Sentences with phrase «scale paintings using»

These are from his «surf painting» series, large scale paintings using bio-paint, salt water and beach sand on paper.

Not exact matches

This goes further than the current philosophy in the United States, where, for instance, nanoscale particles of titanium dioxide (a chemical used in sunscreens and paints) are not considered different from larger - scale particles of titanium dioxide.

Even if your scale is off by 5 pounds, or your body fat caliper is inaccurate by 1 %, as long as you use the same device and measure in the same way under the same conditions, you can track trends and paint the picture of your health and whether or not it's improving!

Students drew their plans to a one - quarter - inch scale, and Pacheco transferred their designs to the floor of the soon - to - be school building, using spray paint to translate their scaled designs.

SEO, a former master class student of Georg Baselitz (of whom original works are on display at art» otel berlin mitte), has created bespoke large - scale paintings mainly consisting of coloured rice paper torn into strips, which she then used to create dramatic picturesque collages.

«Using only palette knives, acrylic paint and canvas, I started on a journey of creating 10 large - scale portraits using the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.&rUsing only palette knives, acrylic paint and canvas, I started on a journey of creating 10 large - scale portraits using the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.&rusing the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.»

Squirl uses spray paint, paint pens and multi layered stencils to develop large scale live works, and pieces for exhibition and sale.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Gasiorowski said that painting the flower pots was akin to a musician practicing scales, and that it was while making his «Pots de Fleurs» that he «began to use color seriously.»

Using a condensed and dramatic form mixing elements of comic book art, Californian underground, and murals with the great European tradition, the large scale religious implementations of the Baroque in particular, Danø works range from the traditional painting to reliefs and singular objects.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

Amy Feldman uses an economy of form to construct an image, making large - scale paintings that pivot formalism with humor.

Another important innovation was Dan Christensen's use of a spray technique to great effect in loops and ribbons of bright color; sprayed in clear, calligraphic marks across his large - scale paintings.

New work includes large - scale paintings that use silkscreen, computer manipulation, digital printing and material exploration.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

Unlike his figurative work, these paintings are larger in scale and made using a much different technique, utilizing a broom to paint and later flooding the surfaces with chlorine and water.

At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.

This marks a departure from the artists use of appropriated imagery, the exhibition comprises many new large - scale paintings that incorporate his own designs, which is a first for the artist.

In many of my recent paintings, I am utilizing and playing with scale shifts of the letters, which is a new development from my previous body of work, which used a uniform text size to aid in making an image.

It is believed that de Kooning also impacted him to scale up the work, encouraging him to explore the paintings using an enlarger — Bell - Opticon projector to project a sketch onto the wall of his studio.

Claude Monet Intimate — deep, profound, personal, direct, close; (intrinsic, essential) all words one could use to describe these small paintings; small in size but expansive in scale.

One of Owens's many strengths is her use of scale — the big painting and the internal relationship of shapes to the whole.

Lucy Dodd, 34, will create a large - scale painting in real time — she'll be present throughout — using materials like fermented walnuts and kombucha scoby (the acronym for «symbiotic culture of bacteria and yeast»).

On the walls he hung the Schleifenbilder, canvases which made use of the photochemical process and manganese, and the Spiegebilde, large - scale paintings made with enamel and gold leaf.

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

She used these manufactured setting as still - lifes, transcribing them into larger scale oil painting of abstract space - scapes.

Her large - scale paintings (approximately 10 metres in length) use layers of enamel paint on aluminium.

The new work, on canvas, board and paper, range from postcard size pieces to large scale paintings, installed in ways which recall the story boards used in television and film production.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

For over four decades, Nozkowski has produced richly colored, intimately — scaled abstract paintings that derive from his personal experiences and everyday encounters in the world, using shapes, lines, and color to depict his immediate environment in an improvisational manner.

Other large - scale paintings, Providence Spirits (Gold) and (Silver), use the bills to render the pyramid from the back of U.S. $ 1 bills as a focal point, however the faint outlines of the bricks appear to be laid in a frenetic manner that suggests the structure is on the verge of toppling.

Minter, who uses photography in her work, is known for her large - scale paintings that span the gap between feminism, sex and fashion.

In using a broad spectrum of color and freedom within the media, Cain's paintings hold the risk and ambition seen in her site works in a much more intimate scale.

The grand yet sombre paintings on show in London are large in scale, using areas of black and gold leaf.

Walton Ford (American, b. 1960) is a painter who uses watercolors to create large - scale paintings influenced by the style of John James Audubon and other artists from the Naturalist Illustration Movement.

The result is paintings, both large - scale and small, which endeavor to show the «feeling» of place using a full range of color and unrestricted brushwork.

Mosset, in addition to a series of his infamous «circle paintings» from the 1960s, will present a large - scale installation of several dozen Toblerones, large cardboard sculptures based on anti-tank structures used by the Swiss army.

Taking a large - scale painting and attaching it to a smaller canvas, allows the artist to use the excess «painting» to mold at will, forming wrinkles, waves, and even unplanned imperfections that all result in the final work.

Impressively, this homogeneity of design is balanced by a bold experimentation with all other aspects of painting, using a variety of material supports and employing a wide range of scales.

Through a bracing use of color and unapologetic scale, Abney's canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet.

In addition to his large - scale paintings, Katz has produced dozens of print editions using a variety of techniques, including lithographs, etchings, silkscreens, and linoleum cuts.

But unlike Android or iOS, Wade Guyton OS is the product of one man: Wade Guyton, a 40 - year - old New York artist who uses digital tools to create large - scale paintings.

Shaw uses a focus on the over-arching themes of fallibility — fallen heroes, collapsed economies, and political figures — to center his exhibition around a series of large - scale paintings begun in 2004 on old, cut - apart theatrical backdrops.

He previously depicted food items in pieces such as Pumpkin Sculpture (1998) and the large - scale, cartoonish sculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out his office.

Among the characteristics that define Clyfford Still's art — dramatic textures, monumental scale, and jagged, vertical forms — perhaps Still's use of color most contributes to a viewer's experience of a particular painting or drawing.

Throughout the years, Monteiro has sought to create works that command attention through quiet means and humble scale, making use of paint, bronze, wood and clay.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

Well known for her use of dense patterns of polka dots and nets, as well as her intense, large - scale environments, Kusama works in a variety of media, including painting, drawing, sculpture, film, performance, and immersive installation.

It's been almost a decade since Fred Tomaselli stopped using drugs — that is, stopped encasing actual hallucinogen and stimulant pills in his dizzying, large - scale paintings.

Jhaveri describes them as «classically beautiful works, using the techniques of miniature painting, but on a larger, contemporary scale».