Sentences with phrase «scale paintings composed»

Justin Stephens» Untitled is a small - scale painting composed of blue spots of paint on a white ground.

Not exact matches

At the Pulitzer Arts Foundation in St. Louis, where the 28 - foot - tall Kelly work composed of two monochrome aluminum panels painted blue and black is permanently installed, Mr. Ligon has free - associated on the political, formal and poetic interplay of these two colors in a large - scale exhibition he has organized.

Bradford, 54, makes large - scale mixed - media collage paintings composed of found paper and advertisements.

Similarly, Figueredo's large - scale paintings draw from his printmaking technique, composing colorful planes layered on top of one another, that merge the powdered wigs of our forefathers with the obscenities of our contemporary amusements.

Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).

Oscar Murillo's large - scale paintings imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases that often incorporate fragments of text as well as studio debris such as dirt and dust.

Chervin's similarly dense and meditative large - scale drawing, composed of modulated clouds of charcoal, brings to mind an abstract Chinese scroll painting.

A levitating concoction composed of a white semitransparent polyester scrim, a black attenuated aluminum beam and a black line painted on the wall, it has the scale of a spectacle; it takes up the museum's entire fourth floor.

The walls of the gallery are composed of seven large - scale paintings that feature geometric forms creating a panoramic sanctuary for the viewer.

Composed of 196 panels, each consisting of 25 coloured squares that can be arranged in 11 core configurations, this work pursues the artist's early investigation of colour field paintings which he began creating in 1966 by replicating, in large scale, industrial colour charts produced by paint manufacturers.

The author of this large - scale painting will be chosen by the members of the expert council and the jury composed of renown artists, art theorists and curators who are long time working with monumental art both in Russia and abroad.

His paintings, most of them large - scale works featuring African - American subjects, are composed in a style that blends social realism with outsider art and demonstrate a critical, self - conscious and sensuous eye.

What is most surprising about Sean Scully's abstract images composed of stripes and squares of colour is not their considerable emotional power, but the fact that the most delicate watercolours or tiniest etchings can evoke a mood just as well as the large - scale oil paintings.

Be Strong Boquan (after a line taken from a performance video that's featured in the show), is composed of large abstract paintings, the first thing you encounter is «Deimos» (2015), a Cinemascope - scaled video projection depicting enormous orange wheels careening across an unspecified expanse to the beat of Sylvester's 1978 disco anthem «Grateful.»

In this series, Wiley paints young African American men in poses reminiscent of Memling's tightly composed, small - scale portraits, and encases these images in sturdy, wooden - framed boxes with panel doors.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Murillo is widely recognized for his large - scale paintings that imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases, which often incorporate fragments of text as well as studio debris such as dirt and dust.

Although unlike other still - life painters, Bailey composes his paintings on the canvas from his imagination, adjusting the light source and relative scale of each object as he paints.

Composed of three parts: a tiled roof, a 3.5 m antenna and a large - scale painting; Esol Parcheesi will feature a site - specific installation that narrates elements of a memory from the artist's youth during the Cuban «Special Period».

Ryman has also created large - scale panel paintings including a 1968 exhibition of six paintings composed of nine panels each at Konrad Fischer, Düsseldorf, and VII, a seven - panel installation exhibited at the Stedelijk Museum, Amsterdam in 1975.

For his exhibition Cloud has created a selection of multi-layered paintings on his signature shaped canvases, newspaper collages made up of clippings from various New York dailies and large - scale paper quilts composed of photographic fragments.

With their intimate scale and dandified charm, the paintings are tautly composed, sensuous, vibrant, economical in their means, light of touch — taken individually, they are deeply palatable.

The result of a deliberative process guided by careful attention to spatial relationships, the large - scale oil paintings of Suzan Frecon (born 1941) are composed of asymmetrical curves that result in minor and major measured areas of color.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Best known for his monumental black - painted steel sculptures composed of complex arrangements and combinations of classical geometric forms, Tony Smith would often make smaller bronze versions of his large - scale outdoor sculptures.

Ree Morton's Drawings for Manipulations of the Organic (1977) consists of preparatory drawings for the artist's last large - scale installation; a frieze composed of fourteen paintings based on Louis Sullivan's design for architectural ornaments.

In his work for the Jerwood Painting Fellowships, Lewis draws from personal memories and associations to compose his large - scale, carnivalesque oil paintings.

The Mpane exhibition features an elegantly carved, life - sized sculpture; boards transformed into portraits of Congolese youth by meticulously subtracting surface layers; and a large - scale work composed of wood strips, held together by a mesh backing, painted and then broken into pieces resembling tile squares.

The body of work she created, Grey Area, was composed of six large - scale paintings, completed between 2007 and 2009 in a studio in Berlin.

Julie Mehretu, who will speak at the High Museum on April 21, makes large - scale paintings that combine the visual languages of architecture, mapping and gestural mark - making to form highly composed invented worlds.