectangles are re-constituted and shifted from ovular visions.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

There are some new developments in your paintings as well — for one thing, you seem to be experimenting with scale.

Mickalene Thomas, known for her large - scale, multi-textured, and rhinestone - encrusted paintings of domestic interiors and portraits, has also identified the photographic image as a defining touchstone for her practice.

Shahzia Sikander is a Pakistani - born international artist whose pioneering practice takes Indo - Persian miniature painting as a point of departure while experimenting with scale and media, including animation, video, and mural.

Regardless of their scale, Katz describes these paintings as «environmental» in the way in which they envelop the viewer.

The longer one stays with these paintings, the more the relationships between them multiply as one becomes sensitive to the delicacy of distinctions within the extreme and specialised semantic scale.

It tracks Elaine de Kooning's development as a first - rate, innovative portraitist through variously sized drawings, figure studies, trial sketches and small paintings across five decades, with each room dramatically highlighting the best of her large - scale oil paintings, some never exhibited publicly until now.

This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.

The collage process allows me to reorient the foreground, midground, mountain, and sky organization characteristic of landscape painting and reconceive it as a dynamic that changes at every scale of time and place.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Intermittently bright and gloomy, his paintings are characterized by unconventional grade of the constant concentration of pure pictorial elements, as color, surface, proportion, and scale followed by the theories that they could reveal the presence of the philosophical thoughts.

Shahzia Sikander is a Pakistani - born artist whose pioneering practice takes Indo - Persian miniature painting as a point of departure and experiments with scale and media, including animation, video, and mural.

This show prominently features his large - scale 2005 painting 9.11.01 that was made in response to the September 11th tragedy, as well as the Martin Luther King series that the artist made in the 1960s.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

This solo exhibition of paintings that prominently features artist Jack Whitten's large - scale 2005 painting 9.11.01 that was made in response to the September 11th tragedy, as well as the Martin Luther King series that he made in the 1960s.

As demonstrated in the cheekily titled I Always Lie, Sprecher's third solo exhibition at Jeff Bailey Gallery in New York, he is equally gifted in color combinations and media application, in a range of scales and often within the same painting.

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

Kerry James Marshall (b. 1955) is known for his large - scale paintings, sculptures, and other objects that take African - American life and history as their subject matter.

Frankenthaler did begin with landscape, as with the breakthrough poured paint of Mountains and Sea, but Flexner's earth is on the scale of geologic time.

Painted in 1966, this majestic painting anticipates at once his large scale photo - paintings and abstract works, such as Vierwaldstätter See (Lake Lucerne), 1969, and his monochrome Graue Bilder (Grey Paintings) from tpaintings and abstract works, such as Vierwaldstätter See (Lake Lucerne), 1969, and his monochrome Graue Bilder (Grey Paintings) from tPaintings) from the 1970s.

Philip Maysles presents a large - scale wall painting and sound installation inspired by Robert Motherwell's Elegy series that the abstract expressionist produced as a belated response to the Spanish Civil War.

In these stills from the scene that appears in Belz's original trailer, Richter very thoughtfully creates classical gestural abstractions: Which remind me of nothing so much as the great, underappreciated - until - just - now, large - scale paintings of Willem de Kooning from the mid-1970s.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

Rail: In regard to the big scale of your painting, which you refer it as «visual dominance,» when and how did it come about?