Sentences with phrase «scale paintings in oil»

Thomas Nozkowski at PaceWildenstein (25th Street) 534 West 25th Street April 4 — May 3, 2008 Thomas Nozkowski (one of my favorite painters) makes solely small scale paintings in oil,...

I made large - scale paintings in oil, which were very much about expressive mark - making.

Future Glow will include large - scale paintings in oil on canvas.

After seeing James Bishop, which is currently on view at David Zwirner (September 6 — October 25, 2014), I would urge anyone who cares about what an artist can do with paint to go and immerse themselves in this beautiful, sensitive, astringent exhibition of eleven mostly square, human - scaled paintings in oil and four small works (all are less than six inches in height and width), done in oil and crayon on paper.

Not exact matches

January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquIn the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.&raquin paintings made quickly.»

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

He often works in grisaille, creating large - scale oil paintings depicting various configurations of the body.

His drawings — in particular his studies for his large - scale oil paintings with their notes scribbled down the margins — are some of his most intimate works to date.

In the last few years New York - based artist Michael Williams (born 1978) has evolved from making large gestural oil paintings to similarly scaled paintings printed with a billboard - sized inkjet printer.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Her large scale mixed media oil paintings are found in the public collections of the Solomon R. Guggenheim Museum; Brooklyn Museum; Museum of Fine Arts (Houston); Victoria and Albert Museum (London); and Fine Arts Museum of San Francisco.

Featured in critically - acclaimed retrospectives at the Tate Britain, London, the Centre Pompidou, Paris and The Metropolitan Museum of Art, New York, this large - scale oil painting is a landmark of Hockey's career.

Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finisPaintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finispaintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished size.

As in her iconic series Azulejões, where the artist amplifies the scale of the blue and white Portuguese tile, these new three - dimensional oil paintings have grown from her fascination to develop a technique that would allow her to reconstruct 19th century Pallisy ware from the celebrated Portuguese factory of Caldas da Rainha, run by Rafael Bordalo Pinheiro (1846 - 1905) one of the most relevant Portuguese artists and Palissy follower.

Eric Fischl made his reputation in the 1980s with large - scale figurative oil paintings depicting ambiguous, erotically charged scenarios set in the American suburbs.

For his second solo outing at the gallery, White will exhibit large - scale oil paintings as well as smaller works on paper, in which he continues his examination of the interstices between representation, abstraction and the tactile sphere of everyday life.

The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large - scale oil painting that depicts a fighter, weapon in hand, while underneath him everyday events such as a wedding taking place and a child riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

Emerging talent Clare Bonnet's work was a huge success in our Jamaica Street Artists exhibition earlier this year and this time we will show four recent, large - scale oil paintings of semi-abstract female studies.

This is the next series in the Coloringbook Portfolio and «Paper Doll» Series, large scale oil and digital ink paintings on sheets of paper.

Through a combination of found - object assemblages, stunning large scale collages and an oil on linen painting that nods to de Chirico, Hundley's work evokes all of the lust, betrayal, violence, and despair expected in a visual interpretation of ancient Greek tragedy.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

Meditative, large - scale paintings augmented by smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents» mid-century suburban home.

- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.

Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

This exhibition sees Williams engage with large scale painting and ceramic forms, incorporating gold leaf and sand, alongside raw pigment and oil paint, to produce affect in his experimental, and textural works.

Large - scale, hyperrealistic, and rendered in smooth oil paint, the works immortalize the flower through an entrancing and evocative narrative.

Timothy Taylor Gallery, London until 12 July 2014 Jazz and blues have always exerted an influence on the abstract paintings of Sean Scully RA, but he has perhaps never acknowledged its influence as clearly as his new remarkable quintych at Timothy Taylor — A Kind of Red (2013), comprised of five large - scale oil - on aluminium panels, in response to Miles Davis's modal classic A Kind of Blue.

This performance helps clarify Shiraga's large - scale abstract paintings in oil done with his feet while suspended above the canvas.

In his large - scale oil painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French lyrical abstraction, more precisely the calligraphic style of the German born painter Hans Hartung (1904 - 1989).

Poppy Fields features a series of vividly colored, oil on linen paintings that are uniquely intimate in scale and nature compared to the artist's iconic large - scale Ash paintings and monumental sculptures.

As the name «Initiations» suggests, the works in the Enitharmon exhibition are modest and small - scale, but in her major oil paintings Walker is working at a growing pitch of ambition and accomplishment.

In the large - scale work Hebron (1998 - 2001), Petlin utilizes chalk and oil on unprimed linen to create outlines of figures and smears of red paint and chalk, indicating bloodshed.

For this exhibition, Moyer has produced a series of vibrant, large - scale paintings, a dramatic, architectural sculpture, and drawings in oil on paper.

Working in oil on canvas, ink on paper, and mixed - media collage, Krasner produced works characterized by a sensuous painterly style, her large - scales collages often formed from the artist's own cut - up paintings and drawings.

For her first exhibition with Sean Kelly gallery and her first solo show in New York since 2014, Sam Moyer has realized a vibrant series of large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.

Below you can find more pictures including 3 paintings with oil and acrylic on canvas and a large scaled mural made in Bordeaux in 2015.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

Large scale oil paintings dripping in paint and medium encapsulate the whole canvas in grid like nature.

Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

Meditative, large - scale paintings and smaller studies in oil and ceramic reimagine the domestic spaces of her relatives with a focus on her late grandparents» mid-century suburban home.

At the peak of contemporary - art prices in May 2008, Zeng's oil painting of Red Guards fetched HK$ 75.4 million, while large - scale works averaged HK$ 5 million or more.

Sappers and Miners will include a series of large - scale paintings produced in oil on canvas.