Sentences with phrase «scale paintings measuring»

The show will include approximately sixteen works featuring six large - scale paintings measuring approximately five feet in height and twelve feet in length.

Mark Bradford generally makes large - scale paintings measured by the foot.

The largest gallery will contain three imposingly scaled paintings measuring between eighteen and thirty - five feet in length, whose source imagery is drawn from an ancient tale of Buddhist monks confronting decay and death.

This solo show features 2 paintings shown at the Contemporary Art Museum Kumamoto, a large - scale painting measuring 4m × 8m, in addition to 4 new paintings and 2 photographic works.

Not exact matches

Even if your scale is off by 5 pounds, or your body fat caliper is inaccurate by 1 %, as long as you use the same device and measure in the same way under the same conditions, you can track trends and paint the picture of your health and whether or not it's improving!

In 1947, at the height of the Abstract Expressionist era, the Museum of Modern Art mounted an exhibition called Large - Scale Modern Paintings; to qualify for inclusion, paintings had to measure at least six feet in one dPaintings; to qualify for inclusion, paintings had to measure at least six feet in one dpaintings had to measure at least six feet in one direction.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

The paintings, intensely detailed, small - scale organic abstractions (measuring no larger than 18» x 14»), are meticulously rendered with acrylic on masonite panels.

With some measuring upwards of 2 meters by 3.5 meters, photography now had the scale and impact of painting.

Measuring more than nine feet wide and seven feet high, Mountains and Sea subscribed to the ambitious scale already associated with abstract expressionism, and it also featured the loose, gestural paint handling that was becoming a trademark of the New York School.

Bui commented that both curatorial ideas were inspired by Jackson Pollock's admiration for Albert Pinkham Ryder, whose modest - sized paintings, such as Moonlight Marine (1870 - 90) which measured 11 1/2 x 12 inches, evoke monumental scale and immensity of space, while Pollock's large - sized canvases attain a sense of intimacy.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

Large - scale works to be exhibited include John Chamberlain's The Sylvester Barge, a «couch» sculpture made in 1982 of urethane foam and nylon cord measuring 6 x 15 feet; a ceiling - mounted «Tarpaulin» painting by the young English artist, Gary Hume; and Katharina Fritsch's Knot, a new painted plaster sculpture of rat - tails that relates to her 1993 Rat - King installation at the Dia Center for the Arts.

This artist's talents lie more often in laidback ellipticisms than in rigorous form, but «Studio 1» not only conjures a studio space conceptually, with color - chart colors and attached paint cans, but animates it with intensely measured contrasts of angle, color, and scale.

New drawings made with India ink on reflective chromed panel from the series Golden, which includes a large - scale triptych measuring more than three and a half meters, continue Fernández's inquiries into materiality and mining, traditional landscape painting and the cultural significance of gold.

Architectural scale oil painting on canvas, measures 70» by 70.5».

The result of a deliberative process guided by careful attention to spatial relationships, the large - scale oil paintings of Suzan Frecon (born 1941) are composed of asymmetrical curves that result in minor and major measured areas of color.

Her strikingly colorful, large - scale wall paintings reflect advanced technology and traditional folklore in equal measure, providing an immerse, psychedelic viewing experience.

Rendered in oil paint over palladium leaf grounds, these pieces measure 12 x 12 inches square, the scale of the record albums themselves.

She rejected the metaphysics and scale of AbEx painting, replacing this once - dominant form with a loose but measured geometry that exuded an interest in the quotidian, echoing aspects of the structures around her — doors and windows, for example.

The small scale objects made of painted laser - cut steel measure 9 1/8 x 14 5/8 x 5 1/2 inches and, among others, were acquired by Gibbes Museum of Art in Charleston, S.C., Albright - Knox Art Gallery in Buffalo, N.Y., and New - York Historical Society where it will be featured in the fall 2018 exhibition «Black Citizenship in the Age of Jim Crow.»

This exhibition includes two relatively large - scale paintings, each measuring 30 by 40 inches.

This was also true of Thomas Nozkowski's decision in the late 1970s to work on store - bought, prepared canvases measuring 16 x 20 inches, which registered his rejection of large - scale, post-easel paintings and, later, the Neo-Expressionists» oversized declarations of innate genius.