Sentences with phrase «scale paintings on view»

A gallery spokesperson said the three large - scale paintings on view were only available for purchase by institutions.

Nathan Randall Green's «Sheetrock Slip / Strike (SB12C)» is among the large - scale paintings on view through Oct. 22 at Art Palace in the solo show «Over the Sun.»

Contributed by Sharon Butler / Digital screens, halftone dot patterns, emoticons, and other typographic symbols comprise the imagery in Jacqueline Humphries's new series of large - scale paintings on view at Greene Naftali through June 20.

Not exact matches

It's the work of Baltimore born Maya Hayuk, «her paintings and massively scaled murals recall views of outer space, traditional Ukrainian crafts, airbrushed manicures, and mandalas» as I read later on the website.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Thus, an exhibition now on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature, large - scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

New paintings on view feature monumental nude figures and intimately scaled body parts.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

A 2005 group show at the Whitney, called «Remote Viewing,» took painting, drawing, and sculpture on the scale of a room — often directly on museum walls.

Join us this fall for a conversation between the artist and Gary Garrels, Elise S. Haas Senior Curator of Painting and Sculpture, about this large - scale commission, on view starting September 2, 2017.

Deontological Pictures, an exhibition of ten new large - scale paintings by Keith Coventry, is on view at the East London exhibition space PEER until 1 December.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

This is the perfect starting point for an appreciation of the works on view in the current exhibition, which rely on white in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large - scale paintings.

In the selected items on view, the developments of American artistic traditions can be traced through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.

That thesis, never before displayed in a museum exhibition, is now on view at the Mead, alongside Mazur's vibrant pastels, large - scale gestural paintings and well - known prints, including Dante's Inferno.

Also on view will be several new large - scale paintings by Kelsey Brookes including a new series called One Continuous Line.

The exhibition will feature new large - scale paintings and is on view at both gallery locations at 11 Rivington Street and at 195 Chrystie Street from April 17 — May 18, 2014.

A new large - scale multicolored wall painting by Bridget Riley is on view at the Chinati Foundation in Marfa, Texas.

At 44 x 72 inches, the painting is one of the large - scale works on view.

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

Titled STUDIO PAINTINGS, the exhibition is comprised of small - scale oils on panel inspired by the artist's cramped workspace, which he portrays in minute detail, and from an often vertiginous point of view.

Mr. Sharif was best known as a Conceptual artist, but his command of color is on full view in a large - scale work made with pieces of painted cotton rope, titled simply «Colours» (2016).

Also on view are maquettes used to develop Calder's large - scale works, including Cafritz Fountain [maquette](1966), a sheet metal and paint study for the iconic Gwenfritz (1968) currently at the Smithsonian's National Museum of America History.

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

Tarjama / Translation Queens Museum of Art, New York May 10 - September 27, 2009 Curated by Leeza Ahmady and Iftikhar Dadi with assistant curator Reem Fadda Pouran Jinchi's Tajvid Red - a large - scale red ink on paper scroll that unfurls from the ceiling to floor - and 16 paintings from the Alef Series will be on view.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

A series of evocative and often sexual large - scale paintings on canvas, drawings and prints by Dorothy Iannone (b. 1933, United States) will be on view at Peres Projects.

On view for the first time will be the large - scale Black Painting; Horse, Bird, Cat (2016), from which the exhibition takes its title, as well as a group of works on paper that together underscore the artist's distinctive working process and intuitive approach to image - makinOn view for the first time will be the large - scale Black Painting; Horse, Bird, Cat (2016), from which the exhibition takes its title, as well as a group of works on paper that together underscore the artist's distinctive working process and intuitive approach to image - makinon paper that together underscore the artist's distinctive working process and intuitive approach to image - making.

Running counter to what he perceives as a tendency toward embellishment, his photographic series The Geometry of Color, on view at Lehmann Maupin in New York, depicts simple yet vibrant large - scale geometric wall paintings.

On view will be a vibrant combination of large - scale paintings depicting the artist's signature brushstroke, using pearlescent hues on iridescent backgrounds and capturing a single gestural passage over the canvaOn view will be a vibrant combination of large - scale paintings depicting the artist's signature brushstroke, using pearlescent hues on iridescent backgrounds and capturing a single gestural passage over the canvaon iridescent backgrounds and capturing a single gestural passage over the canvas.

The sculptures in this exhibition recall in size some of the early domestically - scaled Accumulations, for which Kusama covered such things as ironing boards and travel valises in the stuffed - fabric protuberances, yet the works on view here are painted in the style that has come to characterize Kusama's most recent paintings.

On view at the Deitch Projects Wooster Street Gallery is The History of the Heart in Three Rainbows, a new series of large - scale watercolor paintings by Francesco Clemente.

Lastly, «Portraits» also features several small - scale paintings, all dated 2006, that could be called «house - portraits» of significant writers, cultural thinkers or places of historical import: Frederick Douglass» House, Aerial View Neverland Ranch, Freud's Childhood Home, and the gate to the Auschwitz concentration camp with the haunting phrase emblazoned on it, Arbeit Macht Frei (Work will make you free).

Mario Naves posts about Roy De Forest on the occasion of the exhibition Roy De Forest; A Simple Life: Small Scale Paintings from 2000 - 2003 at George Adams Gallery, New York, on view through until February 9, 2013.

Inside the Legion, eight large - scale paintings dating to 1990 are on view in the Spreckels Gallery and Shorenstein Court: Two triangular paintings from Schnabel's «Jane Birkin» series, painted on Egyptian felucca sails, and his flamboyant «Goat» paintings, begun as a posthumous tribute to artist Mike Kelley.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad appOn view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad appon location in his native Yorkshire; and finally, his experimental works using iPad apps.

On view are 66 paintings from her «My Eternal Soul» series, new large - scale flower sculptures, two «Infinity Mirror Rooms,» and a polka - dotted environment, and new «Infinity Net» paintings.

Among them, Lehmann Maupin will show new photographs by Catherine Opie; Cheim & Reid will unveil new large - scale sculptures by Lynda Benglis; at PPOW, Dotty Attie's subversive gridded narratives painted from photographs are on view; and David Zwirner continues the gallery's 25th anniversary celebration with gallery artists including Annie Albers, Ruth Asawa, Marlene Dumas, Sherrie Levine, Alice Neel, Bridget Riley, and more.

In the post-war period New York had produced abstract painting of a certain scale and ambition, and this context, along with the size of Bowling's New York studio, allowed him to work on the larger, often monumental scale works on view at IMMA.

Akinyuli shows new large - scale paintings depicting children, focusing on the sartorial aspect of portraiture to highlight the way in which a person is presented and viewed through their choice of dressing.

«A series of new paintings will be on view, accompanied in the Third Floor Project space by a new series of drawings, and a large - scale editioned etching, Epigraph, Damascus, 2016,» the press release stated.

A single, large - scale painting (red dust between, 2017) by the Los Angeles - based artist Rodney McMillian will be on view for the first time with the presentation, serving as focal point in the gallery and anchor for discussion.

Alongside Rodin's work, large - scale books with Kiefer's illustrations will be on view, as well as his paintings and vitrines containing historical artifacts such as desiccated plants, scraps of fabric and stones.

An untitled 2004 painting by Lloyd Walsh is one of the 11 large - scale works on view at the Central Library in ¡ Viva San Antonio!

The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.

On view are his renowned large - scale paintings, which incorporate materials that change and react over time, with canvases literally moved around the artist's studio to accumulate sole imprints, fingerprints and dust.

The exhibition, titled Ants at a Picknic, which is on view until December 17, 2017, includes a series of new, frenetic large - scale mandala paintings, 17 tabletop painted bronze sculptures and drawings on paper.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.