Sentences with phrase «scale permanent installation»

In June 2009 she received a commission for a large - scale permanent installation titled Coin Toss at Cowboys Stadium.

His large - scale permanent installation at the Chinati Foundation in Marfa, Texas (2001 — 16) is the first free - standing structure devoted exclusively to his work.

«Games of Chance and Skill»: a large - scale permanent installation will open at MIT on October 4, 2002.

The museum opened in 1986 for the purpose of exhibiting the large - scale permanent installations of artists John Chamberlain, Dan Flavin, and Donald Judd.

Not exact matches

The project was exhibited as a large scale installation at the Les Nuits Photographiques in Paris, PMQ in Hong Kong, the CAFA museum in Beijing, and is currently in the permanent collection of the Museum of Contemporary Photography in Chicago.

Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).

He founded The Chinati Foundation / La Fundación Chinati in 1986 specifically for the permanent installation of large - scale works by himself and his contemporaries.

His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the São Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Bienal, and is in the permanent collections of the Museum of Modern Art, Institute of Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art, and other institutions worldwide, including a permanent large - scale installation at the Massachusetts Institute of Technology.

Since the mid-1990s his site - specific installations and permanent public works have extended his practice to a larger scale.

His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the Sao Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Biennale, and is in the collections of the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum of American Art, the Albright - Knox Museum, the San Francisco Museum of Modern Art and other institutions worldwide, including a permanent large - scale installation at MIT.

Serra's first solo exhibition at the museum was held in 1980, and marked the creation and permanent installation of the large - scale steel sculpture Waxing Arcs in the entrance area.

Internationally - acclaimed artist Josephine Meckseper, known for her film, photography, and installations that conflate art objects with commodities, responds to the museum's architecture, location, and collection with five large - scale sculptural works installed in the outdoor gallery, lobby, and permanent collection galleries.

The specific intention of Chinati is to preserve and present to the public permanent large - scale installations by a limited number of artists.

Recent projects include A Monument of Mines, (2015) a major site - specific installation for the new cultural center in Kongsberg, Norway and One Field to the Next a permanent large - scale work at the Taipei Main Station (2016).

Nonas has exhibited extensively throughout the world, making floor - based and wall - mounted works that range in scale and are situated both indoors and out; such as, the permanent installations at the abandoned village, Vière et les Moyennes Montagnes, Digne - les - Bains, France in 2012 and at the Fondazione Ratti, 2003 - 11.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

She has exhibited internationally and her large scale multi-media installation UnderGround is in the permanent collection at the Museum of Contemporary Art, Los Angeles.

While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent installation created for MIT, and to be followed this summer by Stare Decisis, a GSA - commissioned installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.

Ritchie's work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the Sao Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale and the Havana Biennale, and is in the permanent collections of the Museum of Modern Art, Institute of Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art and other institutions worldwide, including a permanent large - scale installation at the Massachusetts Institute of Technology.

In addition to Inverted Birth the exhibition presents four individual works derived from Viola's large - scale permanent video installation Martyrs (Earth, Air, Fire, Water), 2014, at St Paul's Cathedral in London.

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

As a 2014 resident at the Children's Museum of Pittsburgh, she created a large - scale, interactive light installation, Prism Palace, now in the museum's permanent collection.

In 1979, with assistance from the Dia Art Foundation, Judd purchased 340 acres of land in Marfa, Texas, on which he established the Chinati Foundation, an exhibition venue devoted to large - scale, permanent installations by Judd and several of his contemporaries, including John Chamberlain and Dan Flavin.

Six of his large - scale composite relief works are located on the grounds of the Venet Foundation in France in a permanent outdoor installation called the Frank Stella Chapel.

In this installation drawn from the Seattle Art Museum's permanent collection, artists including David Salle, Eric Fischl, Richard Pettibone, Jessica Jackson Hutchins, Brian Jungen and others grapple with these concerns in various ways — by returning to figuration in painting, rethinking modernist masterworks in more humble scale, or reconnecting art and craft in their work.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

The Chinati Foundation presents a much - anticipated addition to its permanent collection — a new large - scale installation by Robert Irwin opening in 2016.

Many of de Maria's most celebrated works are permanent or long - term installations; this, in addition to their often tremendous scale and strict spatial requirements, are significant limiting factors for private collectors.

The Illuminated River is a design commission on an unprecedented scale: a unified scheme conceived to light central London's bridges along the River Thames in a free, permanent light installation.

2000 Leigh and Mary Block Art Museum, Northwestern University, Evanston, USA Lyman Allyn Museum of Art at Connecticut College, New London, USA Des Moines Cultural Center, Des Moines, USA Butler Institute of American Art, Youngstown, USA Watershed, Selby Gallery, Ringling School, Sarasota, USA Chase Bank Installation, MA College of Art, Boston, USA Waterfall Paintings, Rhona Hoffman Gallery, Chicago, USA The Norton Museum of Art, Sarasota, USA United States Chancery, Moscow, Russia (Permanent installation of fivempanels in the Grand Entrance) Embassy Suites Hotel, Battery Park City, New York, USA (Permanent installation of two large scale wall drawings for the Public Art Fund) University of Alabama at Birmingham, BirInstallation, MA College of Art, Boston, USA Waterfall Paintings, Rhona Hoffman Gallery, Chicago, USA The Norton Museum of Art, Sarasota, USA United States Chancery, Moscow, Russia (Permanent installation of fivempanels in the Grand Entrance) Embassy Suites Hotel, Battery Park City, New York, USA (Permanent installation of two large scale wall drawings for the Public Art Fund) University of Alabama at Birmingham, Birinstallation of fivempanels in the Grand Entrance) Embassy Suites Hotel, Battery Park City, New York, USA (Permanent installation of two large scale wall drawings for the Public Art Fund) University of Alabama at Birmingham, Birinstallation of two large scale wall drawings for the Public Art Fund) University of Alabama at Birmingham, Birmingham, USA

Installation view G2 Kunsthalle Leipzig, permanent exhibition of the Hildebrand Collection with artworks by Neo Rauch (the large scale painting in the background), Christoph Ruckhäberle, Paule Hammer and Sebastian Gögel photo: maeshelle west - davies

Through what was known at that time as «the Marfa Project,» Judd established the permanent installation of large - scale works by himself and his contemporaries.

This year's commission went to the British artist Cornelia Parker (1956) best - known for her large scale sculptural works and installations, which have been widely covered through solo exhibitions at the Venice Biennale, the Serpentine Gallery in London, and the The Modern Art Museum of Fort Worth; along with being included in the permanent collection of several major art museums, including Tate, MET, de Young Museum, MoMA, Centre Pompidou, and Victoria and Albert Museum.

The project led Oldenburg to focus almost exclusively on the permanent installation of large - scale monuments in public places.

Mary, the second permanent large - scale video installation for St Paul's Cathedral created by the artist Bill Viola, will be inaugurated in the North Quire aisle of the cathedral on 8th September.

His work is in the permanent collections of such public institutions as the Museum of Modern Art, NY and the Hammer Museum, Los Angeles where his large - scale outdoor installation, Demon Hill, 2010, is currently on view.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Mary, the second permanent large - scale video installation for St Paul's Cathedral created by the internationally acclaimed artist Bill Viola, has been inaugurated in the North Quire Aisle of the cathedral

Zittel's work at Regen Projects runs through August 12th; the large - scale installations in Joshua Tree are permanent.

The Chinati Foundation is pleased to announce a much - anticipated addition to its permanent collection — a large - scale installation by Robert Irwin.

In the late 1970s, under the auspices of the Dia Art Foundation, the artist Donald Judd acquired the former fort and began converting the buildings to house permanent large - scale art installations.

We initiate public art projects in the US and abroad placing large - scale works in the public domain for both permanent and temporary installations, in such locations as New York City, London, Boston, San Diego, Miami, Salt Lake City, Philadelphia, Las Vegas and Dallas.

As an accomplished artist practicing in the public realm, she also realizes large - scale, permanent installations commissioned by major public agencies on the federal level as well as city and arts for transit programs.

Sandi has been accepted into and won awards at many local and national juried shows, held a solo show of her abstract works, «Urban Edge,» in 2016, and was commissioned in 2016 to paint two abstracts for a large - scale permanent public art installation as part of the «Art Walls» project in Crystal City, Arlington, VA, on view at 12th St. and Army - Navy Drive.