I use the term «particular pictorial truth» because, of the dozen, mostly large -
scale paintings on display — other than a pair of deliberately coupled (on the part of the curator) canvases from the 1990s — no two are alike.
Daniel Richter talks about his work, specifically about the five large -
scale paintings on display.
In the four epic -
scaled paintings on display, «Walpurgisnacht — Faust I,» «Walpurgisnacht — Faust II» (both 1956), «The Temptation of St. Anthony» and «The Concert of Angels» (both 1957), the naked female bodies crowding the canvases are ghostly white (and in the two later paintings, they are mossy green, burnt orange and blue - violet as well).
Not exact matches
SEO, a former master class student of Georg Baselitz (of whom original works are
on display at art» otel berlin mitte), has created bespoke large -
scale paintings mainly consisting of coloured rice paper torn into strips, which she then used to create dramatic picturesque collages.
For the artists
on the team being able to build and
paint to the
scale the next - gen consoles can
display, they're loving it.
In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large -
scale earlier
paintings were
on display in which his primary source of artistic creation were contemporary facts of violent confrontations.
The artists participating at the Grundy Art Gallery are Allison Katz, who
displays a trilogy of works comprising
painting, sculpture and print; Amy Stephens, whose practice centres
on reclaiming objects and images from the native landscape; Ruth Beale with new large -
scale works
on paper, drawing
on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
That thesis, never before
displayed in a museum exhibition, is now
on view at the Mead, alongside Mazur's vibrant pastels, large -
scale gestural
paintings and well - known prints, including Dante's Inferno.
Paintings of Abraham Lincoln are
on permanent
display at the Illinois Governor's Mansion in Springfield, Illinois and her large -
scale narrative depiction of the assassination of Wild Bill Hickok,
This contrast is visible in the
display of three large
scale paintings on the top floor of the space, all of which depict ladders.
On display are several new bodies of greatly varied work: a series of paintings based on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitle
On display are several new bodies of greatly varied work: a series of
paintings based
on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitle
on Amish quilts; a series of silk - screened
paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large -
scale pattern
paintings featuring panda bears; a wall with photos of cats that look like Hitler.
There are precedents for «Austin» — for instance, Donald Judd's sprawling Chinati Foundation complex, which he worked
on from 1979 until his death in 1994 to showcase his large -
scale artworks and those of his contemporaries in the desert of Marfa, Tex.; Barnett Newman's 14 - part abstract
painting cycle from 1958 to 1966 interpreting the stations of the cross; the Chapelle du Rosaire de Vence
on the French Riviera, completed in 1951, which was designed by Henri Matisse and
displays his work; and Le Corbusier's 1954 Notre - Dame du Haut, a Roman Catholic chapel in eastern France.
Miniature
paintings by Celia Hempton
painted live in chatrooms go
on display alongside a large
scale digital
painting by Albert Oehlen and manipulated camera-less photography by Thomas Ruff.
Seven of the large -
scale stained acrylic
paintings that comprise that coda are now
on display at Pace Gallery in the late artist's first New York exhibition in 25 years.
Also
on display are short films, large -
scale prints and
paintings using onomatopoeias, as well as a slideshow of Christian Marclay's photographs of onomatopoeias (Zoom Zoom), and the large -
scale video installation that shows onomatopoeias cut from comic books and animated in a dynamic composition that corresponds to each word (Surround Sounds).
Often printed
on the grand
scale of a history
painting — exhibited either as backlit lightboxes akin to advertising
displays or as crisp ink jet and silver gelatin prints — Wall's works reveal their poetic potential through portraying empathetic characters, picturing impossible vantage points, and capturing elusive moments.
Metz's former works often consisted of large -
scale paintings displaying abstract forms, not dissimilar to those implanted
on the walls at James Fuentes.
The artwork
on display is
painted on large -
scale canvases with oil.
Interested in issues relating to power, Golub
displays figures engaged in some form of struggle in these large -
scale works; he used a technique of scraping
paint on the canvas to create a rough, almost three - dimensional effect.
The
paintings, many of which exemplify Ms. Sherman's signature style of large -
scale, tight - focus landscapes, will be
on display through November 22, 2016.
Spanning from 2007 through his most current work, the gallery has both large -
scale paintings and smaller drawings
on display.
A wide range of Gornik's work is
on display this spring, both in a solo show at Danese / Corey Gallery in New York City where a dozen of her large -
scale paintings and charcoal drawings are
on view through May 31 as well as in a new book, «April Gornik: Drawings» just released by FigureGround Press and distributed by D.A.P.