Sentences with phrase «scale photograph in the exhibition»

Iraninan - born artist and filmmaker Shirin Neshat poses in front of «Bahman (from Our House Is on Fire), 2013,» a large scale photograph in the exhibition, «Our House Is on Fire» at the Robert Rauschenberg Foundation January 30, 2014 in New York.

Not exact matches

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of shooting, collecting, and aggregating present - day images.

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of...

The exhibition looks at the various subjects which Learoyd photographs in his studio, including portraits, figure studies, and still lifes, and how his use of camera obscura influences the overall impression of his large - scales works.

This exhibition focuses on a selection the Italian photographer's night photographs, printed in his signature large scale color format.

Having shown a series of large - scale ink drawings that re-created photographs from her father's early childhood in her 2003 graduation exhibition at the Royal University College of Fine Arts in Stockholm, Wåhlstrand continues to investigate other motifs from her family photograph albums.

In addition to this work, the exhibition will include photographs, made by the artist as he accompanied the clock on a ship from London to New York, as well as a group of large - scale drawings of the night sky, based on the star charts which sailors use to navigate.

Included in the exhibition are several large - scale black and white photographs that the artist created by using a 400,000 - volt Van De Graaff -LSB-.....]

Also in 2016 Anderson was the subject of Backdrop at Art Gallery of Ontario, an in - depth survey exhibition featuring previously unseen paintings, sculptures, photographs and large - scale works on paper.

In this exhibition's simplicity and directness, this series is a departure from the large - scale photographs for which Crewdson is known.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.

The photographs and drawings from the book are part of the exhibition, as is a close - to - scale reconstruction of the roof and painted ceiling of a synagogue that once stood in the city of Gwoździec.

Martin Z. Margulies is a major donor to MOCA's collection, including a large - scale installation by Swiss artist Thomas Hirschhorn and recently donated photographs by Ed Ruscha to MOCA's 15th Anniversary Collection, on view in the Pivot Points exhibition.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Conceptual artist Hank Willis Thomas will recreate a city block with a series of 1:1 scale photographs of North Philadelphia's people and buildings, installed in the galleries of the PPAC, inviting audiences to consider issues related to gentrification, and setting the stage for public forums and a crowd - sourced neighborhood image archive and exhibition.

Her iconic, large - scale, black - and - white photograph Walking House, 1989, was recently acquired by the Modern and is featured in the current exhibition Framing Desire: Photography and Video.

In addition to the photographs, the exhibition also includes drawings of her feet, firmly planted on the paper and traced to scale.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

The exhibition includes a selection of large - scale posed family portraits from his first one - person show The Good Life in 1994 along with images from his Ektachrome Archive, which the artist photographed between 1986 and 2000.

This richly illustrated exhibition catalogue, published in conjunction with the artist's first major retrospective in North America, highlights both Dijkstra's large - scale color photographs and her video installations.

From the first Gutai Art Exhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the eExhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the exhibitionexhibition.

This large - scale retrospective — the artist's second posthumous exhibition in India — of 135 drawings, paintings, and photographs by Karachi - born Nasreen Mohamedi (1937 — 1990) stands out among a trio of shows the museum has ambitiously organized to explore links among artwork by women of South Asian descent over the last century.

In the exhibition space Jurevicius installs his work «wo die kätzschen wachsen» («where the cats are growing»), a large scale sand landscape with catkin bushes, photographs and various objects.

Studio 10 announces a solo exhibition of large scale photographs by New York artist Susan Silas entitled love in the ruins; sex over 50 opening on Friday, March 7th, 2014 from 7 p.m. to 9 p.m., through April 6th, 2014.

The works in the exhibition range from paintings marked by «water stains» resembling the patina of vintage photographs to Foulkes» tableaux paintings, which are constructed on a massive scale, exhaustingly carved into with a sandblaster, collaged with plaster, paint, and found objects (such as two Coke cans, an American flag, and a tree branch in «Lost Horizon,» 1991).

The exhibition, Eye Level with the Smallest Leaf will show five large - scale multi-panel photographs taken in the forests of the Hudson Valley.

The exhibition, «Place and Time,» presented ten large - scale photographs that took aim at contemporary politics in Israel.

For this new exhibition, Curtis presents six paintings in aluminium paint on raw canvas which refers 1:1 in scale and design to the subject of his photographs of garage doors which have been removed from their «frame».

Studio 10 announces a solo exhibition of large scale photographs by New York artist Susan Silas entitled love in the ruins; sex over 50 opening on Friday, March 7th, 2014 from 7 p.m. to 9 p.m.,...

By presenting small objects, photographs, and prints in many media and techniques, the exhibition also explores the meaning of size and dimension in contemporary art and illustrates that inspired work exists independent from scale.

His exhibition Roy McMakin: A Breadbox and a Mug, Each Depicted in Sculpture and Photography (2007) involved the artist painstakingly photographing quadrants of home furnishings then splicing them together to make a 1:1 scale whole, revealing the imperfections of the objects and our perceptions.

This major traveling exhibition originated at The Phillips Collection in Washington, D.C., which also «organized an installation of Scully «s early paintings, pastels, watercolors, and photographs to place the large - scale Wall of Light paintings in a larger context and demonstrate Scully «s great proficiency in varied media.»

In her exhibition, Adechi will present a series of large - scale photographs of friends and fellow students.

Opening Thursday, June 9, at Steven Kasher Gallery in New York is Neil Latham: American Thoroughbred, an exhibition that features over 25 large - scale black and white photographs of America's greatest race horses.

For the exhibition, which was titled «Place and Time,» he presented 10 large - scale photographs that took aim at contemporary politics in his native Israel.

In addition to a number of striking, massively - scaled paintings, the exhibition included smaller works, preparatory sketches and photographs, as well as large - scale drawings and a handful of remarkable small bronze sculptures.

During its duration, the actual structures or containers intrigued me — the physical boxes holding the archive and the various architectural spaces that the centre had occupied over its history; it had moved 5 times.The piece I included in the final exhibition of our investigations was a one - to - one scale photograph compiled of all the sides (inside and outside views) of one of the programming boxes, mounted on the gallery floor.

In addition to the black and white photographs, the exhibition will also include four large - scale images in color, which locate the other works within the continuity of McGinley's oeuvrIn addition to the black and white photographs, the exhibition will also include four large - scale images in color, which locate the other works within the continuity of McGinley's oeuvrin color, which locate the other works within the continuity of McGinley's oeuvre.

Exhibition highlights include Muxima (2005), a video work by Alfredo Jaar, featuring fragmented vignettes of landmines, the AIDS crisis, and remnants of colonialism in Angola; Jenny Holzer's large - scale color - blocked painting Water - board 14 U.S. government document (2010), which depicts a redacted, confidential U.S. government document; Omer Fast's film 5000 Feet Is the Best (2011), which grapples with drone warfare; An - My Lê's photographic depictions of war and military culture that play with fact and fiction; and photographs and a film by Eric Gottesman that are inspired by his exploration of the dissident Ethiopian novel Oromaye.

LACMA will host the first full - scale museum exhibition by Sarah Charlesworth in Los Angeles, featuring over 70 of her iconic photographs.

What accompanied them are photographs done in larger scale in order to relate but not directly connect with the exhibition.

In the exhibition, Wall's large - scale photograph will be exhibited with paintings from 1969 to the present day by Amy Feldman, Mary Heilmann, Rachel Howard, Jeremy Moon, Ed Moses, Joan Snyder, Daniel Sturgis and Dan Walsh.

The mutual personal appreciation is reflected in the exhibition beide both, which mainly presents large - scale paintings of both artists but also photographs, drawings, pastels, and etchings.

The artist's first major solo exhibition in Canada, Backdrop surveys Anderson's practice in depth, presenting new and recent paintings alongside previously unseen sculptures and photographs in addition to large - scale drawings.

So will the solo exhibition of photographer Shannon Ebner, who'll bring her series Black Box Collision A, in which she presents large - scale photographs of the letter «A» isolated from different ads, calling it an «anemic ad campaign.»

This exhibition will include four works: a Giacometti painted bronze sculpture, Standing Woman, 1948; a large Mark di Suvero sculpture in metal and wood, entitled The A Train, 1966; a large - scale color photograph by Jeff Wall, A ventriloquist at a birthday party in October 1947, 1990; and a suite of seven carved wood sculptures by the American folk artist Edgar Tolson, entitled The Fall of Man.

It is the first public exhibition of Goldin's drawings, and it includes five new large - scale «grids» of multiple photographs composed in a single frame.

Beyond the ways in which photographs can not capture the minute detail inseparable from the immense scale of Pindell's work, the exhibition builds a complex understanding of a way to view her work that draws us in by asking us to look deeply and closely at and beneath its surface.